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___laurewinants

@___laurewinants

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transdisciplinary artist
💫Paris, Brussels
Born at C02 355,15 ppm

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📍Musée de Minéralogie de l’École des Mines de Paris
📷 Laure Winants · Temps profonds et autres lumières
🤝 Avec le soutien de la Fondation Louis Roederer & Art for the Ocean - Fondation Tara Océan

Pour la première fois, PhotoSaintGermain investit le musée de Minéralogie de l’École des Mines de Paris (@mineralotech), avec l’artiste-chercheuse @laurewinants.

Ses œuvres, sensibles à la lumière, au temps, à la température et à l’humidité, explorent l’interaction des écosystèmes. Face aux collections du musée, où les fossiles évoquent une époque qui perdure et où le quartz mesure le temps qui passe, elle met en tension trois échelles : le temps géologique des minéraux, le temps biologique des organismes marins et celui, contemporain, des transformations en cours.

Réalisées à partir de matériaux calcaires et de fragments biologiques, ses formes sculpturales font résonner les fossiles marins des collections avec ses fossiles contemporains, et envisagent la fossilisation comme un processus toujours actif. Un fil conducteur traverse tout son travail : le temps fait lumière.

Une coproduction @PhotoSaintGermain, avec le soutien de la Fondation @louisroederer_ & la @fondationtaraocean

2. © Sandra Virbel Rouget

#parisphotofair #parisphoto #expositionparis #galerieparis

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Imago - Expérience photosensible #lacapsulelebourget (->3 janvier 2027)

"À l’occasion du bicentenaire de la photographie, La Capsule présente une exposition qui interroge deux siècles d’histoire du médium à l’aune des enjeux écologiques contemporains. Portée par le collectif EeZ0 (réunissant Tomás Amorim, Emilio Chiofalo, Julie Laporte, Benoît Lefeuvre et Julie Rochereau), la résidence explore procédés alternatifs, matériaux de réemploi et collaboration avec le vivant, en résonance avec les débuts expérimentaux de la photographie.

Elle s’enrichit du regard de figures invitées telles que Sarkis Torossian, Philippe Bréson et Laure Winants, dont les pratiques dialoguent avec cette généalogie technique et sensible du médium. L’exposition se veut un prototype durable, à la croisée de la recherche plastique, de la transmission et d’un esprit de laboratoire expérimental, révélant combien la photographie, deux cents ans après son invention, continue de muter avec son temps."

Avec les artistes :
Tomás Amorim (@tomass_amorim)
Philippe Bréson (@philbreson)
Emilio Chiofalo (@emiliochiofalo)
Julie Laporte (@juliela__ )
Benoît Lefeuvre (@benoitlefeuvre)
Julie Rochereau (@julie_rocher_eau)
Sarkis Torossian (@sarkis_torossian)
Laure Winants (@___laurewinants)

#bicentenairedelaphotographie

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Artistic practice takes different forms, and the conditions needed to develop it vary. FUTURES offers two residency formats that support research, experimentation and professional development through different approaches.

The FUTURES Artistic Residency brings artists together within a curated framework for research, exchange and artistic development, creating opportunities to engage with other practitioners, partner organisations and audiences.

The FUTURES Research Residency takes a more self-directed approach. It offers photographers, artists, writers, researchers and curators dedicated time and space to pursue their own research interests, develop ideas and follow lines of enquiry without a prescribed project or final outcome.

The experiences of previous residents offer a glimpse into what this time and space can make possible.

Read their reflections through the link in bio.

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What if the sediments beneath our feet could unsettle the way we see the world?

Thinking with sediments means attending to what matter carries through time—and to what has settled in our own perception. An artwork can disturb those habits.

At WIELS, I’ll explore how artistic practice can unsettle the boundaries through which we organise bodies, environments and knowledge, before opening a conversation with Laure Winants.

Her experiments with water, light and photosensitive surfaces raise a question at the heart of this talk: how can an image emerge from the very entanglements we inhabit?

Sedimentary Thinking and Oceanic Perspective
Talk & conversation · invitation by @gluon_bxl @wiels_brussels and a special thanks to @evelyn.deruyck
16.11 at 3pm

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The Ecology of Movement brings photography, environmental responsibility and cultural production into conversation through an exhibition and public programme presented by FUTURES during Paris Photo Week 2026.

Curated by @julia_rajacic the exhibition explores how ecological limits can become a catalyst for experimentation, shaping the ways photography is made and experienced.

Meet the five artists exploring how ecological conditions can shape photographic practice, from the materials and processes used to make images to our relationships with the living world.

