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by @aslikasli
SHOWING ONLINE OCT 15 - OCT 26: VOX HUMANA by DON JOSEPHUS RAPHAEL EBLAHAN

POSTS STORIES REELS TAGGED

Tickets here: https://www.thegardencinema.co.uk/film/synthetic-sincerity/ “Before its nimble 70 minutes are over, the film has addressed the AI revolution, the democratisation of images and the concept of authenticity itself as well as touching on Israel’s bombing campaign against Lebanon, the displacement of the Uyghur people and the advent of pro-China censorship in UK universities. It is all handled with its director’s customary wit, humanity and lightness of touch.” Ryan Gilbey The Guardian

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I’ve been close to @speciwomen since I met @chatwithphilo back in 2016 and all their projects have been so dear to my heart 🩷
But since last year I got way closer!
I had the amazing opportunity to support and accompany Kim Torres’s residency as part of our @at.magnet program.
Meeting Kim, discover her creative process by spending time with her in the studio, working with @speciwomen and @99canal.nyc was really one of the most inspiring experiences this city could offer and helped me to find some hope in the midst of these difficult time we’re leaving.
So here is a little bts of these three months ( and a diaporama of Kim’s life) I wanted to share with you! We did weekly meetings, screenings, interviewings, radiorecordings, substackings, dancings, we did it all ⭐️
(The two screenings were at @metrograph and @uniondocs)
It was so moving to follow this journey,
Thank you so much to the amazing women of the @speciwomen board and everyone that made this possible.
And to the others, go see more on @speciwomen !!

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We are pleased to be able to take pre-orders for Lift - A 25 Year Anniversary Special Limited Edition.

Each edition in this special limited run of 100 is hand numbered and signed by the author and includes a loose-leaf page and a downloadable H264 link to the original film, Lift (2001) Dir: Marc Isaacs.

Book Content Details: 82 carefully curated photographs from Lift 2001

A 12 page poem entitled:
25 Years Ago
by Marc Isaacs Edited by Poet and Writer, Ruth Wiggins @ruthwiggs66

“Moving fluidly across time and space like an edited film, 25 Years Ago, is as much grounded in my life as it is in the Lift itself. With a focus on both the joys and sorrows of the immigrant communities I describe, I hope it provides a unique ‘behind the scenes’ or ‘making of’ accompaniment to the photographic images in the book and (of course) the original film itself.”

Marc Isaacs 2026.

Specifications:
Size 240x300 - Portrait
Number of Pages: 94
Approx weight: 0.901 Kg
Features: Laminated gloss, Case binding, Hard case, Sewn block, squared spine, 2.4mm board, standard H&T bands
170gm paper

The Price of this special limited edition is £45 which includes all postage and packaging costs.

All orders will be delivered in the week of July 1st 2026.

The payment link is here below and active in the bio: Any queries DM here or at Marcisaacs1@gmail.com

https://buy.stripe.com/9B69AU4whbjM8i03nU9ws01

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I adore Kim and her films, I am thankful Aslı put us on the same path. We are screening all of Kim Torres’ short films in celebration for the closing of her residency @at.magnet tonight in New York. Thank you @metrograph for hosting us for another program. I’ll talk with Kim about the light, about symptoms, about the invisible on screen and about how if inside our selves were to be a landscape, it would probably be a city. Tix are sold out, thank you so much to everyone who bought a ticket for tonight’s program, we will see you there. @kim__torrent forever🫆🔦p is from Kim’s first film Atrapaluz (2021) opening tonight’s screening.

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After 3 months in nyc at the @speciwomen / @at.magnet residency, we’re having a screening of all my short films at the beautiful @metrograph ❤️ closing this way feels like a dream. Feeling so grateful 🥹 can’t
wait to see you and celebrate together.

This program is presented in collaboration with @airtime.world 🌐

Thank you @adelinemonzier , Inge de Leeuw and everyone who made this possible 🫶

Last tickets here: https://metrograph.com/film/?vista_film_id=9999004816

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Speciwomen, a non-profit arts organization that provides space to women and LGBTQIA+ artists for retreat, research, and making, presents a program of four beguiling shorts by Costa Rican-American filmmaker Kim Torres, recent recipient of a Speciwomen residency. ⁠
⁠
This program is presented in collaboration with Airtime.⁠
⁠
Q&A with artist Kim Torres moderated by Philo Cohen, Founder of Speciwomen, on Saturday, May 9th
⁠
📽️⁠
SUNCATCHER (2021)⁠
NIGHT LIGHT (2022)⁠
THE MOON WILL CONTAIN US (2023)⁠
I DREAMED OF A GENTLE LANDSCAPE (2025)⁠
⁠
📸: @ashmclean

