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Sasha Wolf Projects

@sashawolfprojects

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Private art space specializing in American post-documentary and contemporary landscape photography, working with collectors and leading institutions.

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𝐑𝐚𝐡𝐢𝐦 𝐅𝐨𝐫𝐭𝐮𝐧𝐞 𝐚𝐭 𝐭𝐡𝐞 𝐀𝐭𝐥𝐚𝐧𝐭𝐚 𝐀𝐫𝐭 𝐅𝐚𝐢𝐫.

We’re delighted to share Fortune’s 𝘚𝘮𝘰𝘬𝘪𝘯𝘨 𝘊𝘰𝘸𝘣𝘰𝘺, 𝘊𝘩𝘦𝘦𝘬, 𝘛𝘦𝘹𝘢𝘴, 2023, installed in the Dwell x Freeman Theater at Pullman Yards. Part of his acclaimed 𝘏𝘢𝘳𝘥𝘵𝘢𝘤𝘬 series, the photograph reflects his intimate attention to the people and histories of Texas and the American South.

Selected as one of two artworks for the space, it joins furniture, lighting, and textiles by emerging Atlanta designers in a setting that invites us to consider how we live with art.

For inquiries about Rahim’s work, send us a message or contact coco@sashawolf.com by @sashawolfprojects

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9 days ago

Last 𝐭𝐰𝐨 𝐰𝐞𝐞𝐤𝐬 to see Kristine Potter’s 𝘋𝘢𝘳𝘬 𝘞𝘢𝘵𝘦𝘳𝘴 at Sewanee.

Bringing together black-and-white photography and film, 𝘋𝘢𝘳𝘬 𝘞𝘢𝘵𝘦𝘳𝘴 moves through Southern landscapes, murder ballads, portraiture, and the cultural narratives that have long intertwined femininity, violence, and place.

Potter’s photographs resist settling into a single story. Figures and landscapes move between character and setting, witness, target, and threat; familiar Southern terrain becomes psychologically charged, shaped by memory and inherited narrative.

Kristine Potter: Dark Waters  University Art Gallery, The University of the South  Sewanee, Tennessee  𝐓𝐡𝐫𝐨𝐮𝐠𝐡 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟒, 𝟐𝟎𝟐𝟔

Installation photography by Buck Butler. Learn more at link in bio. by @sashawolfprojects

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12 days ago

In 𝘉𝘪𝘳𝘥𝘴 𝘢𝘯𝘥 𝘖𝘵𝘩𝘦𝘳 𝘈𝘯𝘨𝘦𝘭𝘴, 𝐁𝐚𝐫𝐛𝐚𝐫𝐚 𝐁𝐨𝐬𝐰𝐨𝐫𝐭𝐡 photographs bird banders at work during spring migration in northeast Ohio and central Massachusetts. Made with her 8 × 10 film camera, the images capture are presented alongside Renaissance paintings woven through the book, a meditation on fragility, care, and time. ⁠
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Published by @dust.collective, 2026. 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘰𝘳 𝘋𝘢𝘪𝘭𝘺 recently reviewed the book; find the review through / purchase the book through the links in our bio. by @sashawolfprojects

