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Data Center with Exit Sign, 2026
Site-responsive installation

modular furniture, painter’s tape, gaffer’s tape, mixed media drawings on paper and birch panel, vinyl, letterpress prints, poplar, pine, balsa, acrylic, latex, found objects, scavenged notes, studio tools, cutting mats, metronome, headphones, magnifying glass

I’m grateful to have my work included in Reject the Null at Wofford College now through mid-December.  This exhibition, curated by @annie.heisel.art , assembles the work of four artists working through various research methodologies: Annie herself, @_k.re.ate_ , @scottcarter.art , and me in the gorgeous Richardson Family Gallery.  I admire the work and practices of these artists and encourage you to come see this show if you find yourself in the gravity of Spartanburg.

Also included is my single-channel video, Particle Man (Dissipates). Both works center documenting the passage of time, both using shifting shadows as their baseline.  In the gallery, I outlined migrating shadows in both morning and early evening as the beginning of my floor drawing

Thanks also to @chloed.kaylor and @michaelwebsterstudio for their hospitality
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This drawing by @_k.re.ate_  on handmade paper they made in @jamie_california ‘s workshop and these paddles and ping pong table made by Becky Juliette-Duex is everything. This is how we do it (and make it) (and pong it) @pocosinarts
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