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𝗙𝗥𝗜, 𝗠𝗔𝗬 𝟭 — 𝟳:𝟯𝟬𝗣𝗠
𝗣𝗢𝗥𝗧𝗔𝗟𝗦 𝗜𝗡 𝗕𝗘𝗧𝗪𝗘𝗘𝗡

We’re thrilled to announce the three short films that were selected via our open call and will join our lineup for tomorrow’s program -

— 𝘋𝘈𝘐𝘓𝘠 𝘞𝘖𝘙𝘒𝘌𝘙 by 𝗧𝗶𝗻𝗴 𝗦𝘂 [ @tingsu_u ]
— 𝘕𝘖𝘞 𝘛𝘏𝘈𝘛 𝘞𝘌 𝘈𝘙𝘌 𝘚𝘌𝘕𝘋𝘐𝘕𝘎 𝘠𝘖𝘜 𝘛𝘖 𝘛𝘏𝘌 𝘌𝘕𝘋 by 𝗕𝗹𝗮𝗸𝗲 𝗞𝗻𝗲𝗰𝗵𝘁 [ @blakekne ]
— 𝘓𝘐𝘝𝘌 𝘍𝘙𝘖𝘔 𝘛𝘏𝘌 𝘊𝘓𝘖𝘜𝘋𝘚 by 𝗠𝗮𝗰𝗸𝗶𝗲 𝗠𝗮𝗹𝗹𝗶𝘀𝗼𝗻 [ @mackiemallison ]

Alongside 𝗔𝘀𝗹ı 𝗕𝗮𝘆𝗸𝗮𝗹’𝘀 [ @aslikasli ] 𝘋𝘈𝘙𝘒𝘙𝘖𝘖𝘔 and 𝗞𝗶𝗺 𝗧𝗼𝗿𝗿𝗲𝘀’ [ @kim__torrent ] 𝘚𝘖𝘓𝘖 𝘓𝘈 𝘓𝘜𝘕𝘈 𝘊𝘖𝘔𝘗𝘙𝘌𝘕𝘋𝘌𝘙Á, each film explores time, memory, and the concept of home.

The open call invited films that resonate with these themes: portraits of home that construct alternate realities, reimagining time and memory. We were blown away by the range of submissions! A huge thanks to everyone who submitted thoughtful, inventive, and deeply felt works from across contexts. After a painstaking deliberation with Aslı and Kim, we’re so excited to share these three additions with you!

Organized with @airtime.world and @speciwomen’s @at.magnet Residency, this evening foregrounds porous boundaries between maker and audience, and celebrates imagination as a form of resilience. A conversation with filmmakers will follow.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️

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𝗙𝗥𝗜, 𝗠𝗔𝗬 𝟭 — 𝟳:𝟯𝟬𝗣𝗠
𝗣𝗢𝗥𝗧𝗔𝗟𝗦 𝗜𝗡 𝗕𝗘𝗧𝗪𝗘𝗘𝗡

Tomorrow! We’re pairing 𝗔𝘀𝗹ı 𝗕𝗮𝘆𝗸𝗮𝗹’𝘀 [ @aslikasli ] 𝘋𝘈𝘙𝘒𝘙𝘖𝘖𝘔 and 𝗞𝗶𝗺 𝗧𝗼𝗿𝗿𝗲𝘀’ [ @kim__torrent ] 𝘚𝘖𝘓𝘖 𝘓𝘈 𝘓𝘜𝘕𝘈 𝘊𝘖𝘔𝘗𝘙𝘌𝘕𝘋𝘌𝘙Á for a lyrical evening exploring time, memory, and the concept of home. Moving through everyday landscapes — from coastal towns and cornfields to red-lit darkrooms — these films open intimate archives in the making, inviting viewers into processes shaped by collaboration and speculative world-building.

We’re also thrilled to add three short films to this lineup selected from our open call:
— 𝘋𝘈𝘐𝘓𝘠 𝘞𝘖𝘙𝘒𝘌𝘙 by 𝗧𝗶𝗻𝗴 𝗦𝘂 [ @tingsu_u ]
— 𝘕𝘖𝘞 𝘛𝘏𝘈𝘛 𝘞𝘌 𝘈𝘙𝘌 𝘚𝘌𝘕𝘋𝘐𝘕𝘎 𝘠𝘖𝘜 𝘛𝘖 𝘛𝘏𝘌 𝘌𝘕𝘋 by 𝗕𝗹𝗮𝗸𝗲 𝗞𝗻𝗲𝗰𝗵𝘁 [ @blakekne ]
— 𝘓𝘐𝘝𝘌 𝘍𝘙𝘖𝘔 𝘛𝘏𝘌 𝘊𝘓𝘖𝘜𝘋𝘚 by 𝗠𝗮𝗰𝗸𝗶𝗲 𝗠𝗮𝗹𝗹𝗶𝘀𝗼𝗻 [ @mackiemallison ]