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16 days ago

Now on view at the College of Charleston: 𝐏𝐞𝐭𝐞𝐫 𝐊𝐚𝐲𝐚𝐟𝐚𝐬: 𝘍𝘰𝘶𝘳 𝘋𝘦𝘤𝘢𝘥𝘦𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘙𝘰𝘢𝘥, an exhibition spanning forty years of the artist’s continuous exploration of the United States. ⁠
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Curated by Elizabeth Bick, the exhibition brings together photographs drawn from thousands of images made across the country, tracing Kayafas’s sustained investigation of American culture, land, and identity. Kayafas describes this approach as a form of “introverted patriotism”—a quiet and attentive commitment to looking closely at American life while resisting nostalgia, kitsch, and easy answers. ⁠
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“My agenda has not been simply to find what I am looking for, but to really see what there is to see—to allow myself to be surprised.” ⁠
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Please join Peter for an artist talk on 𝐖𝐞𝐝𝐧𝐞𝐬𝐝𝐚𝐲, 𝐒𝐞𝐩𝐭𝐞𝐦𝐛𝐞𝐫 𝟏𝟔 at 𝟔 𝐏𝐌, followed by an 𝐨𝐩𝐞𝐧𝐢𝐧𝐠 𝐫𝐞𝐜𝐞𝐩𝐭𝐢𝐨𝐧 𝐚𝐭 𝟕 𝐏𝐌. Both events are free and open to the public. ⁠
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Peter Kayafas: 𝘍𝘰𝘶𝘳 𝘋𝘦𝘤𝘢𝘥𝘦𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘙𝘰𝘢𝘥 ⁠
Curated by Elizabeth Bick ⁠
On view through October 3, 2026 ⁠
⁠
Simons Gallery ⁠
College of Charleston ⁠
54 Saint Philip Street ⁠
Charleston, South Carolina by @sashawolfprojects

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a month ago

There is a particular kind of attention in Barbara Bosworth’s work—one that unfolds slowly, and rewards the same in return.

On 𝐀𝐩𝐫𝐢𝐥 𝟏𝟓, Bosworth will deliver the 𝟐𝟎𝟐𝟔 𝐌𝐚𝐥𝐥𝐨𝐲 𝐕𝐢𝐬𝐢𝐭𝐢𝐧𝐠 𝐀𝐫𝐭𝐢𝐬𝐭 𝐋𝐞𝐜𝐭𝐮𝐫𝐞 at the Tang Teaching Museum at Skidmore College.

In images like 𝘝𝘪𝘦𝘸 𝘰𝘧 𝘵𝘩𝘦 𝘮𝘦𝘢𝘥𝘰𝘸, 𝘧𝘳𝘰𝘴𝘵𝘺 𝘥𝘢𝘸𝘯 (2003), change gathers quietly, held in light and atmosphere. To spend time with Bosworth’s work is to be reminded that looking, too, can be a form of attention.

The lecture is free and open to the public. If you’re nearby, it’s not to miss.

We’re also currently sharing a focused group of vintage works from the 𝘖𝘯𝘦 𝘚𝘵𝘢𝘳 𝘢𝘯𝘥 𝘢 𝘋𝘢𝘳𝘬 𝘝𝘰𝘺𝘢𝘨𝘦 period. Please reach out to learn more. Wide landscape photograph of a meadow at dawn by Barbara Bosworth. Frosted grasses and wild plants fill the foreground, with low morning light and mist hovering over distant trees. The sky is pale and expansive, and the scene feels quiet and still. taken in Tang Teaching Museum and Art Gallery by @sashawolfprojects

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6 months ago

📸💭 Wondering what it takes to build a sustainable photography career?

Join us next Tuesday, March 31st for the next session of our #ProfessionalDevelopment Webinar Series: The Photographer’s Life in 2026 with Sasha Wolf.

From the evolving role of gallery representation, to the importance of photo books, to why community matters now more than ever, this session is packed with practical insights for photographers ready to grow with intention.

👉 Link in bio to learn more + reserve your spot! by @sashawolfprojects

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7 months ago

⁣Barbara Bosworth’s photographs emerge from sustained attention to the natural world, from trees and forests to fragile ecosystems shaped by time and care.⠀
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While grounded in direct observation, her work resists declarative environmental narratives. Through a quiet, contemplative approach, landscape becomes a site of reverence, responsibility, and reflection.⠀
Her photographs slow the act of looking, inviting a deeper awareness of presence, duration, and interdependence. ⠀
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𝗣𝗼𝘀𝘁-𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗽𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝘆 𝗰𝗮𝗻 𝗯𝗲 𝗾𝘂𝗶𝗲𝘁.⠀
It asks not only how we see the world, but how we engage with it. Soft morning light over a frost-covered meadow bordered by distant trees. Pale grasses glow under a hazy sky, creating a quiet, expansive landscape. by @sashawolfprojects

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8 months ago

Kristine Potter photographs landscapes and portraits shaped by history, belief, and power.

