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Hi I’m Jamie 👋🏻
Building worlds you can feel a part of
Music artist / Creative technologist / lecturer
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When I started this journey I was burnt out from making music for the commercial industry. I’d gone from writing hundreds of songs a year and living off one or two, to finally getting to make an album as a signed artist that never came out.

I’d worked so hard I developed a nerve problem in my hands and arms and had to stop making music altogether, except in short bursts. I got back to just making what I felt connected to, and that became Sound of Fractures. For the first time I wrote something honest about my life — a post that went with my first EP, Real Friends. It was almost like self therapy. That EP was mastered by my close friend @emre_ram , the visualisers made by @jackson_ducasse , managed by my friend Casper. The cover was a photo from my mum’s wall of me as a kid, the press shots above by my best mates cousin @joepuxx . It was my reset.

Soon after I met my now wife, took a break from music for the first time in nine years, and started travelling for something other than writing camps. I guess I started to live.

The second phase was about discovering who I was as an artist outside of just streaming. I found a circle of people through exploring music as NFTs. It blew my world open. I could combine art forms, release directly to people, let them contribute to the artwork. Everyone I met was sick of streaming and open to something else. That system funded my next EPs, my debut album SCENES, and 350 people contributed their memories to it. £6,000 raised for a project no commercial partner would back because the value was emotional, not financial. 

Looking back, that period was R&D for what Sound of Fractures has become. A whole world built around participation, co-ownership and meaning making. It freed me from what I thought an electronic music artist had to be.

Alone Together is the vehicle for all of it. And it only exists because I had the freedom to open up, speak honestly, and look for ways to bring you into the experience. 

The best place outside of here to follow and take part in Alone Together is to subscribe to my Substack, where I try to share my journey and process. taken in London Borough of Hackney by @sofractures
3
2 months ago
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For a long time, I thought the goal was to build an audience.

Release the music. Grow the numbers. Reach more people.

Lately, I’ve started wondering if that’s the wrong question.

What if the real opportunity for artists isn’t just to create things for people to consume, but to create moments people genuinely want to be part of?

That’s been the thinking behind everything I’ve been building over the last few years.

SCENES invited people to share memories that became part of an album.

When I Was In Love samples a real story shared by a stranger.

Alone Together invites people to contribute their own memories, transforming them into unique versions of the music.

The live event creates space for strangers to meet through music, conversation and shared reflection.

They’re all experiments in the same idea.

Not asking, “How do I get more people to listen?”

But asking, “How can music become the beginning of something, rather than the end?”

I’d love to know what you think. Is this something music is missing?

Footage credits :

Credits:

Production Company @myperfectcousins
Creative Producer @posixthreads

DOP @patrick_quinn_spilsbury
Gaffer & Camera Operator @liam.drake.16 
Camera Operator @cspencerofficial
Production Assistant @Noah.Shiels by @sofractures
17
2 months ago
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I often get approached by labels with the usual: “we’d love to hear your new demos.” It’s tempting to have experienced help and financial support, but the concept of Sound of Fractures was always about independence. To own everything. That was my challenge, but also my “why.” After years of making music for others and leaving the final say to luck and other people, I wanted freedom.

The reality is I still need money to invest, but I was lucky to find a community of people who were looking for more from music. People who wanted to connect more deeply, who wanted to support it in ways that went beyond just streaming. Without those people, I wouldn’t be where I am now, and definitely wouldn’t still be independent.

That’s the truth: the music I make can only stay as free as it has with your support. SCENES raised enough to make something unique and participatory that could never have happened through traditional funding. And it showed me what’s possible when people invest not just in music, but in the world around it.

For the Alone Together EP, I’ve already been lucky to find one Executive Producer in @cxy , who’s been supporting this next season of music and world building experiments. If you’d like to find out more about becoming part of that process and helping shape what comes next, get in touch.

This is more than music. It’s about building a world around it together. taken in London, United Kingdom by @sofractures
15
a year ago
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What is this mad world we live in 🤷‍♂️

Amazing to see Bubbles sound track the @dior show, extra surreal that I covertly managed to get Pharrel ans Rosalia to hear my song 😅

Music sound tracks every medium and experience, it’s time it to take a front seat which is why I’m developing the event concept Alone Together.. music has a special bond with memory and the meaningful moments in our lives, the value of which is easy forgotten. sign up to my Substack to follow the journey. 

#Dior #dior27 #fashionweek #pharrell #rosalia by @sofractures
12
4 hours ago
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WILD to hear my song Bubbles sound tracking @dior summer 27 in Paris 🤯

Building worlds instead of chasing streams is a long game, but your ethos and your identity matters, it’s a foundation that people want to co-create and align with. 

The music is still the seed but there’s so much more you can build around it. Especially now there is so much music out there, I really believe that the meaning that people build in their mind around you as an artist is more important than ever. 

Wasn’t sure if this was gonna happen, but it’s amazing it came through in the end, and surreal …. This arpeggiator part was always one of my fav things I’ve made so really cool to see it being used like this!

