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Matt Saunders

@208linden

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The Rema Hort Mann Fund is proud to present a delightful duo by Matt Saunders @208linden, generously contributed with the support of @mariangoodmangallery. Bridging the gap between photography and painting, his artworks radiate a glamorous mix of allure and mystery.

In Memory (CD), 2025 is available during the gala event on October 28th, as a live lot. This artwork along with three other artworks will only be available to our attendees or via phone bids. Contact RHMF to register for phone bidding. Stay tuned for more information on the other artworks.

In Memory (MM), 2025 is available now along with artworks available on the Phillips auction page. Links to gala tickets and the auction page are in the bio.

Proceeds support artists and cancer patients, including RHMF’s new Artists Living with Cancer Grant, providing financial assistance to Metro NYC-area visual artists undergoing active cancer treatment.

#MattSaunders #MarianGoodmanGallery #RemaHortMannFund #RHMF30 #ArtistsLivingWithCancer

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Frieze London | 14 – 18 October

Booth B1

Georg Baselitz
Tacita Dean
Matt Saunders
Danh Vo & Rirkrit Tiravanija
Jongsuk Yoon

Find the Preview via link in bio.
@friezeofficial

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Karthik Pandian & Midway Contemporary Art present
a fundraiser for Mike Forcia

Fundraiser CLOSED - we raised $26,722.45 for @mikeforcia

Mike Forcia (Bad River Anishinaabe) is an American Indian Movement activist who has been working tirelessly on the streets of Minneapolis to end Indigenous homelessness for over 20 years. In July, Mike was admitted to the hospital with a severe blood infection. While resolving the infection, doctors discovered an aortic aneurysm which needs to be repaired as soon as possible. Mike is currently without health insurance and his medical bills are mounting.

Since 2021, artist Karthik Pandian has been working closely with Mike on performances, exhibitions, and films, several of which have been presented by Midway Contemporary Art in Minneapolis. Karthik and Midway have reached out to a number of artists who have generously donated works to try and help Mike pay off the tens of thousands of dollars in medical bills he has already received so he can move forward and get the care he needs to survive his heart condition.

In addition to artworks for sale, there are donation buttons at the bottom of the page which can be used to contribute cash. All proceeds from the sale and donations will go directly to Mike Forcia to pay off his medical bills.

Above, in a photograph taken by Karthik, Mike is pictured at his land on the Bad River Reservation, where he hopes to move one day. Your generosity will help him see that day and many more to come.

Thank you to the artists! And thank you for giving

@jayheikes
Etna, 2025. Oil on asphalt dipped felt. 21.5 x 33.25 inches (unframed). Courtesy of the artist.

In returning to my alchemical roots, I am delighted to watch the unstable ground of asphalt provide a space for the oil paint to mutate and find its identity as a material. There are some obvious technical details that contribute to the battle between the materials, like whether or not I apply black gesso, which sometimes I do. In the end, the industrial ground is what dictates the range in the paintings. They are both explosively abstract and unstable, and I revel in the translation of Etna being ‘I Burn’, which is how I view myself as

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Mais où sont les artistes ?

Matt Saunders est en plein mystère…

@208linden

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From wall carpets to string sculptures, this week’s reviews roundup surveys exhibitions across Dublin, London, New York, Paris, Taos, and Tokyo. At Kerlin Gallery, Kathy Prendergast brings an unorthodox subjectivity to her revisions of maps; a group show at Goldsmiths Centre for Contemporary Art highlights arts of illness and disability; at Marian Goodman, Matt Saunders photographs the condition of celebrity; William Anastasi turns absence and removal into a perceptual labyrinth at Galerie Jocelyn Wolff; Noa Eshkol’s carpets adorn the walls of the Musée d’Art et d’Histoire du Judaïsme; in New Mexico, six artists’ earthen works reverberate “with a power both ancient and symbolic”; and Kazuko Miyamoto imagines wilder geometries at Take Ninagawa.

Link in bio.

Image:
–Matt Saunders, Candy Darling, 2025-2026, C-print, 50 ¾ × 37 ⅛”.

@208linden
#HarmonSiegel
@mariangoodmangallery

Image:
–Kathy Prendergast, Comet, 2025, gouache and watercolor on 4 repurposed maps, fabric, wool stuﬃng, string, stones, dimensions variable. Installation view.

@kathypprendergast
@declanlong
@kerlingallery

Image:
–Noa Eshkol, Red Tree, 1990, cotton, corduroy, twill, knit, batiste, 71½″ × 34¼″.