This program began with Aslı and Kim’s films, which bring us into worlds shaped as much by imagination as by lived reality, unfolding in ways that feel collaborative, process-driven, and alive. In that same spirit, we wanted the evening to remain open and responsive, treating these works as part of an evolving dialogue. The open call invited films that resonate with these themes: portraits of home that construct alternate realities, reimagining time and memory. We were blown away by the range of submissions! A huge thanks to everyone who submitted thoughtful, inventive, and deeply felt works from across contexts. After a painstaking deliberation with Aslı and Kim, we’re so excited to share these three additions with you!

Organized with @airtime.world and @speciwomen’s @at.magnet Residency, this evening foregrounds porous boundaries between maker and audience, and celebrates imagination as a form of resilience. A conversation with filmmakers will follow.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️

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As my days in New York are slowly coming to an end, we have some more events coming up! ⭐️ This 𝙁𝙧𝙞𝙙𝙖𝙮 𝙈𝙖𝙮 𝟭𝙨𝙩, we’ll have a very special screening at @uniondocs In the program 𝙋𝙤𝙧𝙩𝙖𝙡𝙨 𝙄𝙣 𝘽𝙚𝙩𝙬𝙚𝙚𝙣, co presented by @airtime.world and @speciwomen our short 𝙎𝙤𝙡𝙤 𝙡𝙖 𝙇𝙪𝙣𝙖 𝙘𝙤𝙢𝙥𝙧𝙚𝙣𝙙𝙚𝙧𝙖́ will screen along one of my favorite shorts ever, 𝘿𝙖𝙧𝙠𝙧𝙤𝙤𝙢 by @aslikasli 🩵

Since we saw each others films, we couldn’t help feeling that they were siblings somehow so we made an open call to find other “sibling films” for the program and we’ll be announcing the selection on Thursday!

Together, these shorts invite the audience into a lyrical conversation that reimagines the transportive potentials of our everyday surroundings: nature, water, corn fields, windows, children’s games, red lights, stars and the moon.

Get your tickets here : )
https://uniondocs.org/event/2026-05-01-portals-in-between/

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Do you have your ticket for @aslikasli & @kim__torrent double bill this Friday @uniondocs ? Link is in my bio, some secret films will also be screening alongside Aslı and Kim’s. The screening marks the final day of Kim’s @at.magnet residency and is an ode to childhood’s imaginaries, landscapes rediscovered and collective tenderness. @speciwomen @airtime.world 🚩link in Bio, book it now

stills are from Aslı Baykal, Darkroom (2023) and Kim Torres, Solo la luna comprendera (2023) both screening Friday

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Announcing closing programs for Kim Torres’ (@kim__torrent) Magnet residency.

Friday May 1 at 7:30PM @uniondocs: We invite Kim Torres’ Solo la Luna Comprenderá (2023) in conversation with Aslı Baykal (@aslikasli)’s Darkroom (2023) into a lyrical dialogue that reimagines the transportive potentials of our everyday surroundings: nature, water, corn fields, windows, children’s games, red lights, stars and the moon.

Aslı Baykal nominated Kim Torres for her residency with Magnet. The screening will be followed by a third short film presentation chosen by both directors in conjunction with the program.

Saturday May 9 at 6PM @metrograph: Speciwomen presents a program of four beguiling shorts—Atrapaluz, Luz Nocturna, Solo la Luna comprenderá, and Soñé con un paisaje—by Kim Torres. Q&A with artist Kim Torres moderated by Philo Cohen (@chatwithphilo), Founder and Director of Speciwomen, on Saturday, May 9th.

All programming presented in collaboration with @airtime.world

Tickets are now available at links in bio.

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Airtime presented legendary pioneer Jeff Mills’ Cinemix of Metropolis : live score performance for the 2010 restoration of Fritz Lang’s Metropolis (1927)

I had an out of body experience watching it and watching people watch it. The kid version of me was impressed. It took almost a year behind the scenes organizing.

Thank you to Roulette for trusting me with the space. @rodanada who introduced me to them. @naomi__asa and @kimalajuwon I could have not been able to do it on the day without them. Courtney @rockawayfilmfest for coming to test the screen with me.

My merch ladies @waxse @laila_qad @melenalip . More on merch later. @elijahmaura printed it!

Thank you to friends who took time to help w my random questions: MY MOM, @_mic4 @melenalip @jill_earth @arthouseathome @jsc.001 @keenan.png @dimension______tide and more

More soon❤️🧿

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