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SOLID OBJECTIVES IDENBURG LIU

@solidobjectives

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Solid Objectives Idenburg Liu is an architecture studio in New York and Amsterdam since 2008

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The MADO gallery at ISSEY MIYAKE / NEW YORK is pleased to present an installation by Solid Objectives Idenburg Liu at 45 Madison Avenue. Featured throughout the store will be a selection of SO–IL’s Frame Series furniture. The Frames Series furniture are social structures, not so much conventional objects but drawings in space and experiments in collectivity.⁣
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Installed in the MADO gallery is an immersive video essay featuring numerous marquee projects designed by SO–IL including Kukje Gallery, Manetti Shrem Museum of Art, Amant, Common Thread, and Necto among others. Close-up shots explore the texture and material innovation present in these built projects.⁣
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The installation will be on view through October 26, 2026. SO–IL and ISSEY MIYAKE / NEW YORK would like to thank @friedman_benda for their support in loaning the Frame Series furniture. Photography by @n_kubota by @solidobjectives

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𝗗𝘂𝗿𝗮𝘃𝗰𝗲𝘃𝗶𝗰-𝗕𝗲𝗻 𝗔𝗿𝗶 𝗛𝗼𝘂𝘀𝗲 (2019) SO–IL, East Marion, New York, USA

A sensitive project by one of this century’s most influential American practices, the Duravcevic-Ben Ari House occupies a 20-acre plot—described by SO–IL (@solidobjectives) as “a collage of disparate landscapes”—on the northern side of Long Island’s bifurcated eastern extremity. Responding to this context, the architects set four gable volumes in a cruciform arrangement around a central courtyard, with each wing offering a different view on the surrounding woodland. Glass, timber, and metal enclose the structure, while the deep eaves of the zinc-clad roof form long verandas.

Text @nicholaskorody
Photography @Iwanbaan

Read more at 𝗽𝗶𝗻𝘂𝗽𝗺𝗮𝗴𝗮𝘇𝗶𝗻𝗲.𝗼𝗿𝗴

#PINUP40 #PINUPMagazine #ArchitecturalEntertainment #40houses by @solidobjectives

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2 months ago

“We are trying to create a visitor experience that’s greater than the sum of its parts,” Art Omi Pavilions founder Francis Greenburger said in his recent @artnet article. “Each of the pavilion sponsors will attract people who know about them, but then will lead to a cross-fertilization among all the exhibitors, which is the idea.”

The Pavilions proposes a different model for how art can be experienced over time - one in which artists and collectors retain greater agency than in traditional exhibition formats. Rather than dispersing works across institutions, The Pavilions creates dedicated environments for bodies of work to be experienced with greater continuity and context. #artomipavilions Rendering: Solid Objectives Idenburg Liu (SO–IL) taken in Chatham, New York by @solidobjectives

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3 months ago

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4 months ago

Opening this week, we are excited to be a part of Knife, Fork, Spoon 3.0, on view June 10–12 in Copenhagen alongside several other talented artists, designers, and architects.⁣
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Knife, Fork, Spoon 3.0⁣
Ark Journal’s Design / Dialogue⁣
3 Days of Design⁣
June 10 – 12 2026⁣
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With works by (A–Z) — Rafael de Cárdenas, Charlap Hyman & Herrero, Johnston Marklee, Misha Kahn, Minjae Kim, Greg Lynn, Nifemi Marcus-Bello, Jolie Ngo, Jacqueline Rabun, Marcin Rusak, Solid Objectives Idenburg Liu, and David Wiseman.⁣
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Organized by Dung Ngo (@misterngo / @knifeforkspoon.co), presented by Marta Los Angeles (@marta.losangeles).⁣
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Den Frie Udstilling⁣
Oslo Plads 1⁣
2100 Copenhagen, Denmark by @solidobjectives

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4 months ago

What happens when a construction system is rethought midway through a project?
In this instalment of Building Stories, Jing Liu @ahappyview co-founder together with @florianidenburg of @solidobjectives reflects on the making of Las Américas, a project whose construction process evolved in response to unforeseen challenges and opportunities. As the realities of building unfolded, the team was forced to reconsider established methods, adapting the system along the way.
From technical constraints and on-site discoveries to collaboration and problem-solving, SO–IL shares how the project developed through a continuous dialogue between design and construction.
Featuring reflections on innovation, adaptation, construction and architectural process.
Read the full conversation on KoozArch, link in bio. by @solidobjectives

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4 months ago

#450 Union rising... photo @seba.mendez.candela 4th project with our friends of @tankhouse in collaboration with @map_nyc and @mcarthurholdings by @solidobjectives

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4 months ago

Mass timber construction is underway as the new home for the Williams College Museum of Art takes shape and we recently celebrated the topping off. @iwanbaan visited to document the innovative double-curved timber structure. Collaborating with our partners @perrydeanrogers, structural engineers from @fastepp, @consigliconstruction, and the pioneering mass timber fabricator @nordic_structures, we commend @williamsartmuseum and @williamscollege for their dedication to excellence. This project reinforces Williams College’s commitment to the arts.

Scheduled to open in fall 2027, the new WCMA building will host 11 galleries, multiple classrooms, a spacious auditorium, and a welcoming cafe, creating a vibrant cultural hub for the community. taken in Williams College by @solidobjectives

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5 months ago

46 Adelphi Street, Brooklyn — in progress.

Photos by @iwanbaan by @solidobjectives

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6 months ago

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6 months ago

Seoul Guide curated by Thisispaper

Architecture in Seoul — where traditional Korean courtyard houses exist alongside hyper-modern cultural centres. Cafés built inside renovated hanok, concrete towers rising from narrow hillside lots, and a generation of Korean architects defining a new architectural identity.

Kukje Gallery by SO-IL @solidobjectives
Hrr Café by Bricol Lab
CYLINDER ONE @cylinder_________
Juun.J Flagship Store by WGNB @wgnb.kr
dive.seoul @dive.seoul.art
032c Gallery in Seoul @ 032c.gallery.seoul by Gonzales Haase AAS @gonzalezhaase_aas

Explore the full guide at thisispaper.com/guides/seoul taken in Seoul, South Korea by @solidobjectives

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6 months ago

Urban presence — photo courtesy @valfl24 / architect: @solidobjectives / building: 144 Vanderbilt introduces a bold residential identity to Brooklyn through color, texture, and massing.

The building is composed as a series of stacked volumes, expressed through precast, pigmented concrete panels in varying sizes. This modular assembly creates a dynamic façade that reads as a vertical composition of interlocking blocks rather than a single monolithic mass.

Its distinctive pink tone gives the project a strong urban presence while softening the heaviness typically associated with concrete. Subtle shifts in volume generate terraces, recesses, and depth—enhancing light, views, and spatial variety for residents.

Responding to its context along Myrtle Avenue, the building rises asymmetrically, reinforcing the perception of upward movement and layered construction. The result is a contemporary reinterpretation of masonry—where color and prefabrication redefine residential architecture.

#Brooklyn #NewYorkCity #USA #ResidentialArchitecture #ContemporaryArchitecture taken in New York, New York by @solidobjectives

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