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SITUATIONS

@situations.us

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A selection of Alina Bliumis’ Plant Parenthood series opens in Dark Botanical today at BCA in Burlington, VT. The exhibition will be on view from October 16, 2026 — January 23, 2027. Please join! Dark Botanica Opening Reception: Friday, October 16, 2026, 5-7 PM Artists: Alina Bliumis, Cameron Davis, Dylan Griffin, Marcie Scudder, Megan Bogonovich, Sian Fan, and Sage Tucker-Ketcham 135 Church Street Burlington, Vermont 05401 Thursday & Friday: 12-5 pm Wednesday & Saturday: 12-8 pm taken in Burlington, Vermont by @situations.us
4
21 hours ago
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C u soon! taken in Chelsea, Manhattan by @situations.us
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3 days ago
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✨OPENING TMRW! ✨Pau Pescador: Pau takes the form of a Mortal B*itch at SITUATIONS alongside Clarity Haynes at New Discretions. Thurs, Oct 15th, 6-8pm ✨ SITUATIONS + NEW DISCRETIONS 515 West 20th Street, 3rd Floor New York, NY 10011 Image: Pau S. Pescador Amor Prohibido (11), 2026 Polaroid photograph 4.2 x 3.5 inches 15.25 x 12.25 x 1.25 inches framed taken in New York City by @situations.us
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3 days ago
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Corinne Jones “Fugitive Signals” opens tonight in her hometown of Memphis! Congratulations @thelongdelayedecho 🥂 @crosstownarts When: October 9, 2026 from 6pm to 8pm Where: Crosstown Arts — 1350 Concourse Avenue, Ste. 280 Memphis, Tennessee 38104 Exhibition Run: October 9, 2026-January 17, 2027 Fugitive Signals—Corinne Jones Fugitive Signals, a solo exhibition by Corinne Jones, consists of a new body of paintings made at Crosstown Arts Residency, and projected photographs of stairs found in Memphis. The ephemeral stairs ground the walls in a pictorial sense while the paintings appear to be shrouded in a balmy atmosphere that signifies the sky. Together, the stairs and the paintings are connected by the concept of erasure. The stairs are evidence of absence. They lead to plateaus where buildings used to stand. The erasure is absolute, but the remnant stairs are vestiges of histories hidden in plain sight. They persistently indicate what once was. The paintings are versicolor abstractions patterned together and clouded, obscured, etched, and erased. They depict streaming banners covered in chevron motifs. The banners present a static presence that continuously beckons, a fixed state of transience. The chevron, a symbol of strength and protection, is repeated with both conviction and irreverence. Repetition is the artist’s way of rewriting and over-writing existing conditions that are rooted in patriarchal systems. These interventions become a tool of subversion. The repeated gestures strip the motifs of their original authority and imbues them with new potentials. The collective whole of Fugitive Signals is a proposition to make the invisible visible in the hope of forming new collective memories. taken in Memphis, Tennessee by @situations.us
16
8 days ago
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PAU S. PESCADOR: Pau takes the form of a mortal b*tch ✨Oct 15 - Nov 21, 2026 RECEPTION: Thurs, Oct 15th, 6-8PM ARTIST WALKTHROUGH: Sat, Oct 17th, 3PM PERFORMANCE & SCREENING: Fri, Nov 20th SITUATIONS 515 W 20th Street, 3rd Floor New York, NY 10011 The photo above is from the “Amor Prohibido” series - Polaroid self-portraits of Pescador taken within her own home. Translated in English as “the forbidden love,” the phrase has been most famously used in the title of the 1994 eponymous Selena pop song. Here, Pescador makes a play of words while reflecting upon their Latine trans identity under the second Trump presidency. This body of work is a continuation of the artist’s investment in the photographic medium and its relationship to performance, and the potential for the corresponding photographic document. Polaroids have been long used within photographic history due to the immediacy of the medium (from April Dawn Alison to Andy Warhol), allowing for a moment to be transcribed into an instantaneous photographic object. The uncertainty of the Polaroid chemical process, as well as the playful imagery in Pescador’s images, produces a humorous juxtaposition as the artist poses alongside masks and puppets, reinforcing the physicality of the Polaroid object as a witness to the privacy as well as transformative of the artist’s body in each image. Image: Pau S. Pescador Amor Prohibido (14), 2026 Polaroid photograph 4.2 x 3.5 inches. taken in New York City by @situations.us
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9 days ago
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Masamitsu Shigeta Yellow Sunset, 2026 Acrylic and oil on shaped canvas and wood board 29.5 x 21 inches by @situations.us
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10 days ago
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One more week to see and to sit in Binoculars chair at Masamitsu Shigeta’s “Under the Surface”. EXHIBITION DATES: Sept 10 – Oct 10, 2026 HOURS: Wednesday – Saturday, 11 AM – 6 PM SITUATIONS 515 W 20th Street, Floor 3 New York, NY 10011 by @situations.us
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12 days ago
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One more week to see and to sit in Binoculars chair at Masamitsu Shigeta’s “Under the Surface”. EXHIBITION DATES: Sept 10 – Oct 10, 2026 HOURS: Wednesday – Saturday, 11 AM – 6 PM SITUATIONS 515 W 20th Street, Floor 3 New York, NY 10011 by @situations.us
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12 days ago
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FINAL DAY: Masamitsu Shigeta for Untitled Art Houston Image: Masamitsu Shigeta A moving tree, 2026 Oil on canvas with custom frame 22.5 x 19 inches taken in Houston, Texas by @situations.us
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13 days ago
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Day 3: Abdolreza Aminlari for Untitled Art Houston taken in Houston, Texas by @situations.us
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14 days ago
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Day 2: Masamitsu Shigeta & Abdolreza Aminlari for Untitled Art Houston Image: Masamitsu Shigeta A house, 2026 Oil on canvas with custom frame 20.25 x 15.5 inches Image: Abdolreza Aminlari Untitled (26.011), 2026 Gouache and thread on paper 30 x 22 inches paper size 33.625 x 25.75 x 1.625 inches framed taken in Houston, Texas by @situations.us
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15 days ago
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✨UNTITLED ART HOUSTON✨OPENING TODAY 3-6PM✨ABDOLREZA AMINLARI & MASAMITSU SHIGETA IN SITUATIONS BOOTH A11✨GEORGE BROWN CONVENTION CENTER, HOUSTON TX✨HOPE TO SEE YOU SOON!! ✌️ taken in Houston, Texas by @situations.us
16
16 days ago
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