What can art contribute to conversations about climate change, and what role can cultural networks play? FUTURES and @fedoraplatform bring photography, opera and dance into the discussion.

Photographer @ziedbromdhane considers how documentary photography can reveal the effects of environmental change on lives, relationships and identities, beyond what can be captured through measurable data.

Join us for the opening gathering and the launch of the FUTURES Special Edition of Fotograf magazine, in collaboration with @fotograf.zone

How are algorithmic visual cultures and attention economies changing the ways photography is curated and encountered? Nadine Isabelle Henrich, Senior Curator at Haus der Photographie, @deichtorhallenhamburg; Marco de Mutiis, Digital Curator at @foto_museum; Mona Schubert (@silver_iodide), Curator at @foto_arsenal_wien; and artist and researcher @sheungyiuphoto come together to consider these questions.

Hosted by photographer @giyamakondowills, this @fotodok.nl discussion explores the creative decisions, collaborations and ideas that shape photobooks, offering a closer look at the stories behind the finished publications.

Presented by @ci.cloplataforma, this programme brings together Virgílio Ferreira, Joana Dionísio, Gonçalo C. Silva, Catarina Braga and Carlos Trancoso to discuss artistic approaches to ecological and social challenges, and how photography can foster more regenerative relationships with the territories we inhabit.

Curator @julia_rajacic joins the five exhibiting artists to discuss working within ecological limits, the choices and compromises involved, and ho

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[ PROGRAMME OPEN STUDIO FALL 2026 ]

🙌 Voici les participants de notre Open Studio Fall

Nous aurons le plaisir de vous accueillir, le samedi 17 Octobre de 14h à 17h pour découvrir le travail et la discipline de nos résidents.

Nous accueillerons également @adelehaenel_officiel, ancienne résidente de la Fondation Camargo pour une lecture d’un passage de son livre « Viser Juste » et un open talk sera organisé avec le public, modéré par @sandrajournes.

🕞 Retrouvez toutes les infos horaires du programme sur notre site internet en bio

📍383 avenue de l’Amiral Ganteaume, Cassis

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What happens when an artist and a scientist look at the same question?

Dive deep into insects, mycelium, oceans, robots, cosmic rays and more, with 13 duos.

Swipe through all of the talks next week at Shifting Worlds, all at the Balcony Stage, 16 & 17 October.

Get your day ticket! Link in bio.

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What responsibilities do artists and cultural institutions have in a changing climate?

Over the past few weeks, we’ve been asking questions around photography, environmental responsibility and cultural production. There are no simple answers, but these are conversations that need space to be explored.

This November, FUTURES brings these questions into a shared space through The Ecology of Movement, an exhibition and public programme.

Bringing together an exhibition, talks, workshops, presentations and opportunities for exchange, the programme brings artists, institutions and practitioners together around different questions shaping photography and cultural production.

Curated by @julia_rajacic, the exhibition takes an experimental approach to environmental responsibility: rather than proposing definitive answers, it raises questions, tests perspectives and creates space for dialogue.

More details to come.

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[5 artists to discover in Paris Photo’s Main Sector]

These five artists push beyond traditional approaches to photography, experimenting with photographic processes, materials and forms of representation.

Discover their work in Paris Photo’s Main Sector:

Alina Frieske (@almafrie)— @robertmorat Morat
Lake Verea (@lakeverea) — @bendanapinelartcontemporain
Carla Williams (@carlajwms)— @higherpictures
Lua Ribeira (@lua_ribeira)— @rociosantacruzart
Laure Winants (@___laurewinants) — @echo119_galerie

→ Swipe to discover their work.

Discover the Main Sector at Paris Photo 2026. Book your ticket – link in bio.

Paris Photo | Nov. 12–15, 2026 | Grand Palais

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IMAGES:
Carla Williams, Small Head, 1990 — Courtesy of the artist & Higher Pictures
Alina Frieske, Untitled (Fruits), 2020 — Courtesy of the artist & Robert Morat Galerie
Lake Verea, Esfera, escalera, cajonera y esculturas, 2013 — Courtesy of the artist & Bendana | Pinel Art Contemporain
Carla Williams, Virtuous, 1990 — Courtesy of the artist & Higher Pictures
Lua Ribeira — Untitled. Ourense, 2025 (gymnastic formations, red), From the project Ordo Rerum.
Laure Winants, FOSSILES DU FUTUR, Impression immergée (Forêt de posidonies), 2026 — Courtesy of the artist & Galerie écho 119

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#altphotography #altprocess #experimentalphotography

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It’s happening. Buy your ticket now!

Link in bio.

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