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Opening this Thursday, The Great Cormorant by @iidajonsson_ and @__.ssi__
Featuring music by @hannes_ferm
🐦‍⬛🐦‍⬛🐦‍⬛🐦‍⬛🐦‍⬛

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032c Gallery is pleased to present “doomscrolling,” a group exhibition with works by
Angélique Aubrit & Ludovic Beillard,
Pietro D’Azzo,
Cameron Patricia Downey,
Jason Gringler,
Iida Jonsson & Ssi Saarinen, and
Kev Koko,
on view until April 29.

Doomscrolling is the act of continuously scrolling through large quantities of news and social media content, particularly with a negative narrative. The exhibition is not only interested in endless gloomy scrolling, but the general state of a compulsive consumption of images, no longer being able to distinguish between a “good” and “bad” image. “Doomscrolling” explores in what ways the meaning of an image is no longer defined through its actual content, but through the context it is embedded in.

032c Gallery, Kurfürstendamm 178, Berlin
Open from Tue - Sat, 12:00 - 18:00
🕳️

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It’s Beautiful When the Spirits Arrive

Thank you with all my heart to 🖤 @vichen8 , @webber1105 🖤 and 🖤 @scarf_knitter for inviting me and realising this beautiful show at @taoartspace
And🖤 @fabianschoeneich for the curatorial genius
A huge thank you to 🖤 @hexiangyu_ whom without this would have never happened.
And @michella_bredahl 🖤

And @deli4aumone and @inbodied95
As well as:
@jan_kaps
@contemporaryfinearts
@meredithrosengallery

I wish we’d still be installing.

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══ 𝗟𝗶𝗲𝘁𝘂𝘃𝗶𝘀̌𝗸𝗶 𝗮𝗸𝗰𝗲𝗻𝘁𝗮𝗶 ══

Kaip įprasta, festivalyje įvyks lietuviškų ilgametražių ir trumpametražių filmų premjeros, po kurių lauks įdomūs susitikimai su kūrėjais. Specialiuosiuose seansuose taip pat bus pristatyti šalies kūrėjų darbai.

𝗧𝗿𝘂𝗺𝗽𝗮𝗶 𝗮𝗽𝗶𝗲 𝗸𝗶𝗲𝗸𝘃𝗶𝗲𝗻𝗮̨:

═ Kanų kino festivalio industrijos mugėje „Cannes Short Film Corner“ pristatyta Aušros Lukošiūnienės juosta „𝗝𝘂𝗼𝗱𝗮“ kvies sekti savo laiką peržengusias architekto Valdo Ozarinsko idėjų kryptis.

═ Konceptualų dialogą su filmu „Juoda“ kurs V. Ozarinsko ir Aidos Čeponytės videodarbas „𝗩𝗶𝗱𝘂𝗿𝗶𝗼 𝗘𝘂𝗿𝗼𝗽𝗼𝘀 𝘃𝘆𝗿𝗮𝗶“, kviečiantis pažvelgti į šalies kūrėjų drabužines ir per asmeninius garderobo akcentus apmąstyti laisvės, individualumo, saviraiškos temas amžių sandūros kontekste. Pristatoma medžiaga 2023-aisiais sumontuota kartu su kūrinio bendraautore A. Čeponyte ir projekto kuratore, menininke Gerda Paliušyte.

═ Estų režisieriaus Arko Okko kartu su lietuviais kurtas filmas „𝗠𝘂𝘀 𝘁𝗲𝗯𝗲𝗹𝗮𝗶𝗸𝗮𝗻𝘁𝗶𝘀 𝗹𝗲𝗱𝗮𝘀“ metaforiškai apmąstys žmogaus ir gamtos ryšį leisdamasis istoriniu ledo keliu.

═ Trumpųjų filmų programoje „Intervencija“ – lietuvės Onos Julijos Luko Steponaitytės, Iidos Jonsson ir Ssi Saarinen sukurtas filmas „𝗗𝘂𝗺𝗯𝗹𝗮𝘀“. Čia tyrinėjamas netikėtai Likančiuose susidaręs ežeras – sovietmečiu vykdytos melioracijos padarinys.

═ Lietuviškas premjeras festivalyje lydės Julijos Juknaitės filmo „𝗠𝗮𝗻𝗮 𝗿𝗮𝗷𝗼𝗻𝘀: 𝗣𝗶𝗲𝘁𝗶𝗻𝗶𝘀“ seansai. Virtualus pasivaikščiojimas po legendomis apipintą „laukinį“ Šiaulių Pietinį rajoną su žymiais vietos žmonėmis ir architektūros profesionalais kitomis intonacijomis pratęs pasakojimą apie Nepriklausomybės pradžią žymėjusius socialinius ir kultūrinius virsmus.

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Dumblas
Videokapsulė 12.14 18:00
2023, 30’43

Šį šeštadienį 18:00 „Medūzoje“ vyks parodos „Rasa“ lydintis renginys: ekskursija su autore Ona Julija Luku Steponaityte, filmo „Dumblas“ peržiūra ir diskusija su filmo režisierių komanda: Ssi Saarinen, Ona Julija Luku Steponaityte ir Iida Jonsson. Peržiūra vyks „Medūzos“ videpkapsulėje.

2012 metais Likančiuose staiga patvino laukas. Iš pirmo žvilgsnio primenantis ežerą, šis vandens telkinys yra užsikimšusio melioracijos griovio pasekmė. Melioracija Lietuvoje buvo sparčiai vykdoma sovietmečiu, siekiant pritaikyti sąlygas žemdirbystei. Dauguma griovių liko neprižiūrėti, vandens tėkmė sutriko ir, praėjus dešimtmečiams po nepriklausomybės atgavimo, vis dar keičia kraštovaizdį.