Her work maintains a documentary relationship to real places and people, while resisting illustrative or editorial framing. Through a subjective, atmospheric approach, landscape becomes psychological and emotional rather than descriptive, and portraiture becomes a site where inherited myths—of masculinity, violence, devotion, and sacrifice—are quietly interrogated. 𝗣𝗼𝘀𝘁-𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗽𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝘆 𝗱𝗼𝗲𝘀 𝗻𝗼𝘁 𝗿𝗲𝘀𝗼𝗹𝘃𝗲 𝗵𝗶𝘀𝘁𝗼𝗿𝘆. It keeps its tensions visible. Black-and-white portrait of a young woman against a dark background, wearing a sheer blouse with lace trim. Her wet hair is pulled forward in her hands as she looks directly toward the camera, her expression serious and focused. by @sashawolfprojects

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8 months ago

Bryan Schutmaat’s photographs emerge from sustained personal engagement with the American landscape — places shaped by labor, extraction, and time.

While rooted in documentary tradition, his work resists explanation and narrative closure, favoring a restrained, lyrical approach that allows meaning to remain unresolved. 𝗣𝗼𝘀𝘁-𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗽𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝘆 𝗯𝗲𝗴𝗶𝗻𝘀 𝗵𝗲𝗿𝗲: 𝗴𝗿𝗼𝘂𝗻𝗱𝗲𝗱 𝗶𝗻 𝗿𝗲𝗮𝗹𝗶𝘁𝘆, 𝘀𝗵𝗮𝗽𝗲𝗱 𝗯𝘆 𝘀𝘂𝗯𝗷𝗲𝗰𝘁𝗶𝘃𝗶𝘁𝘆. Black-and-white portrait of a man seated on a concrete step outside a boarded building, wearing work clothes marked by dust and use. He faces the camera directly, with personal belongings beside him. by @sashawolfprojects

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9 months ago

🙌 Our #ProfessionalDevelopment Webinar Series is back!

Conceived in collaboration with established artists and industry professionals, this interactive 4-part series is designed for emerging creatives ready to get practical about building a sustainable career in the arts

Kicking off on March 17th, each session includes real-world examples and advice for moving your career forward.

Register for individual sessions or for the entire series at a discounted rate. Follow the link in our bio to reserve your spot now! by @sashawolfprojects

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9 months ago

We’re proud to share that five photographs by Rahim Fortune have been acquired by the Library of Congress.

Spanning recent bodies of work, these photographs reflect Fortune’s sustained engagement with family, ritual, place, and the everyday architecture of life in the American South. Across his practice, Rahim is deeply committed to honoring lineage and community while thoughtfully elevating both Black and Indigenous voices—expanding how histories of land, belonging, and identity are seen and preserved within the photographic record.

We’re thrilled to see this work enter one of the nation’s most important public collections.

→ View more work by Rahim Fortune via the link in bio. Black-and-white photograph of three women in white dresses bowing forward with arms raised during a praise dance inside a church, captured mid-movement. by @sashawolfprojects

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9 months ago

How it felt getting back to the real world after the between-the-years pause.

Doug Dubois’s “My Last Day at Seventeen” was made in rural Ireland between 2009 and 2015 and follows teenagers at the edge of adulthood, capturing moments shaped by boredom, risk, intimacy, and sudden intensity. The photographs observe everyday life without judgment, allowing contradictions to sit side by side.

A series about transition — view it in full at the link in bio. Color photograph of a white dog standing on grass in a residential area in rural Ireland as a group of black birds scatter and fly around it; a rough-textured house wall fills the background. by @sashawolfprojects

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9 months ago