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Catherine Griffiths

@studiocatherine

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group exhibition \\ COLLAR, Lela Jacobs x The Keep // SOLO IN [ ] SPACE artist book @vapourmomentabooks //
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RESISTANCE IS BEAUTIFUL ‎المقاومة جمیلة pencil, ink, acrylic on calico 2024 @studiocatherine x @sudi_dargipour [a collaborative work for Stitching Solidarity: Artists for Palestine, organised by @enjoycontemporary + friends] \ notations on calico, a sketch, a message/  a meditation/  a song, a composition/  a leap——————————————from the body, mind, heart Arabic script a free flowing calligraphic hand——————————————/ Latin letter-shapes ruled out in ink/ flicks and strikes of anthropomorphic provenance/ give rise to a strength deep/ bodily curves an embrace of time/  to a movement——————————————powerful/ an illusion articulated horoeka a tool as improvisation/  mark-making underscores/ the musicality! the intensity!!——————————————the defiance!!! of beauty found/  of beauty long-understood/ in resistance/ and a resistance that is/  forever——————————————and ever beautiful \ CG x SD @stitching_solidarity_aotearoa by @studiocatherine
22
2 years ago
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a glimpse at my making [»c is also for collar« light, reflection, sound] made during Matariki for COLLAR, an exhibition with 60 artists/designers/makers across Aotearoa invited to respond to the collar as an object, a garment, an adornment … / presented for second time by @lelajacobs and @thekeep__ at this week’s Ōtautahi Spring Fashion Festival @nzfashionwk \ Saturday 17 October, 2–5pm The GYM, Arts Centre Te Matatiki Toi Ora / Scented space by Daddy Live noise by Ben Woods + guest \ TICKETS in bio / events.humanitix.com/collar / 💿🖤🎶 by @studiocatherine
6
3 days ago
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Names become a language. A constellation of artists, makers and creative practices brought together for COLLAR Ōtautahi. More than 60 voices. More than 60 distinct approaches to material, process and making. Presented through a typographic work by @studiocatherine , this collective portrait reveals the community at the heart of COLLAR. 17 October, Ōtautahi Christchurch Ticket link in bio taken in THE KEEP by @studiocatherine
1
10 days ago
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COLLAR. As part of @nzfashionwk. Masterminded by @lelajacobs @thekeep__ . Here especially to marvel at @studiocatherine’s exquisite piece, delicate in tin foil. Spied the brilliant @matt.hurley at work. @lelajacobs extra pair of hands. Marvelling at moving light with @bruceconnew. Bumping into familiar faces, old and new. A long lost feeling to be out, without a camera but seeing photos anyway. Gorgeous light, creativity, community. Cant wait to see the book so can spend more time with the thoughtful, awe inspiring pieces. #nzfashionweek #iphonephotography by @studiocatherine
10
2 months ago
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a glimpse at my offering [»c is also for collar« light, reflection, sound] made during Matariki for COLLAR, an exhibition with 60 artists/designers/makers across Aotearoa invited to respond to the collar as an object, a garment, an adornment … / presented by @lelajacobs and @thekeep__ during @nzfashionwk  w/ live noise from @jjhenderson2019 @audio.foundation \ Wednesday 19 August @hardcorepublic 510 Karangahape Road Tāmaki Makaurau / one evening, three sessions 4-5pm 5-6pm 6-7pm [SOLD OUT] \ TICKETS in bio / events.humanitix.com/collar / 💿🖤🎶 by @studiocatherine
6
2 months ago
