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sofiayanezp

@sofiayanezp

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Research, Art & Design
researching @forensicarchitecture
London - A Coruña

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💥 «Un espazo para coñecernos de verdade, abrir a mente, estar presentes» 💥

Nun momento de omnipresenza do dixital, nun lugar onde a propia tecnoloxía dialoga coa nova creación contemporánea, as voces do #EncontrodeArtesNovas reivindican a palabra, o presencial, a mirada próxima. O #EAN2026 deixounos días de intercambio de aprendizaxes, convivencia e diálogo aberto nunha descuberta de traballos sen lindeiros temáticos nin creativos, días de cruzar fronteiras e enxergar a arte que está por vir.

🎥 @miramemira_

💥 «#EncontrodeArtesNovas Cidade da Cultura» // Dirixido por Chus Martínez Domínguez // Con @sf__pan, Pablo Sanguinetti, @_clo_plas_, @laura.tabares_, @jacobo.bugarin, @medialabmatadero // @laurasubi_ @breogan_xague @sofiayanezp @joseiglesiasgarenal

🔵 Organiza: @xuntagal @culturaxunta // Colabora: @fundacionbancosabadell by @sofiayanezp

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a month ago

Compartimos un resumo da experiencia de Sofía Yáñez Perteagudo no programa Territorios Productivos. Galicia 2026. OsCasares, San Cristovo de Mouricios, Chantada, Lugo.

Vídeo @pablo_goluboff

@sofiayanezp @fablabbcn @buj.studio @jewls21
@aldarave_ @ccopiloto @recunchomaker @os_casares_

#ResidenciasVilaseco#TerritorioArte
#OsCasares#TerritoriosProductivos by @sofiayanezp

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3 months ago

Revised Cartographies: Becoming Hyper-conscious

I am so happy to have been able to teach this workshop at the @uia2026bcn designed and created by @ibiye_camp , alongside her and @laurenlois.wip , how lucky to be amongst such brilliant talented and inspiring women!
Thank you for your support throughout @mcamposq5 !
Leaving here some photos of the exhibition pieces done by the workshop participants during the past days, some wip, setup, the space and the plenary session panel discussing the work 🙏

Revised Cartographies gathers a language of rescripted techniques through calico cloth. Markmarking and translating the landscape onto the cloth with heat inscribed a voided memory. The marks are Point Clouds, rendered and cut into the surface, they do not simply describe space, it’s a fragmenting the authority of architectural permanence into a grainy presence. Here, data is held, pressed, and burned into fabric as a record of power’s uneven distribution.

Drawing from the Pelete Bite, a technique from Buguma in Southern Nigeria, the work insists on mark-making as a reclaiming technique. The fabric is not a backdrop but a site of encounter, where concentrated heat alters its condition, echoing both its new and original form. These gestures refuse the distance of digital abstraction, returning the point cloud to touch, to ritual, to land.

In this space, material contrast becomes a method of rebellion.

Text By @ibiye_camp taken in Les Tres Xemeneies by @sofiayanezp

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3 months ago

En julio recibimos en nuestro Espacio de Producción en San Cristovo de Mouricios a Sofía Yáñez Perteagudo, una de las tres creadoras beneficiarias de la residencia artística del proyecto Territorios Productivos 2026 en Galicia.

Sofía es una investigadora, artista y diseñadora gallega, actualmente afincada en Londres. Su trabajo explora el paisaje, la memoria y la ecologia a través de la cartografia digital, los entornos imersivos y la investigación desarrollada junto a la comunidad. Utilizando herramientas de arquitectura y motores de videojuegos, examina cómo los procesos extractivos y posindustriales transforman los territorios rurales, cuestionando de qué manera la tecnología puede ponerse al servicio de la memoria colectiva y la justicia ambiental. Su trabajo suele materializarse en plataformas web interactivas, películas y talleres.

Es Máster en Arquitectura por el Royal College of Art de Londres. Sofía colabora con Forensic Architecture desarrollando investigaciones ambientales y anteriormente colaboró con Cooking Sections en diversos proyectos.

