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Studio Loutsis

@studio_loutsis

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A practice committed to crafting meaningful and lasting design in dialogue with contemporary culture.
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We're excited to unveil the new identity for Douglas Fanning, the culmination of a year-long partnership between his team, Studio Loutsis, and a community of creative partners who have come together to bring this evolved world to life. Full case study coming soon. Brand Identity & Art Direction @studio_loutsis Studio Loutsis @andrwbrgss @kelkona @sofialacosta @stuudionana @taylorloutsis @shiyan_zhu27 Wordmark & Monogram @arthur.fontzarelli Typeface @commercialtype, Caslon Ionic Image 1 @craig_lacourt Images 2, 3, 4 Photography @antonioysursa Web Design @studio_loutsis Web Development @studiojvckson Print @publicide Paper @gfsmithpapers taken in Brooklyn, New York by @studio_loutsis
3
9 days ago
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dollop is a new independent, print-only, non-profit magazine that explores the intersections of culture and climate. The illustrations in the first issue  are where the handcrafted quality of the project is possibly most obvious.  We sent our five illustrators, @ninaizycka, @sanso.banso, @_kajameyer_, @lilykongyuet and @piamelissalaroche, a color palette along with their briefs, and instead of fitting their drawings into a layout we had already designed, we designed each feature layout around what came back. The pages take their color from the artwork, so “The Dog of the South” is red, “What in the Natural World” is green, and “God’s Gardeners” takes a pink hue. It’s a slower way to make a magazine, but we believe that the results have created a world unto themselves in each feature.  Dollop out October 1st. Publisher Dollop Editions @dollopmag Editor-In-Chief @willcfarley  Art Direction & Design @studio_loutsis Studio Loutsis @kelkona @stuudionana @andrwbrgss @taylorloutsis Illustrator, Images 1, 2, 3 @_kajameyer_ Illustrator, Images 4, 5, 6 @sanso.banso Illustrator, Images 7, 8, 9 @ninaizycka Illustrator, Images 10, 11 @lilykongyuet Photography, Magazine @matthewgordonstudio Print @kopaprinting Typefaces Images 1, 3, 10, 11 @hardhardtype HD Mictobic, Regular Images 1, 3, 5, 7 @sharp_type Hauss, Regular; Tarnac, Regular Dollop Issue One, Agriculture 144 Pages ISSN: 3143-4215 taken in New York, New York by @studio_loutsis
4
21 days ago
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dollop is a new independent, print-only, non-profit magazine that explores the intersections of culture and climate. Photographer @riverchad and stylist @mpearljones shot them in Brooklyn over a single day, art directed by @studioloutsis, to extend the world of dollop past the edges of the book creating still life compositions built from the material world of dollop issue 1. Out October 1st. Publisher Dollop Editions @dollopmag Editor-In-Chief @willcfarley Art Direction @studio_loutsis Studio Loutsis @kelkona @stuudionana @andrwbrgss @taylorloutsis Photography @riverchad Photography, Assist @curran_creative Styled by @mpearljones Dollop Issue One, Agriculture 144 Pages ISSN: 3143-4215 #independentmagazine #printmagazine #stilllife #climateandculture agriculture taken in New York, New York by @studio_loutsis
6
24 days ago
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dollop is a new independent, print-only, non-profit magazine that explores the intersections of culture and climate. In Issue One: Agriculture, texture became a throughline of the content: a Qing dynasty woodblock of a grain harvest, copper-etched intaglio wine maps by @enremilly, Venetian prints, even emotional texture, and culminating in a feature that follows fiber flax from its historical Lithuanian fields to modern Chinese looms. This texture became a touchstone of the design, and was emphasized in everything from layout to physical production. It’s clear from the first touch that materials are important to us. The cover, which was silk screened with a vibrant illustration from Kaja Meyer and debossed with a wordmark designed by Andrew Burgess, is made from a linen-embossed, 350 gsm heavy-weight paper. The interior juxtaposes a rich paper base of crisp, 90gsm Munken Print White, made at a single mill on the west coast of Sweden with a slightly heavier 110gsm Glama Translucent vellum used to introduce each feature. The book was expertly offset printed and bound by Kopa in Lithuania. Out October 1st. Publisher Dollop Editions @dollopmag Editor-In-Chief @willcfarley Art Direction & Design @studio_loutsis Cover Illustrator @_kajameyer_ Studio Loutsis @kelkona @stuudionana @andrwbrgss @taylorloutsis Photography, Magazine @matthewgordonstudio Photography of produce @rvrchd Styled by @mpearljones Print @kopaprinting Dollop Issue One, Agriculture 144 Pages ISSN: 3143-4215 #independentmagazine #printmagazine #climateandculture #agriculture dollopma by @studio_loutsis
5
24 days ago
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dollop is a new independent, print-only, non-profit magazine that explores the intersections of culture and climate. Issue One: Agriculture has 12 features that span the globe and a range of subjects from the music of the Sahel and Siberian steppes, to a fight along the world’s longest fence in Australia and beyond to the oyster beds of the Gulf, the deep Peruvian Amazon, urban gardens in Hong Kong, cattle ranches in the Brazilian highlands, and a fine dining kitchen in a frigid and aging corner of Japan. The throughline is a curiosity about our world and each feels like a celebration of something precious and handmade. Fittingly, the design mirrors this ethos: we, in partnership with Studio Loutsis, have produced a 142-page book bursting with fine art, beautiful photography, and textured illustrations. Not content to relegate the world of dollop to digital printers, Studio Loutsis went as far as to incorporate vellum elements, with debossing and silkscreening on the cover (beautifully illustrated by Kaja Meyer and off-set printed by AB Kopa). In issue one, climate and culture are the frame, but agriculture is the lens. Out October 1st. Publisher Dollop Editions @dollopmag Editor-In-Chief @willcfarley Art Direction & Design @studio_loutsis Studio Loutsis @kelkona @stuudionana @andrwbrgss @taylorloutsis Cover Illustration @_kajameyer_ Photography, produce @riverchad Photography, Assistant @curran_creative Styled by @mpearljones Photography, cover @matthewgordonstudio Dollop Issue One, Agriculture 144 Pages ISSN: 3143-4215 #independentmagazine #printmagazine #climateandculture #agriculture #dollopmag taken in New York, New York by @studio_loutsis