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“…As the blackness closes in, 14 slits, slivers, and slots of light—views through—are revealed, referencing the exchanges that take place between light and shadow, in stillness and movement.”—7/7, 14 views, Te Tuhi, 2023 “In Out of Line, Griffiths traces diurnal cycles of light that was once there but is now gone. Light that will return again, even if not at the time of your visit.”—Ela Egidy, The Shapes of Sound, 2025 This iteration of »7/7, 14 views« is the largest work—together with the string installation »Out of Line«—in my solo exhibition at The Design Gallery, University of Melbourne, curated by Ela Egidy and Megan Patty. Glimpses of »Light Weight O« also appear in this set of images by Ingrid Rhule. More can be read about the wall painting here catherinegriffiths.co.nz/03-7-7-14-views.html and a brief review of the exhibition has been published on the Eye Blog written by John Warwicker, pictured [person for scale] eyemagazine.com/blog/post/blood-lines Mānawatia a Matariki ✨✨✨ installation details: @ingridrhule portrait: @studiocatherine @elaegidy @__lifewithbooks @eyemagazine_ #catherinegriffithsoutofline #studiocatherinegriffiths #catherinegriffiths by @studiocatherine
2
a year ago
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»Marking Time« a textile commission by @athfieldarchitects on one of its rare public outings, here, activated by the body through a sublime improvisation by @weichu.huang \\\//\\\\\//•.⚫️ Presented in the one day exhibition, Objects by Women, curated by @yumeibrand x @rangerover @gowlangsford Onehunga for @nzfashionwk a surprise and honour to be included, a moth amongst the butterflies! photographs / videos: @bruceconnew, @studiocatherine / installation photograph: @yumeibrand . . . • \ . by @studiocatherine
7
a month ago
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beautiful photos by @aileenchen___ with @studiocatherine ‘s blanket, marking out the topography of wellington, my home for @yumeibrand @nzfashionwk lucky me 😌 by @studiocatherine
11
2 months ago
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»11 point 3 degrees« (2026) fluoro pink builders’ line, paper tape, watercolour paper, 25 x 35cm A sheet of paper was supplied by Simon Bowerbank in an invitation to make a drawing for a group show now on at Whangārei Art Museum A DRAWING FOR A GROUP SHOW @whangareiartmuseum ———> 11 October 2026 Thank you @simonbowerbank @john.pusateri and WAM for the invitation, doing the admin labour accommodating 153 other contributions yet to see…, plus taking care of my “tension to detail” 🪛 by @studiocatherine
3
3 months ago
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… not that I was ever really into pink, but here we are with a detail from a silkscreen print of the drawing I made for a seven metre high glass atrium work »Collidescape« (2016) for Te Kei, Ara Institute of Canterbury with @athfieldarchitects. This print is on ‘galvanised’ paper, a deviation from an edition of 12 made in 2019 with the help of @mrtrevorhall. The edition on a lovely heavy Hahnmeuhle is still available @ilameditions with another in the collection @chchartgallery. The fluoro pink builders line from a suspended work in my studio appears in the foreground. by @studiocatherine
1
3 months ago
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Offsite @nzfashionwk ———> an honour to be included in this line-up of very clever artists/designers/makers, one or two I’ve known for years, others encountered more recently………! and……! @weichu.huang will activate my ‘object’ in the first hour……….. REPOST • @yumeibrand Time deepens appreciation of design and craft — our affection for a carefully thrown mug or finely made chair grows the longer we live with them. Objects by Women gives the work of eleven designers space to be observed and appreciated in crisp surrounds usually occupied by contemporary art. Presented by Yu Mei, in partnership with Range Rover and Gow Langsford for New Zealand Fashion Week, this one-day exhibition brings together practices not often shown side by side — weaving, ceramics, woodwork, welding — with utility as the common thread. @rangerover @gowlangsford by @studiocatherine
4
2 months ago
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COLLAR — artist release / presented by @lelajacobs and @thekeep__ during @nzfashionwk  w/ live noise from @jjhenderson2019 @audio.foundation \ Wednesday 19 August @hardcorepublic 510 Karangahape Road Tāmaki Makaurau / one evening, three sessions 4-5pm 5-6pm 6-7pm \ TICKETS in bio / events.humanitix.com/collar / 💿🖤🎶 by @studiocatherine
0
2 months ago
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