#TerritoriosProductivos#Galicia
#residenciaartistica #texti#FabLabBarcelona by @sofiayanezp

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4 months ago

Some photos and videos from the exhibition: Waves lost at sea.
So happy to have been part of this project🌟🌟🌊🌊

The incredible first five images are by @_lourdescabrera_

Open at Centro Botin, Santander, through 1 March 2026.
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Waves Lost at Sea is a performative installation by Cooking Sections, commissioned by Centro Botin, 2025. Curated by Bárbara Rodríguez Muñoz.
Music: Duval Timothy
Performers: Maider G. Etxegibel, Rebeca García Celdrán, Lucía López Madrazo, Léa Misseri, Laura Ramirez Ashbaugh, Julia Zac, Zhenxiang Zhao
Cooking Sections studio team: Max Cooper-Clark, Sofía Yáñez Perteagudo, Rosa Whiteley
Wave research: GeoOcean
Structural engineering: Manja van de Worp
Fabrication: Acualé, Isocor, Muelles Zaldua taken in Centro Botín by @sofiayanezp

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a year ago

A través de la interfaz digital, el usuario puede acceder a las ruinas de lo que un día fue el paisaje y a las memorias colectivas e individuales vinculadas a él. En sintonía con la resistencia popular frente a estas políticas, la interfaz ofrece información geográfica y un análisis técnico riguroso del mecanismo de la presa, con el objetivo de descentralizar y devolver agencia sobre estos artefactos que transforman vidas. El conjunto de interacciones está diseñado para potenciar la capacidad del usuario de actuar sobre el paisaje. Al revelar cómo estos espacios interiores se ven y funcionan, se redistribuye el poder.

Como respuesta al caso de la colonización interna en Galicia, Sofía Yanez presenta una interfaz interactiva en línea que nos permite recorrer los paisajes intervenidos en la parte gallega del río Limia y observar sus implicaciones sociales, políticas y medioambientales en el presente. “O rio do esquecemento: descentralización del paisaje gallego” es el décimo texto del bloque Territorios, cuarto de esta etapa editorial.

✏️Sofía Yanez

Etapa editorial de @bartlebooth_ : Antonio Giráldez López (@el_pliego) y Pablo Ibáñez Ferrera (@pabloibanezf)

Enlace en la biografía

#blogFQ #articulo #blog
#fundacionarquia by @sofiayanezp

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2 years ago

Ayer la @fundacion.arquia junto a @bartlebooth_ publicó mi vídeoensayo sobre el proyecto Río Esquecemto, Descentralización da Paisaxe galega. ⭐️⭐️⭐️⭐️⭐️
Me alegro mucho de compartir esta investigación en español y que llegue a más personas 🙏
Se puede acceder através del link en la bio👽 taken in Barragem do Alto-Lindoso by @sofiayanezp

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2 years ago

Vai un ano tiven a sorte de presentar a miña tesis de investigación, O Río Esquecemento: Descentralizando a paisaxe galega, no show do Royal College of Art RCA23.
Compartovos estes pequenos videos da presentación para anunciar que por fin rematei de traducilo proxecto ó galego e que pronto estará dispoñible para ceder online 🙏🙏🙏💝💝💝💝🫶🫶🫶🫶⭐️⭐️⭐️☀️☀️☀️
//
Around this time last year, I was so privileged to share my thesis project with everyone at the RCA23 show, The River Forgetfulness: Decentralising the Galician Landscape,
Sharing this short videos of the presentation now as I have just finished translating the project to Galician and will be very soon available online ✨🙏✨

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@royalcollegeofart @rca.architecture @rca_ads8 taken in The Truman Brewery by @sofiayanezp

