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“In The Hopper”
#YairOelbaum
#Aléa, Pantin, France
2025-10-26 - 2025-12-20
Submitted by: Pierre Allain & Antoine Dochniak

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Find us at @shmorevaz from tomorrow 6PM for Le SHMOP, an artist-run holiday gift shop, alongside a whole group of beautiful creators:

@_agence_de_voyages
@alea.program
@revistabalam
@casaciccamuseum
@chrystiecanyon
@cocotte.cotcot
@di.volta.in.volta
@draft001
@du.spati.review
@depensedefensive
@gisellesbooks
@goswellroad
@goton__
@illicit_bookshop
@lesbian_propaganda_production
@lusted_men
@espaceness
@nieceresidency
@notax.notax
@p.akkiana
@chemicalbromance_
@socco.chico
@aodhanmadden @judithslutler
@turpentine_magazine

Merch @agirbizarrement c @draft001_

Opening night Dec 18, 6–9pm.
Open Dec 19–20, 2–7pm.

8 rue Perronet, 75007 Paris

____ 🏹🎈🪅🍭

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Installation shots of In The Hopper at @alea.program
which runs concurrently with l’allègement by Gyan Panchal
(which contains a decommissioned slide 🛝🤝🎞️)
through December 20th
full documentation at alea-program.com
(and contemporary art library)

full text at either
excerpts below

photos by Tanguy Beurdeley

“I ended up with a stack; a pile of tickets, including the one they were talking about on the news,” he said. “I stood there for a minute thinking, ‘Do I see what I think I see?’ I had to stick my head out of the window and breathe in some fresh air. I was in serious doubt. I really had to convince myself this was real.”

*

In The Hopper centers around a slide projection of 50 macro photographs taken between 2014 and 2022. A static projection of a foundational 2012 photo is cast on the opposing side of the same wall. Upstairs, a stage (i.e.) persists as an unassuming relic. Unsure of its utility after the production has ended, after the slide has advanced, it glimmers as a feebly constructed vessel of forgotten (?) potential.

🌃🗑️🚚

huge thanks to @pierreallain_ and @antoine.dochniak
of Aléa

Slides 1-10
Untitled (Slide Projection for Aléa), 2014-2022/2025
Slide projection, 6:40, 50 slides

Slides 11-13
Untitled (stage, i.e.), 2017
Paper clay, pigmented resin, watercolor, paper, cardboard, dust, debris, silk
25 × 23 × 20 cm

Slide 14-15
Untitled (In the Hopper), 2012/2025
Slide projection, 1 slide

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à Paris — Kai Althoff , missing foot , Jason Rhoades , Melvin Edwards , Theresa Hak Kyung Cha , Raf and Mike Kelley , Raymond Pettibon , On Kawara , Lygia Pape , Anne Truitt , Luca and Dorothea Rockburne , Agnes Martin , Yair Oelbaum , Delany at SF books Paris, Hanuman Editions at After 8 ❤️

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Yair Oelbaum, in the hopper @alea.program

Mieux vaut voir l’exposition que ses rendus photographiques d’où l’image d’un projecteur passeur.

En voyant ses images j’ai pensé à Mark Fisher, aux ruines, aux externalités négatives qui vont devenir notre seule terreau, ressource, et comment malgré tout pe(a)nser et réenchanter notre monde.

#yaeloelbaum

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Alea program
Gyan Panchal
Yair Oelbaum

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@artbasel Paris au @grand_palais, le festival d’Art Emergence à la @maisondesmetallos et plein d’autres belles expositions et événements au programme 🫦

—
📸
★ 1 : Photo © Maty Biayenda
★ 3 : Photo © Andrés Barón
★ 5 : Photo © Céline Fantino
★ 6 : Photo © Elodie Ponsaud
★ 7 : Photo : © Gyan Panchal
★ 8 : Photo © Maty Biayenda
★ 10 : Photo © Carlota Sandoval Lizarralde
★ 11 : Photo © Joséphine Topolanski
★ 12 : Photo © Aurélien Mole
★ 13 : Photo © Rémi Lécussan
★ 14 : Photo © Bastienne
★ 15 : Photo © Juliet Casella
★ 16 : Photo © Joséphine Topolanski
★ 17 : Photo © Sarah Netter
★ 18 : Photo © Berangère Portella

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In The Hopper
At Aléa
October 26 through December 20
opening October 25, 4-9 PM
@alea.program

runs concurrently with an exhibition by French sculptor Gyan Panchal

photo is from 2012
35mm slide

Artagon Pantin, 34 rue Cartier Bresson, 93500
visits by appointment: info@alea-program.com

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March–June recap with momentations, notes, outtakes - and the opening lines of a new exciting chapter with @stuartshavemodernart - channeling my inner Seth Siegelaub/Colin de Land/Pat Hearn – still learning from singular voices I deeply admire. So somewhere between overhead elevator lighting and the soft grief of desinstalling a show, a tomato lost control of its emotions. A dog watched the city dramas from a balcony, and then came the final footnote, quietly appended to the upcoming text ‘Mouche molle, chose floue, bruit pour rien’. Zizi Jeanmaire tap-danced across a memory, while John Waters reminded us (again): ‘when in doubt, just go over the top’. José Leonilson reappearing in Paris nearly 40 years later thanks to @georgia_r_w . #MalakElZanatyVarichon ’s writing was bathed in the light of communal tales, as #AntoinetteLubaki following a tradition that allowed legends to be told only after sunset. A bridge in London shimmered under sun, and Linder’s ghosts strutted through it, barely dressed, fully armed. On the other side, @donnagottschalk friends embraced warmly, Gabrielle Münter’s childhood colors, Christopher Culver’s quiet magnetism, a desk, some plants and half-sentence from @clemenceltdp at @alea.program — “but it’s hypra intense so let’s drop it.”

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