0
24 days ago
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The middle gets a bad reputation. But as designers of experiences, we’ve always known something critical: the middle is not a compromise. The middle is where meaning is made. The most meaningful work doesn’t happen at the extremes. It’s where ideas converge. Where client vision meets user need. Where culture meets place. Where technology meets humanity. Where competing priorities sharpen our thinking—and where creativity emerges when we resist easy answers. That’s why this year’s SEGD Conference Experience theme is Meet Me in the Middle. This October 22–24, we’re gathering in Kansas City—not just because it’s the geographic heart of the country, but because it embodies convergence. It’s a place where craft meets innovation, history meets reinvention, and local stories create global impact. Together, we’ll explore how experiential design helps us navigate complexity, embrace productive tension, and create meaningful connections through inspiring speakers, immersive tours, hands-on workshops, NEXPO, and the conversations that only happen when this community comes together. We’re honored to have this year’s conference guided by an extraordinary leadership team: • Rick Smith, Vice President of Experiential Design, Dimensional Innovations • Wendy Manning, Managing Principal, Demeter Strategy Design • Jackie Berra, Founder & Brand Experience Director, JBerra Consulting & Design Along with the support of Kansas City Chapter Chairs Kate Schmidt and Sarah Onken. A special thank you to our brand design partner, Studio Loutsis (@studio_loutsis) for bringing this year’s theme to life, and to our Presenting Sponsors, Color-Ad, Inc. (@color_ad_inc) and Nanolumens (@nanolumens_led), for helping make this experience possible. This is where our profession comes together to challenge one another, sharpen our thinking, and imagine what’s next. Early registration is now open. Lock in the best rate, reserve your hotel, and start planning your trip to Kansas City. We’ll see you in October!! Register now at our link in bio taken in Kansas City Marriott Downtown by @studio_loutsis
6
4 months ago
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Studio Loutsis partnered with @christopherhawthorne at Yale School of Architecture to design Real: Restaging Criticism, a publication emerging from Christopher Hawthorne’s Spring 2025 seminar exploring what it means for architecture to be “real” in an era shaped by digital simulation, reproduction, and mediated experience. Inspired by the book’s themes of authenticity, illusion, and representation, we developed a visual system that introduces moments of disruption through glitch-derived typography. The result is a publication that invites readers to look a little closer and question how architecture is experienced, represented, and understood today. Thanks @christopherhawthorne and @c_____hristina for the invitation! Design @studio_loutsis Images @matthewgordonstudio taken in Yale School of Architecture by @studio_loutsis
2
4 months ago
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Print and merch design for our visual identity for Peterson Rich Office. Design @studio_loutsis Print @publicide Bags @n1_custom_emb Photos @matthewgordonstudio @nicholascalcott Architecture models @peterson_rich_office taken in Brooklyn, New York by @studio_loutsis
8
4 months ago
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A look back at our visual identity for our friends at @peterson_rich_office as they recently celebrated the completion of a major milestone: the Condé Nast Galleries, along with their current exhibition for the @metcostumeinstitute at The @metmuseum . Congratulations to Miriam, Nathan, and the entire PRO team! Another congrats to our friend @nicholascalcott for photographing the process and final images of the exhibition and galleries. taken in The Met by @studio_loutsis
2
5 months ago
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Deep Cuts is here! We’ve launched our inaugural insider guide to New York City’s design districts. Our first-ever guide to our hometown’s design hotspots includes showrooms, restaurants, bars, buildings, and art, plus tips from neighborhood locals. Guest edited by Lila Allen (@lilerr), this print publication was designed by Studio Loutsis (@studio_loutsis), art director of AN Interior. Available for free at local stockists and participating showrooms, this is your perfect companion for design week. In addition to our pop-up bookstore at Afternoon Light (@afternoonlight) with do you read me?! nyc (@doyoureadme_nyc), find the design guide here: @rimadesio @rimadesio_newyork @robinreigimaterials @tilebar @maderasurfaces @nydc @adbuilding @fisherpaykel @glosterfurniture @poliform_official @eggersmann_usa @fergusonhomeofficial @juniperdesigngroup @dom.interiors @usmmodularfurniture @kvadrattextiles @headhi_ny @a83_inst @casamagazines @iconicmagazines @centerforarch Not in New York? Or just want to read it online? See it on our website, link in bio. #architecture #aninterior #nycxdesign #nyc #design by @studio_loutsis
28
5 months ago
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Visual identity and print system for @aninteriormag 2024 Top 50 Architects and Designers. Graphic forms in prints designed and produced using Rhino software, eventually 3D printed as part of our expansion of the visual language. Images @matthewgordonstudio 3D printer @reidarchitecture taken in Brooklyn, New York by @studio_loutsis
2
6 months ago
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Visual identity and print system for @aninteriormag 2024 Top 50 Architects and Designers. Graphic forms in prints designed and produced using Rhino software, eventually 3D printed as part of our expansion of the visual language. Images @matthewgordonstudio 3D printer @reidarchitecture taken in New York, New York by @studio_loutsis
6
6 months ago
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