This is just one part of new plans to come over the next 3 months. Can’t wait to share ❤️

Big shout to @cxy and Maarten Walraven for executive producing and providing the backing to make the SCENES album happen which is where this song is from, and supporting my plans for the next steps for Sound of Fractures. And of course Jack Colleran @ Studio M+U for pitching this and landing it for me!! 🙏 x taken in London, United Kingdom by @sofractures
25
19 hours ago
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Creatives 👀

We’ve  created a space for people to connect away from the algorithm, every other month we curate a new location which we design for human connection and meaningful moments away from the algorithmic feed. 

Using music as the seed, it’s our way of helping you find your people, and walk away feeling like you took part in something meaningful that you will remember. A place to share, connect and reflect and do so with others who feel the same as you. 

Join us this October the 8th in London, for live music, visual art and conversation and connection… and if you can’t make it join our online community away from the feed and share something that inspires you with others who feel the same. 

Comment below and I’ll send you the link x taken in London, United Kingdom by @sofractures
2
a day ago
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Are you a looking to connect with like minded people away from the feed? 

Alone Together closes the space and brings people together through music and memory. We are hosting the next event on October the 8th at House of Photography in London with @fujifilmuk . Come join us for deep listening, conversation and connecting…. and some free drinks!

We will be creating a memory wall of our fav music memories using free instax printers, listening to some great music and connecting in non trashy ways ❤️

If you are sick of the feed and the algorithm trying to sell you products then this is for you!  Tickets in the bio and the link to join the online community x

Photos by @myperfectcousins 

#londonevents #deeplistening #independentartists taken in Covent Garden by @sofractures
2
2 days ago
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Bringing together Trust In The Waves and Alone Together ❤️

Thanks @trustinthewaves for inviting me into your community and to @wukahsounds for the support and love… and the great set after me!

We should all leave the house more and take part in something, anything with other people more often. by @sofractures
6
5 days ago
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Get @reshare_app • @sofractures A weekend of exploring music, art and technology in London.

1. Friday at @maxcoopermax and @l.acoustics.artofsound installation at Wapping power station 
2. @southbankcentre Food Market
3. Creative intelligence summit for @holly_herndon playback and listening 
4. Saturday: Creative intelligence summit for @danielle__paterson speaking on where creativity and cocreation is at for @darkforestos 

Got to catch up with loads of people over the weekend, and it was really inspiring.  The talk and playback by Holly Herndon was the highlight, how she has balanced music, research and technology .. and being a parent, I’ve found really inspiring over the last 5 years as I build this next phase of my career.  one of the things I loved most was the deep dive into the context behind the work, and how she guided us through how each project led to the next, and how they were connected… we don’t get to hear enough context behind the evolution of creative thinking over longer periods of time, instead we just are often limited too the story being a single piece of work or release. 

Follow for more on my Substack about Exploring music, creativity, and human connection in an increasingly algorithmic world.

#independentartist #immersiveexperience taken in London, United Kingdom by @sofractures
3
9 days ago
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I originally posted this pretty much a year to the day… has anything changed or do you think they have dated? 

I’m finding the discourse around music is getting very repetitive… the change I am seeing is that these kind of takes are becoming normal discourse outside of music circles and people seem to me to be more aware of the issues the systems they use have on the things they love, and their own happiness and wellbeing. 

So, in spite of all the doomsday takes, I feel like there is a mainstream awakening happening, where people are more aware of what’s social media can bring them and what it can’t. And I hope that leads to people going back to what music always was and should be, a way to connect, to be a part of something, to process your emotions, to speak for you and with you… a process that has emotional value. 

What do you think? 

In a few weeks we will be hosting an event called Alone Together it combines deep listening and connecting through music and memory. London 8th Oct, or join the online community LIB. 

#independentartist #musicmarketing #musicbusiness taken in London, United Kingdom by @sofractures
7
8 days ago
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I’ve asked so many people over the last few months to share their favourite music moments and memories, and by far the vast majority are physical and irl. I think this speaks to how people form bonds with music they see as meaningful, at least the ones outside of a specific song our album that speaks to them as a piece of music… BUT I’m finding that people find these harder and harder to recall, they feel put on the spot, they know it’s there.. it’s just harder to grasp the name and the artist. It’s much easier to pull a physical memory out than one of sonic connection alone… it’s why I’m thinking more about physical space and how we design that to intentionally form bonds and more meaningful moments away from our screens.

Come join the Alone Together irl on 8th Oct, in London or join the online community via the links in bio x taken in London Borough of Hackney by @sofractures
1
9 days ago
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For a long time, I thought the goal was to build an audience.

Release the music. Grow the numbers. Reach more people.

Lately, I’ve started wondering if that’s the wrong question.

What if the real opportunity for artists isn’t just to create things for people to consume, but to create moments people genuinely want to be part of?

That’s been the thinking behind everything I’ve been building over the last few years.

SCENES invited people to share memories that became part of an album.

When I Was In Love samples a real story shared by a stranger.

Alone Together invites people to contribute their own memories, transforming them into unique versions of the music.

The live event creates space for strangers to meet through music, conversation and shared reflection.

They’re all experiments in the same idea.

Not asking, “How do I get more people to listen?”

But asking, “How can music become the beginning of something, rather than the end?”

I’d love to know what you think. Is this something music is missing? taken in London, United Kingdom by @sofractures
18
a month ago
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