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ALI PHI

@ali_phi

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Transmedia artist.
@nullsight
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نسخه‌ی دوم پروژه‌های جامعه‌ی هنری دیهیم ۰۴ میز‌ پژوهش کیوریتور: رامین سعیدیان پروژه‌ای از آرت‌ریسرچر @dayhimartsociety @raminsaeidian @art.researcher * «میز‌ پژوهش» فضایی است میان عمل و اندیشه؛ جایی که ایده هنوز به اثر تبدیل نشده، اما شروع به تنفس کرده است. این پروژه میز را از یک سطح کار معمولی به یک زیست‌‌بوم تحقیقاتی بدل می‌کند؛ آرشیوی زنده از یادداشت‌ها، تصویرها، گفت‌وگوها و مسیرهای نیمه‌تمامی که به تولد اثر هنری منتهی می‌شوند. در اینجا پژوهش نه مقدمهٔ هنر، بلکه بخشی از خودِ فرآیند هنری است. «میز‌ پژوهش» لحظه‌ی ناپیدای شکل‌گیری معنا را آشکار می‌کند: جایی میان مکث و کشف، میان تردید و ساختن. این پروژه دعوتی است به دیدن آن صحنهٔ خام و بی‌واسطه که هنر از دلِ آن آغاز می‌شود؛ سطحی که همه‌چیز بر آن شکل می‌گیرد، دوباره نوشته می‌شود و مسیرهای تازه‌ای برای اندیشیدن می‌گشاید. * بازدید: جمعه‌ها ۳، ۱۰، ۱۷، ۲۴ مهرماه ۱۴۰۵ ورود از ساعت ۱۶ تا ۲۱/ بازدید تا ساعت ۲۲ نشانی: تهران، اتوبان امام رضا، قیام‌دشت، بلوار شهدای قیام‌دشت، خیابان پونل، «کارخانه‌ی هنر، نوآوری و شتاب‌دهی دیهیم» آرتیست‌های میز پژوهش: سپیده آزاد / درسا بسیج/ راحیل بیگی / ماری جعفری / علیرضا جوادی / هوفر حقیقی / عاطفه خاص / سمیرا دلزنده / آذین ذوالفقاری/ پگاه رجامند / غزاله صداقت / نسترن صفایی / آنالی طاهریان / سارا عباسیان / هستی غیاثی / علی فی / ام.مانا / نرگس محمدیان / رویا مزروعی / طلوع ناصری / الدوز نبی‌زاده / آنیتا هاشمی‌مقدم / * @sepideazadstudio @dorsaaabasij @rahil__beigi @marryjaffary @alirezajavadiart @hoofar.haghighi @atefehkhas @samira_delzendeh @azinzolfaqari @pegah_rajamand @qazaleh.sedaqat @nastaransafaei @anali__taherian @saraabbasian @hastighiassi @ali_phi @manna.em @nargesmohamadian.artwork @royamazrouei_ @tooloo_naseri @ouldooznabizadeh @anita_moghaddam
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What if Toronto's urban forest could tell us its story? ⁠ ⁠ Last weekend, the Canada Malting Silos came alive with light and sound as Ali Phi's Decomposition No. 7: Undergrowth transformed Toronto's street-tree data into an immersive public artwork. ⁠ ⁠ Presented as part of SILO NIGHTS at Public Pier, the projection revealed hidden connections between the city's trees and root systems, inviting us to imagine new possibilities for our urban landscape and the future of Toronto's waterfront. ⁠ ⁠ Thank you to everyone who joined us at Public Pier to experience this extraordinary intersection of art, science, and technology. ⁠ ⁠ Missed the first weekend? Public Pier returns September 25–26 and October 2–3 with more public art, music, food and opportunities to experience Toronto's waterfront in a new light. ⁠ ⁠ Decomposition No. 7: Undergrowth was curated and presented in partnership with The Bentway as part of SILO NIGHTS, curated by OCAD University. ⁠ ⁠ Photo: @milabright_photo ⁠ ⁠ #PublicPierTO #SILONIGHTS #TheBentway
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PHENOMENAL! 🎆 SILO NIGHTS curated by OCAD University The Bentway presents Decomposition No. 7: Undergrowth by Ali Phi 🎥 🌊 #ocad #instilation #toronto
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Starting this evening, one of Toronto’s most distinctive waterfront sites is coming alive with music, movement, food, public art and immersive nighttime projections as Public Pier launches at Marina Quay West. As night falls, SILO NIGHTS, curated by OCAD University, brings Canadian and world premieres to the Canada Malting Silos through immersive art and sound projections. Public Pier will transform the pier into a free, day-to-night destination for art and culture. It’s a chance to experience the waterfront in a whole new way. 📍 Marina Quay West, 539 Queens Quay West 📅 Fridays + Saturdays, September 18th - October 3rd 🎟️ Free admission Swipe through an discover the works that will be projected. Tags for all those involved are included on each frame. Learn more about through our link in bio. Decomposition No.7: Undergrowth by Ali Phi (@ali_phi) Curated and presented in partnership with The Bentway (@thebentway) This work imagines Toronto as a city shaped by what lies beneath it: root systems threading beneath the street grid, connecting trees across the city, and holding the ground where new growth begins. This new immersive artwork reads the city’s street-tree records, including species, trunk diameter, and location, as a score, transforming data built for maintenance into light, sound, and a portrait of slow, ongoing urban growth. In the Canadian premiere of Breathe (2026) by Pakistani-Canadian hybrid artist Faisal Anwar (@faisalanwarstudio), the Purple Martin’s 5,000-mile migration from Brazil to North America transforms the Canada Malting Silos into a living sky. Through generative visuals, animation, sound, and poetic storytelling, the work follows the birds through changing climates and disrupted ecologies. Breathe reflects on their resilience and vulnerability – offering a powerful metaphor for our disconnection from nature and an invitation to consider our impact on the world around us. Presented in partnership with The Blackwood Gallery, University of Toronto Mississauga (@blackwoodgallery_utm) The Shape of Memory by @ooopstudio The world premiere is presented by Istituto Italiano di Cultura – Toronto (@iictoronto), Consulate General of Ita
