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@slackoff_project

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Art & Architecture
By @shoshotsai.artstudio and @_qinlinyang_
📍London / Los Angeles / 成都 / 高雄
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从天气说起。 @_qinlinyang_ “你在哪里，哪里就是家。” 我想起有一次跟阿君的聊天，她用一贯的温柔语气跟我说了这句话。 从布里斯托回到了伦敦，在这个飘起细雨的秋天。无数次说着想要离开的我，又回到了这里。 by @slackoff_project
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12 days ago
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“從天氣說起” It’s all about weather -- 沒有盡頭的界線-- An Endless Boundary by @slackoff_project
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25 days ago
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Sketch by @_qinlinyang_ 从天气说起。 后知后觉大约是我性格最真实的注脚。以至于在十多年后，在阳光明媚的海边城市，我才第一次开口对身边的人说起，我很想她。想念那时被雷雨裹挟的夏夜她给我讲的恐怖故事，想念她总是率真的生活态度。我讨厌烟味，但她抽烟的样子我却非常想念。家里老院子里的柿子树还在，金银花和黄桷兰也许也还开着。“外婆”这个词已经很多年没有说出口了，但好像，也从来没有走远过，只是我终于可以说思念。 by @slackoff_project
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a month ago
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Sketch by @_qinlinyang_ / 从天气说起。 / 关于秋天，街道里桂花的香味，落了满地的梧桐叶，红色的庙宇的墙，依然绿色的竹林。 多年未在四川度过秋天，记忆已经日渐模糊。 by @slackoff_project
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2 months ago
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In its wake Mezzotint by @_qinlinyang_ 搬家的次数大约20多次？ 一次又一次，把生活连根拔起。两个箱子，就是我全部的日常。总是会羡慕人们的稳定生活，但停留在某地久了后，就会又在内心暗暗滋生出，对于远方的丝丝缕缕的向往。 我常常在想，如果有天下定决心留在某地，我就可以继续养猫；看到很喜欢的东西也会想到下一次搬家，也许又要扔掉；…… Mary Lawson的Crow Lake里面写着：世界在我眼前展开，我觉得我可以去任何地方，我可以成为任何人。 可是…… - @shoshotsai.artstudio 2013 2015 2016 2017 2018 2020 2024 2025 2026 \— 9次。 一言不合就動身，是吧？ 不是的，每一次離開與抵達，把細碎的記憶、雜物盡可能的用塑膠袋（二手的）裝好拎著，行李箱對我來說畢竟還是太工整了。 對我而言，與其說是「離開」，不如說是帶著勇氣前行，在真正的意義上常駐停留，試試所有可能讓自己的初心可以真正留下，有時候那些刻意駐足的不離開，才是真的離開吧。 by @slackoff_project
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3 months ago
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“從天氣說起” It’s all about weather -- 鬆軟的界線-- 那在視覺上不精準的界線，在面對城市的擴張與收斂時，反倒是以一種可被操作的姿態呈現在眼前，這不是一個對於城市動態的完工照，而是一幢海砂屋的拆除工程。原先人造的建築稜線，在城市需要被收斂時又被帆布給軟化成武裝解除的樣子，以鬆弛的姿態在吹來的風裡迴響。 Soft Boundaries — The visually imprecise boundary, when confronted with the expansion and contraction of the city, emerges instead as an operable condition. What appears before us is not a finished image of urban transformation, but the demolition of a building damaged by sea-sand concrete. The building’s once rigid, man-made edges are softened again as the city enters a moment of contraction, wrapped in sheets of canvas that render the structure almost disarmed. Slackened and loosened, these boundaries respond to the wind, resonating with it in a state of suspension. by @slackoff_project
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2 months ago
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“從天氣說起” It’s all about weather — 因為濕氣與熱氣—— 在我的家鄉台灣生活的經驗總是很難以俐落來形容，更精準的說，是黏膩與不乾脆。明明陽光很強，但對比就是不怎麼樣，攤在陽光底下的一切總是以過曝的方式被陳述。對比於現居洛杉磯的俐落邊界與高對比（躲太陽跑道陰影底下就明顯有差異），在台灣這種經驗的邊界是極度模糊與渙散的，我相信這也讓身體感知間接影響了對事物的認知方式。 模糊的，黏膩的，均勻的，細碎的。 — Because of Humidity and Heat— My experience of living in Taiwan, my hometown, has never been easy to describe as clear-cut. More precisely, it is sticky, humid, and unresolved. Even under intense sunlight, contrast never feels truly sharp. Everything spread beneath the sun seems to be articulated through overexposure. Compared with the crisp boundaries and high contrast of Los Angeles—where stepping from sunlight into the shade beside a running track produces an immediate and distinct difference—the boundaries of experience in Taiwan feel blurred, dispersed, and difficult to separate. I believe this kind of bodily perception also quietly shapes the way one understands things. Blurred. Sticky. Evenly diffused. Fragmented. by @slackoff_project
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3 months ago
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不准吸煙 / No smoking @_qinlinyang_ by @slackoff_project
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4 months ago
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“從天氣說起” It’s all about weather — 失重的目線—— 因為經驗上的模糊與細碎，在日常認知的建立過程中傍生一種失去明確方向的、不利索的失重感，以至於對邊界的忖度總是建立在猶疑的基礎上，成為另一種勾勒輪廓的方法。 — A Weightless Gaze— The ambiguity and fragmentation of experience give rise, in the formation of everyday perception, to an awkward sense of weightlessness without a clear direction. As a result, any attempt to gauge the boundary is invariably grounded in hesitation, which in turn becomes another way of tracing its contours. by @slackoff_project
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3 months ago
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Not that I remember @_qinlinyang_ Mezzotint 一块“坏掉”的铜板，一张Ghost Print。这是2025年我在East London Printmakers Studio做驻地时意外获得的一张版画。 2022年12月11日，伦敦，雪 遇见一只在雪地里开心的跳跃的狐狸。 （突然出现在我脑海里的场景） A “damaged” copper plate. A ghost print. This is a mezzotint print I came across by accident during my residency @eastlondonprintmakers in 2025. December 11, 2022, London. Snow. I encountered a fox joyfully leaping across the snow. (A scene that suddenly appeared in my mind.) by @slackoff_project
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4 months ago
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@shoshotsai.artstudio 我想，或許是想從裝載貧乏的容器中抽身吧， 否則為何上橋走向未知呢？ 而迷濛中少數能被清晰辨認的，卻都是這些原先的麻木與蒼白。 Perhaps I wanted to step away from a vessel burdened by scarcity; otherwise, why would I have crossed the bridge toward the unknown? And yet, amid the haze, the few things that remain clearly recognizable are precisely those former numbnesses and pale shades of life. by @slackoff_project
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4 months ago
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@shoshotsai.artstudio 橋上，是沒有風景的；人，也是沒有面孔的。 機械式的往復，將身影的投在不存在的風景裡頭， 是為了再一次沒有盡頭的往復—— _______ On the bridge, there is no scenery; and people have no faces. In a mechanical repetition, shadows are cast upon a landscape that does not exist, only to begin once more an endless cycle of return and departure— by @slackoff_project
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4 months ago
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