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SILT at the Videocapsule
12.14 18:00
2023, 30’43

This Saturday at 18:00 “Meduza” will host an event to accompany the exhibition “Rasa”: a guided tour with the author Ona Julija Lukas Steponaityte, a screening of the film “Silt” and a discussion with the film’s directors Ssi Saarinen, Ona Julija Lukas Steponaityte and Iida Jonsson. The screening will take place in the “Medūza” videocapsule.

In 2012, a lake appeared suddenly outside of Likančiai, Lithuania. The body of water is fallout from a Soviet-era drainage project that sought to make land more suitable for agriculture. With the disrepair of the artificial system, water has started to accumulate and begun to emerge unexpectedly, creating accidental landscapes.

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Liko dar vienas trumpametražių filmų programos „𝗜𝗻𝘁𝗲𝗿𝘃𝗲𝗻𝗰𝗶𝗷𝗮“ seansas – rytoj 20.20 val. Kaip ir ankstesniame, šiame taip pat dalyvaus filmo „Dumblas“ kūrybinė komanda.

Trys filmai reflektuoja kokius pėdsakus kolonializmas palieka kultūriniuose, architektūriniuose ir ekologiniuose kraštovaizdžiuose dar ilgai po naikinančios intervencijos.

═ „𝗞𝘂𝗿 𝗯𝗮𝗶𝗴𝗶𝗮𝘀𝗶 𝗥𝘂𝘀𝗶𝗷𝗮“ (rež. Oleksiy Radynski)
═ „𝗣𝗿𝗼𝗷𝗲𝗸𝘁𝗮𝘀“ (rež. Dane Komljen)
═ „𝗗𝘂𝗺𝗯𝗹𝗮𝘀“ (rež. Ssi Saarinen, Ona Julija Lukas Steponaitytė, Iida Jonsson)

📷 Modestas Endriuška

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“We tend to work with stories and images that are accessible to us, so naturally this leads to working with images and ideas that we are surrounded by. ‘Silt’ is the most literal example of that, the film is about the sudden formation of a body of water in my family land, where I grew up. The land has been with my family for generations and naturally because of that, there is a story to tell about the soviet occupation in Lithuania and its impact on the nation and the landscape.”

@maid3n_ in conversation with @iidajonsson_ @__.ssi__ and @julijasteponaityte on the occasion of the music video premiere from ‘Silt’ a 35 minute documentary film exploring the post-soviet landscape following the formation of rapidly occurring lakes in Lithuania, one of which, rests on Lukas’ family land in Likanciai. The newfound body of water is a by-product of a failed multi-decade soviet drainage project, aimed at making wetlands more suitable for agriculture. The documentary demonstrates the group’s interests in the rendering of landscapes and is a response to the embedded narratives within it that influence our understanding of ecological emergencies, and the relationship between the landscape and systems of maintenance.

Discover the full interview online. Link in bio.

Still from Silt, 2024. Courtesy of the artists.

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Appreciation post for some of the best memories and works I got to witness/be a part of this year
Forever grateful

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Dumblas - Videokapsulėje 12.14 18:00
rež. Ssi Saarinen, Ona Julija Lukas Steponaitytė, Iida Jonsson
2023, 30’43

Šį šeštadienį 18:00 „Medūzoje“ vyks parodos „Rasa“ lydintis renginys: ekskursija su autore Ona Julija Luku Steponaityte, filmo „Dumblas“ peržiūra ir diskusija su filmo režisierių komanda: Ssi Saarinen, Ona Julija Luku Steponaityte ir Iida Jonsson. Peržiūra vyks „Medūzos“ videpkapsulėje.

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SILT at the Videocapsule
12.14 18:00
dir. Ssi Saarinen, Ona Julija Lukas Steponaitytė, Iida Jonsson
2023, 30’43

This Saturday at 18:00 “Meduza” will host an event to accompany the exhibition “Rasa”: a guided tour with the author Ona Julija Lukas Steponaityte, a screening of the film “Silt” and a discussion with the film’s directors Ssi Saarinen, Ona Julija Lukas Steponaityte and Iida Jonsson. The screening will take place in the “Medūza” videocapsule.

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Some recent paintings. Of: @michella_bredahl 🖤 @code_dasha 🖤 @__.ssi__ and a portrait of @kristinaxnagel 🖤 @contemporaryfinearts and @jan_kaps

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🔔 Pre-orders available today 🔔

In the new issue, Nathanaëlle Herbelin's paintings are as complex as human beings. Tracey Emin bears her burdens for us all. Patti Smith and Stephan Crasneanscki make an homage to Pasolini. And, from behind closed doors, Tobias Meyer coins the "Gay Man's Castle."

Jackie Wullschläger then delivers an exceptional excerpt from her new Monet biography. Robert Gober reveals new work and an old conundrum. The shadowy strength of Delfine Bafort is captured by Larissa Hofmann and Marie Chaix. Donatien Grau, presenting his collection of Roman coins, turns myth to reality. The skulls and bones of the Sedlec Ossuary are photographed by François Halard. Romeo Castellucci consumes his audience. Chardin paints not the thing seen, but seeing the thing. And Andy Hall meets Peter Marino

@meireundmeire @claesjuhlin @ulfposh @oliverkoerner @jordrich90 @francoishalard @_mariechaix_ @andyhall16 @rada_vogel @petter.s @traceyeminstudio @dannadel @larissahofmann @dominic_eichler @andrewmichaelwiner @petermarinoarchitect @agnesgryczkowska @theromeocastellucci @anh.van.tran @thisispattismith @soundwalkcollective @alighieri_jewellery @janschmidtgarre @__.ssi__ @iidajonsson_ @boogiecrash @032c @roeethridge @olivierkervern @maxime_la @kito.munoz

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