@noaeshkolfoundation
@mara.hoberman
@mahjparis

Image:
–rafa esparza, one day the machines stopped…, 2026, adobe bricks, painted adobe panels, steel, concrete, rocks, 12’ x 18’ x 30’. Photo: Brad Trone.

#rafaesparza
#DanBeachyQuick
@harwoodmuseum

Image:
–Gabriel Chaile, Ella vendrá a pagarle todo (She will come to pay him for everything), 2023, adobe, metal, and wax crayons, 14’ 9 1/2” × 9’ 10 7/8”× 9’ 10 7/8”. Photo: Brad Trone.

@soychaile
#DanBeachyQuick
@harwoodmuseum

Image:
–View of “Kazuko Miyamoto,” 2026. From left: Untitled, 1977; Untitled, date unknown; Untitled, 1975; Untitled, date unknown.

#KazukoMiyamoto
#DanBeachyQuick
@takeninagawa

Image:
–Abi Palmer, Chic Slug, 2024, jesmonite, gloss, pigment, plaster, wire mesh, expanding foam, and wood, installation view.

@abipalmer_bot
@amanda_cachia
@goldsmithscca

Image:
–Leah Clements, Pure Joy, 2026, water, tarpaulin, timed lights, wood, audio, single-channel projection, dimensions variable.

@leah_r_clements
@amanda_cachia
@goldsm

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Matt Saunders: An Overgrown Path @mariangoodmangallery.
@208linden

Through August 7th

#mattsaunders
#mariangoodmangallery

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#2026 #week31 #artiseverywhere #contemporaryart #arttrip BELATED
1-13 @muenchen
1 @wilhelm_sasnal Espace Louis Vuitton
2-6 @haus_der_kunst
2-3 @studiotomassaraceno
4 STEINA - Playback
5-6 @hausderkunstfreunde @artbeatsberlin @_philipp_clemens
7-8 @munichreartcollection @maja.emmerlich @artbeatsberlin
8 @jamesturell
9 @psxcharmaine @behnckegallery
10-11
@adbkmuenchen @fabiandierksheide
12 @bergson @maxjosephart

14-15 @frankfurt.de
14 @208linden Matt Saunders @deutschebankart
15 Mainhattan Homebase

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Matt Saunders’ works are a painting/photography hybrid whose final form is a photographic print. At their most basic, his works begin with sketches derived from film and television stills. These sketches are then used as negatives, either contact printed (laid directly on top of photo paper and then developed), or placed in an enlarger. As negatives, the sketches are done in reverse - those parts which appear lighter in the photograph are darker on the painted negative and vice versa.

At this year’s Summer in the City, we are presenting a new work by Matt Saunders. For more information, please send us an email at gallery@martinasbaek.com

_

Matt Saunders
Fragments of Days (#1), 2026
Oil on unique C-print
108,5 x 78,3 cm
Unique

📷 Installation view by Kevin Josias

@208linden #mattsaunders

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@208linden at @mariangoodmangallery exhibition walkthrough ✨ On view through August 7

🎨 Matt Saunders: On an Overgrown Path
🗓 Jun 25–Aug 7, 2026
📍 Marian Goodman, 385 Broadway

Matt Saunders’s exhibition On an Overgrown Path at Marian Goodman in New York presents new work embracing chance and contingency more closely than ever before. Saunders undertakes investigations into the complex and open-ended interactions of materials and their making, exploring the border between photography and painting through hybrid forms that destabilize traditional media and engage in improvisation suspended between states of creation.

#art #MarianGoodman #MattSaunders

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Christian Viveros-Fauné
“Matt Saunders Treads an Overgrown Path”

strictlycritical.substack.com

@viverosfaune
@mariangoodmangallery
@208linden

Links in bio

Matt Saunders
“Candy Darling”
2025-2026

Christian Viveros-Fauné
“Matt Saunders Treads an Overgrown Path”

strictlycritical.substack.com

@viverosfaune
@mariangoodmangallery
@208linden

Links in bio

Matt Saunders
“Jack Smith”
2026

Christian Viveros-Fauné
“Matt Saunders Treads an Overgrown Path”

strictlycritical.substack.com

@viverosfaune
@mariangoodmangallery
@208linden

Links in bio

Matt Saunders
“Plein Air 3”
2026

Christian Viveros-Fauné
“Matt Saunders Treads an Overgrown Path”

strictlycritical.substack.com

@viverosfaune
@mariangoodmangallery
@208linden

Links in bio

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@viverosfaune reviews @208linden at @mariangoodmangallery today on Strictly Critical commissioned by @artlance_on_insta read at strictlycritical.com and on Substack! #art #criticism #photography

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gorgeous intermedia mysteries on a hot day by Matt Saunders at Marian Goodman @208linden

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