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2 years ago

Sharing this photo as my first post in a long while. This article was written in September by journalist Ana Carro, whom I shared my master’s thesis project with, developed at the Royal College of Art.
The River of Forgetfulness proposes a digital realm as a response to a displaced community in the Limia Valley.
I will soon be translating the website to access the project in Galician and Spanish.
#StayTuned
Pronto en galego e castelán⭐️

https://artkhe.github.io/riverforgetfulness/ by @sofiayanezp

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3 years ago

Green Desert is an interactive interface where the trees will speak both human languages and tree languages. They don't need to be heard but can be smelled, seen, and electrically felt.
Inspired by an abandoned plantation in Tambo Island in the Estuary of Pontevedra, where the military carried out several experiments after winning the Civil War and therefore closed the island to the public up until today. By alternating the Tree’s opinions on the situation I criticise the management of the forest and the anthropocentric view toward tree-life forms.
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Sneak peak of My entry for the #xpawards2022 is this recorded experience of the interface. @thexpawards
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Script, Shots, Historic background and more information about the project on https://www.sofia-yanez.com/greendesert
. by @sofiayanezp

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5 years ago

SOUNDSCAPE ARCHIVE; Pleasure and silence
The urban pleasure garden is defined through a soundscape where visual and auditory experiences engages the user with the introduction of sound into architectural design. The archive building located beneath the landscape consists of a research centre for musicians and students from the Royal College of Music.
The differences between the senses of sight and sound is described through all elements of the project. The sound mirrors visually reflect the surroundings with sectional profiles that reveal the physics behind the sound making. The amphitheatre, modelled at true scale to the original Epidaurus in Greece, is seen as an expression of perfect sound while the said perfect auditory qualities are experienced through an auditorium located alongside this visual representation. Additional and ancillary facilities whether programmatic, circulatory and/or experiential are all designed to enhance the understanding of sound in relation to different spatial forms.

The interest for exploring how sound interacts with design theory was awaken by The Manhattan Transcripts, Bernard Tschumi invented a transcription method to communicate relevant objects of study for architecture subject.

The first ‘architecture as sound’ presented is a poem born from the The Memorial Gallery proposal.
(My own method for transcription)

My favorite part of this project was the design process, where I first stablished 6 sound categories on site, to later associate each of them with different programs and combine them into a diagram. This diagram was converted into a 3D model that mirrored its plan and elevation. I set up a combination of historical grids that later turned into a new 3D model, where the intersections of the grids had gained different meanings.
A programmatic layout was the result of this model that was later translated into the first image of this post.(relief model of the proposed building and installations)

Check the link in my bio for more drawings🌟✌️
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#architecture #architecturaldesign #drawing #architecturestudents #design #building #southkensington #naturalhistorymuseum taken in London, Unιted Kingdom by @sofiayanezp

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6 years ago

The Salon Of Crossed Destinies: Porosity And Natural History

The Salon is defined as a gallery located in Hyde Park, at Albertopolis northernmost point. This is my interpretation of a contemporary Salon, an ode to knowledge and preservation in the form of experience, a ´sweet disorder and carefully careless’ side sight to Victorian history.

Four locations in Albertopolis take part, two different constructions are proposed in Hyde Park; The main building located facing the north facade of Albert Memorial, is composed of four bespoke interconnecting viewing galleries, this multifunctional spaces give visitors the chance to learn and see history through another perspective, considering concepts such as porosity and natural history.
Each gallery offers an activity, debating, reading, acting... The connection walkways work as a galleries for the Royal College of Art students and reveal a secondary installation.

If you’d like to know more about the concept check the slides or the project portfolio on my website (description)
🙏

BIBLIOGRAPHY

Italo Calvino, The Castle of crossed Destinies

Schuiten-Peters, Les Cites Obscures, Walls of Samaris

Schuiten-Peters, Les Cites Obscures, Fever of Urbicande

Robert Maxwell, Sweet Disorder and the Carefully Careless

Rem Koolhas, Delirious New York, Conney Island

Michael Gold, People in Architecture

Constance Lau, Dialogical design

Walter Benjamin, Naples

Darran Andersen, Imaginary cities.

Project developed during the first semester of 3rd year( RIBA Part 1) BA (Hons) Architecture 🙏

#architecture #archidrawing #architecturedesign #architectureschool #student taken in London, Unιted Kingdom by @sofiayanezp

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6 years ago