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@_clairaudience_

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Tuesday, October 27, 2026
kshack presents

Alloy (dj, rec release)
504 Aquatic (live techno)
dominique (dj)
Bobi and Fliko (live techno)
Isn’t Ours (dj, rec release)
at Selva
1329 Willoughby Ave, Brooklyn
8pm

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Isn’t Ours, “Sarasate”
Released October 1, 2026
Produced by Mike Sheffield
Mixed by Mike Sheffield and Jeremy Krinsley
Mastered by Stephan Mathieu
Remixes by dr. buttons and 504 Aquatic
Photo by Mike Sheffield

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Excited to be playing in Brooklyn at Hart Bar! Stacked show with some old friends.

Will be my debut performance in NYC, & only NYC show for the moment so roll thru!

Printed out some flyers and stoked to hand out this lovely art by BOATZ ( @boatsisboats )

Also going on a small tour around the Northeast with my good friend @the_spookfish. Will be touring in support of our new split tape coming out soon on @budtapes

Excited to share sounds with you all <3

Two Steppes + The Spookfish Fall Tour

9/18 Patchogue, NY @ Museum of Contemporary Art Long Island with @_emptyheaven_
9/19 Beacon, NY @ Hudson Valley House Concerts
9/26 Brooklyn, NY @ Hart Bar with @___clairaudience___ and @freeimageuploader
10/02 St Johnsbury, VT @ Sam’s Listening Bar
10/03 New Portland, ME @ Freewill Fest
10/04 New Portland, ME @ Freewill Fest
10/08 Baltimore, MD @ Le Mondo with @elllacantsaveyou
10/09 Philadelphia, PA @ Upstairs at Abyssinia
w/ @jewel_eye and ballerina nadiya

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Went to the third installment of the first season of Pitch at Super Omen, the dance and performance art venue that Chthonic Games competitors Jemila and Campbell opened a couple of months ago.

The series pairs each installment with a different guest curator. This one was curated by Isabella Thorpe-Woods and Nora Raine Thompson. According to Jemila and Campbell, every night has been completely different.

A very good omen for the evening: literally right after I took my first video and before I even stepped inside, l ran into my longtime friend Mike Sheffield, who was there because he’d already become a fan of the space too.

One of the performances, Creature by Tamas Marquardt, explored identity, lineage, and history through a blend of lecture, dance, and storytelling. It connected Marquardt‘s transmasculinity with Hungarian heritage, weaving in the story of Count Sandor Vay.

The other performance, DAD and COP by Iris McCloughan, examined authority, power, and desire through a sharp, concept-driven approach. It played with control and submission, inviting the audience to reflect on how these dynamics shape both personal and societal relationships.

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I’ve been digging in my archives 👻
here’s a gouache painting I did recently of Alan Watts performing at Shea Stadium w/ mural backdrop by Taylor Sakarett and I from October 26, 2012

Alan Watts is a darkwave trio featuring Mike Sheffield, Pat Stankard, and Jeremy Krinsley. They invited Taylor and I to collaborate on stage design for this rager right around Halloween.

@___clairaudience___ @humanresources @jpeg2smoke @sheastadiumbk

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Saturday September 26

The Spookfish
clairaudience iv
TWO STEPPES
Alien D

Hart Bar
538 Hart St
Brooklyn, NY 11221

Doors 6:30pm | Show 7:00pm

$10 | 21+

Flyer by BOATZ ( @boatsisboats )

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Previously a cult figure of Japanese personal fiction, Kōda Aya received a posthumous bump of recognition when her book, “Tree,” was featured prominently in Wim Wenders’s film, “Perfect Days.” This May, Penguin Classics is releasing the first-ever English language edition of “Tree.”

Written as a travelogue and botanical study, in the novel Kōda visits the trees of Japan under the pretext of journalism and travel writing but, in the process, ends up revealing much more about her life, loss, and the aftermath of war through her encounters.

In a recent review of the book, Tricycle’s web editor Mike Sheffield writes, “As she ventures to visit these trees and sacred forests, you get the sense that Kōda is coming to grips with a landslide of loss and making sense of what happens when the earth breaks and everything falls away.”
🔸
Read a full review of the book at tricycle.org.
Image via National Diet Library, Japan

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𝐣𝐮𝐬𝐭 𝐚𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐝 ✷ an ambient drone shoegaze experimental showcase @ the broadway ft @___clairaudience___ @pamelaandhersons @y_o_o_l__ + @foodsonmyshirt may 7th ✷ hit the 🔗 in our bio for tickets

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🃏Come celebrate April Fools Day with us 🃏

Sunset sonic and spoken transmissions by Molly Lehmann and world of waves

4/1/26 7-10pm @stephenstreetgallery
16-79 Stephen Street, Queens, NY

Sounds by @corn_splash & @___clairaudience___
Sculpture by @t.bex
Paintings by @freek_flag
Curated by @thesallybeauty

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John Thayer @sonic_monkeywrencher and Clairaudience @clairaudience perform at @sctrpc @_stretchmetal #dronerodeo 2026

Distorted tones and warped harmonies filled the space, folding time into sound. Listeners leaned, shifted, laid and languished, closing their eyes in the slowed passage of time, between the small epiphanies of the ear.

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Friday 🌅 Drone Rodeo heads into the city for the closing chapter of the Winds Gate tour. Another BYOB pillow, or use our church pews. The final quest.

Feb 20 @sctrpc
7:30 Doors / 8:00 Show
59-14 70th Ave, NY
🎟️ www.withfriends.events/t/1izi7gut/

Featuring local support by clairaudience, ambient guitar project of Queens-based musician Mike Sheffield. For this specific performance for StretchMetal at Stone Circle Theatre, Sheffield will be joined by Carly Salas.

John Thayer is a Hudson Valley–based musician, producer, and audio engineer whose experiential compositions are inspired by a deep attention to the sounds of the natural world. His recent ambient album Winds Gate, released on Aural Canyon, expands this work into a slow-moving, immersive exploration of time, landscape, and perception. He has released music on labels including AKP, Not Not Fun, Astral Editions and Moon Villain, and is a member of YAI and Earth Room. Thayer is also an active collaborator in the experimental scenes of NYC and the Hudson Valley and was formerly the house engineer at Thump Studios in Brooklyn.

📸 @ryanmuir and @ricardoeadame

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