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📈 Decomposition No. 7: Undergrowth by Ali Phi was created using data from 45,889 Toronto Street trees, read south to north as a score. When viewing the projections against the Canada Malting Silo’s be sure to go to Ali Phi’s website for access to the archive and data set utilized to create this piece. https://www.aliphi.com/apps/undergrowth 🕛 Sep 18, 2026 to Sep 19, 2026 8:00 pm – 11:00 pm 📍 Marina Quay West (539 Queens Quay West) 🌲On view at Public Pier, a collaboration between The Bentway, Harbourfront Centre, OCAD University and the Waterfront BIA, with the Toronto Port Authority as lead sponsor. #PublicPier
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🌳 Projected onto the Canada Malting Silos, this immersive artwork transforms street-tree data into light and sound, revealing the interconnected rhythms of Toronto’s urban forest. A living portrait of slow, ongoing growth, it invites us to imagine the city not as it is, but as it could become. 🌿 Decomposition No. 7: Undergrowth by Ali Phi is curated and presented in partnership with The Bentway, as part of SILO NIGHTS curated by OCAD University. On view at Public Pier, a collaboration between The Bentway, Harbourfront Centre, OCAD University and the Waterfront BIA, with the Toronto Port Authority as lead sponsor. 🕛 Sep 18, 2026 to Sep 19, 2026 8:00 pm – 11:00 pm 📍 Marina Quay West (539 Queens Quay West) #PublicPier
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A/V LAB: 10 Artists. 1 Night. Saturday August 8th at 75 Pelham Ave MOVAZI is a series of interactive digital installations focused on self-reflection and the study of natural patterns through mathematical form by @ali_phi The work transforms the traditional mirror into a spatial and sensory experience, where light, motion, and the viewer’s own presence become the material. Pattern 3.1 is an initial study in digital Persian mirrorwork. A live camera feed is fractured and recomposed through computational geometry, paying tribute to Iranian artists who shattered mirrors and rebuilt them into surfaces of infinite light. The self is not reflected whole, it is multiplied. Visuals artists curated by @andshelookslikeblossom and @alex_rand_ This edition transforms 75 Pelham into a temporary exhibition of sound, image and movement.
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A/V LAB is a one-night audiovisual experience where live music, projection, installation and electronic performance collide. Featuring Dastgâmachine, Farbod Maeen, Ester Shiner, Sina Shoaie, Amir Parsa + Parallel, Ali Phi and Oyle. Visuals artists curated by @andshelookslikeblossom and @alex_rand_ This edition transforms 75 Pelham into a temporary exhibition of sound, image and movement. @dastgamachine @farbod_maeen @ester.shiner @amirhparsa @parvllell @ali_phi @oyl3 Desing by: @seysaan
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MOVAZI is a series of interactive digital installations focused on self-reflection and the study of natural patterns through mathematical form. The work transforms the traditional mirror into a spatial and sensory experience, where light, motion, and the viewer’s own presence become the material. Pattern 3.1 is an initial study in digital Persian mirrorwork. A live camera feed is fractured and recomposed through computational geometry, paying tribute to Iranian artists who shattered mirrors and rebuilt them into surfaces of infinite light. The self is not reflected whole, it is multiplied. Visuals artists curated by @andshelookslikeblossom and @alex_rand_ This edition transforms 75 Pelham into a temporary exhibition of sound, image and movement.
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kooeditions.gallery introduces ONTOLOGY and ART EDITIONS direct sales. The recent USB card documentary, the peculiar 7" record KOO09.5 made in recycled plastic, and the whole PHONOGRAPHY catalogue are available now straight from the website with NO middlemen fees, according to the true independent spirit of Koo Editions. SUBSCRIBE to get exclusive updates that won't be posted on social media.
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TPM Issue 05 physical and digital editions are available globally only on @rangarangworld @rangarangstore__ , featuring : @poo_bon , @soh3il , @ali_phi , @djjabbarr , @bomranimusic , @foroughalaei ⇢ Order now at rangarangworld.com ⇠ Limited copies signed by @poo_bon and collectible 35mm negatives available. #thepersianmag #magazine #printmagazine
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Agnosia — the inability to process sensory information. Through generative audiovisual forms, light, and shifting patterns, Ali Phi (@ali_phi ) transformed the room into a landscape where perception felt fluid and uncertain. Geometry dissolved into atmosphere, rhythm into image, familiarity into something newly felt. What unfolded invited us to slow down, to question how we see, hear, and make sense of what surrounds us. A space between signal and sensation. Between confusion and clarity. And within it, a quiet reflection. ALI PHI — Agnosia @ali_phi Video: OVA @ova_group_
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