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Joël Brodovsky-Adams through Oct. 17
Vaughn Davis Jr. at CAM St. Louis through Feb. 7
American Art Furniture at NYSID through Apr. 2
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A detail of Joël Brodovsky-Adams’s limp hooks, on view in Like a Rumor at Superhouse through October 17.

120 Walker Street, 6R, New York
Contact the gallery for availability.

📸 @matthewgordonstudio by @super___house
3
a day ago
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This month marks five years of Superhouse!

From our first 100-square-foot gallery to our home on Walker Street, we’ve built a program around art furniture and radical craft—bringing artists working today into conversation with earlier generations who challenged how objects could be made, used, and understood.

This anniversary is a moment to revisit the exhibitions and ideas that have shaped the gallery.

To our artists, collectors, curators, collaborators, and everyone who has visited an exhibition or followed along from afar: thank you for being part of these first five years. Your support has made this milestone possible.

We look forward to sharing what comes next.

📸 1: @seandavidson; 2: @brianwferry; 3, 4, 6–8: @matthewgordonstudio; 5, 9: @cor.zo by @super___house
139
3 days ago
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“Swish is a movement before it becomes an identity. A loose wrist, a hip given too much latitude, a hand traveling farther than necessary, a particular way of standing or walking: boys learn remarkably young that such gestures have consequences.”
— Michael Bullock (@michaeljbullock)

Joël Brodovsky-Adams
(flower boy) vase, 2026
Glazed wheel-thrown ceramic, underglaze
36 H × 23 × 17 in. (91.4 × 58.4 × 43.2 cm)

Read Michael’s full essay on the exhibition and Joël’s practice on our website.

On view in Like a Rumor through October 17. Contact the gallery for availability and additional details. by @super___house
0
6 days ago
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Congratulations to Sean Gerstley, one of 28 finalists selected from more than 1,000 applications across 41 countries for the sixth Officine Saffi Award, an international prize dedicated to contemporary ceramics.

Sean’s Forgiveness Zephyr is now on view in Forms of Belonging at Fondazione Officine Saffi in Milan through November 13, 2026. The exhibition explores belonging through our relationships with communities, places, and memory.

Sean Gerstley
Forgiveness Zephyr, 2025
Glazed earthenware, luster
18 D × 21 H in (45.7 × 53.3 cm)
Unique

@officinesaffi

📸 1–2: Alessandra Vinci, courtesy Fondazione Officine Saffi; 3-4: @matthewgordonstudio taken in Officine Saffi by @super___house
8
7 days ago
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A view of Like a Rumor, on view through October 17 at Superhouse.

120 Walker Street, 6R, New York

📸 @matthewgordonstudio by @super___house
1
8 days ago
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Today is the last day of Homo Faber (@homofaber) in Venice. It’s been a pleasure working with the team to bring works by Lewis Prosser and Sean Gerstley to this year’s edition.

Congratulations to Lewis and Sean, and thank you to everyone who visited and spent time with their work. We’re proud to see their distinct approaches to material and making presented on this international stage.

Images: Tadeas Podracky; Giulio Ghirardi © Michelangelo Foundation taken in Fondazione Giorgio Cini by @super___house
2
9 days ago
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An all-over pattern wraps Joël Brodovsky-Adams’s (catsuit) lamp like a second skin, traveling across its branching, wheel-thrown ceramic body and dotted shade. At just over six feet tall, the work meets the viewer at the scale of a body.

Joël Brodovsky-Adams
(catsuit) lamp, 2026
Glazed wheel-thrown ceramic, lighting components
72.5 H × 26 × 21 in (184.2 × 66 × 53.3 cm)

On view in Like a Rumor through October 17. Contact the gallery for availability and additional details.

📸 @matthewgordonstudio by @super___house
19
10 days ago
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Today is the final day of Musical Bodies at The Met—and your last chance to see For a Musician, Paa Joe’s monumental acoustic guitar coffin, created in collaboration with his son, Jacob Paa Joe Jr.

Thank you to curator Bradley Strauchen-Scherer, Ava Valentino, and the entire Met team for a wonderful experience!

Photos courtesy of The Metropolitan Museum of Art. Photography by Filip Wolak, June 2026.

#MusicalBodies #FantasyCoffin #PaaJoe taken in The Metropolitan Museum of Art, New York by @super___house
2
12 days ago
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Joël Brodovsky-Adams discusses his process and the ideas behind the works in Like a Rumor.

Like a Rumor is now on view at Superhouse through October 17.

Film by Corey Chenier
Creative Director, Director, DP & Editor

#contemporaryart #contemporaryceramics #ceramics by @super___house
14
13 days ago
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A closer look at Joël Brodovsky-Adams’s (gossip) basket (2026). Wheel-thrown ceramic forms seem to whisper to one another, gathering in a tangle that coalesces into the loose outline of a basket. The surface is accentuated by thousands of carefully placed dots.

Joël Brodovsky-Adams
(gossip) basket, 2026
Glazed wheel-thrown ceramic, underglaze
22 H × 20 × 22 in
Unique

On view in Like a Rumor through October 17. Contact the gallery for availability and additional details.

📸 @matthewgordonstudio by @super___house
12
15 days ago
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Joël Brodovsky-Adams’s Like a Rumor continues at Superhouse through October 17.

Bringing together sculpture, installation, and lighting, the exhibition transforms the gallery into an unruly domestic landscape.

120 Walker Street, 6R
Open by appointment

Read the exhibition catalogue, featuring an essay by Michael Bullock (@michaeljbullock), at the link in bio.

📸 @matthewgordonstudio by @super___house
6
17 days ago
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A bowl dressed for a night of raving.

In Joël Brodovsky-Adams’s (splash) bowl, the familiar vessel erupts into an exuberant gathering of wheel-thrown forms. Its painterly finish—marbled yellows and oranges cut through with acid green and deep brown stripes—seems to pulse across the sculpture. Both bowl and body, it feels caught mid-dance.

Joël Brodovsky-Adams
(splash) bowl, 2026
Glazed wheel-thrown ceramic
21 H × 24 × 25 in (53.3 × 61 × 63.5 cm)
Unique

On view in Like a Rumor through October 17. Contact the gallery for availability and additional details.

📸 @matthewgordonstudio by @super___house
1
20 days ago
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