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Emmett Orgass

@35mmett

2K
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1987
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image maker
NYC
licensing: @withstills
[email protected]
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Tour has been a dream so far 💌 We’re headed out to Vegas now after a special night in SLC where we got to make our @kilbycourt debut This week you can catch us at: 10/22 in Las Vegas @greywitch_lv 10/23 in Tucson @groundworkstucson 10/25 in Phoenix @valleybarphx before a few weeks break where shows pickup again: 12/9 in LA @moroccanlounge 12/11 in SD @sodabarsd More music on the way too. MW. ❤️
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I mean I’m looking anyway because the art direction and photography is insane 🔥 Big ups to the team behind this campaign @lifeline.nyc Concept & Creative Direction @phillebrunn Art Direction, Bag Design & Performance @gabrielamestriner Film & Editing @by.jackinzer Photography & Image Production @35mmett Visual & Interactive Design @albuquerquejulia Stylist @lucilamf #design #nyc #subway #art #marketing
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WE LOVE YOU EAST COAST ❤️ On a lovely fall drive out West it has been easy to reflect on what was a marvelous two weeks for us on the other side of the countryThanks for coming out and sharing the tunes with us. Y’all are so special :) This week you can catch us at: 10/14 - Chicago @beatkitchenbar 10/15 - Madison @highnoonmadison 10/16 - Appleton @appletonbeerfactory 10/18 - Greeley @moxitheater 📸 // @35mmett
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A Space Gallery is pleased to present Weiyuan Wang at Spectrum Chicago Art Fair 2026. Weiyuan Wang (b. 2001, Taipei, Taiwan) is an artist currently based in New York, and received her MFA at Pratt Institute in 2026. Her practice is rooted in printmaking, where she explores duplication not only as a technical process, but as a conceptual and emotional framework. Wei first trained in Chinese painting in Taiwan. After graduating, she worked as a freelance graphic designer across Taiwan and Japan, where her engagement with publishing introduced her to the logic of reproduction. How images circulate, multiply, and shift in meaning, these experiences led her to pursue printmaking. Her work often moves between two and three dimensions. She use the printing surface as something physical, holding traces of time, temperature, and transformation. @spectrum_chicago October 7–10, 2026 Booth 2118
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A Totebag Designed For Survival 💭 As flooding becomes more and more common across New York City infrastructure, climate change is quietly reshaping daily life. Designed by New York-based art collective @lifeline.nyc for NYC Climate Week 2026, LIFELINE was created to bring this new reality to light. Presented as the first tote bag designed for survival, LIFELINE is both an act of protest and a public performance. Unassuming at first glance, a hidden flotation system easily transforms the bag into a life-jacket. “We took the most ordinary object, a tote bag and reimagined it for a city on the front line of climate change," says Philip Le Brun, Artist & Creative Director. Both a familiar object and a functional emergency response, LIFELINE invites us to consider: is extreme weather the new normal? Credits: Concept & Creative Direction by @phillebrunn Art Direction, Bag Design & Performance by @gabrielamestriner Visual & Interactive Design by @albuquerquejulia Photography & Image Production by @35mmett Film & Editing by @by.jackinzer Styling by @lucilamf
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The first tote designed not for convenience, but for survival. At rest, it looks ordinary. Hidden inside is a flotation system adapted from life-jacket technology. LIFELINE is an artifact, not a product. It’s not for sale. It exists as protest, performance, and public warning: a symptom of the world we’ve built, and an object that should never need to exist. Made in New York by a collective of artists working at the intersection of design, protest, and climate. Everything you see was made by human hands, from the bag, to the visual identity, and every frame. Concept & Creative Direction \ @phillebrunn Art Direction, Bag Design & Performance \ @gabrielamestriner Visual & Interactive Design \ @albuquerquejulia Photography & Image Production \ @35mmett Film & Editing \ @by.jackinzer Styling \ @lucilamf #nyc #nycclimateweek #climateaction
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Do we really need more? You know what I mean, look around. We are consuming resources beyond their capacity for renewal while, paradoxically, finding excuses to put one more thing out there. I wonder if we have lost the ability to distinguish real problems from manufactured ones. Sitting with complexity, resisting the temptation to flatten layered problems into easy answers, just to pretend we can solve them. Maybe our role is not problem-solving after all, but problem-framing. This project takes shape in this realm, as a symptom of the world we’ve built. A speculative rehearsal and an inquiry into the cultural and environmental conditions that could give rise to an object that should never need to exist, should never need to be designed. One out of one, and completely human-made, from the bag to everything captured. No AI was used in this project. Lifeline is a conceptual project and creative experiment, not intended for commercial use. _
Concept & Creative Direction Philip Le Brun (@phillebrunn)
Art Direction, Bag Design & Performance Gabriela Mestriner (@gabrielamestriner) 
Film & Editing Jack Inzer (@by.jackinzer) Photography & Image Production Emmett Orgass (@35mmett)
Visual & Interactive Design Julia Albuquerque (@albuquerquejulia)
Stylist Lucila Hernandes (@lucilamf)
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In August, I got to return to Ox-Bow to take a two-week class: Glass-Blown Organics with @christenbaker_ I was able to bring my family for part of the stay—we hiked, climbed trees to alarmingly tall heights, and visited rock beach—and got to stay together in one of the my favorite cabins. It was my first time blowing glass and I found it to be really challenging and also pretty thrilling. Christen made a batch from Michigan beach sand, which is rich in the glacial sediments copper and iron, which give it its blue-green color (the same sand source for Ball canning jars). I enjoyed playing with the extra not-yet-glass mixture she removed early from the furnace, using it as frit in various glacier-inspired experiments. I loved working on a team to help each of us realize our plans. The class and studio techs were all wonderful. It was another intense and incredible two weeks. 🙌
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‘Mold’ is out now ❣️ We’re thrilled to announce our newest single is available to stream on all platforms. This is a really special one to us :) Executive producer / mixing engineer - @b0vey Recording engineer / co-producer - @masonnstroud Mastering engineer - @stephanhawkes Cover 📸 - @geeeorrge
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