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@alkokhanov

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4.07.2026 19:00 Family Resemblance
With life streaming (follow the link)
Neukölln Speicher
Ziegra Strasse 1
As part of „Fiction makes me nauseous“

POSTS STORIES REELS TAGGED

Opening:"Consuelo y Marea", March 1st, 4-7pm at Hošek Contemporary, Märkisches Ufer 1z with Mariana García Mejía, Sidney Ginnard, Yupanqui Ramos, Alexey Kokhanov, Haonan Liu and Oran Ray

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Today and tomorrow, 17th & 18th of July 2025,
proudly presenting Richten’s new Graphic Scores series:

/
Tracés de l’Écoute
THE BOOK PROJECT — IN SIX CHAPTERS by Grgur Savić

Conceived as a performative object, the book invites interpretation by sound poets, musicians, and action artists. It continues his exploration of recontextualizing found materials, transforming them into platforms for collective gathering, artistic expression, and socio-political reflection.

together with:

Asta D. [voice]
Mat Pogo [voice]
Anna Clementi [voice]
Elisabetta Lanferdini [voice]
Alexey Kokhanov [voice]
Christian Kesten [voice]

accompanied by the music of Francis Heery [modular synthesizer] and Meinrad Kneer [double bass]

//
curated by:
Grgur Savić
http://grgursavic.com

//////_____________
doors at 19:30
music sharp at 20:00
Sign up for our newsletter: odamusik@gmail.com
Join us!!!
_______
Artists info:
https://www.asta-d.online
https://www.annaclementi.com/
https://ausland.berlin/de/artist/mat-pogo
https://www.elisabettalanfredini.com
https://www.alexkokhanov.com
http://www.christiankesten.de/voice_e.htm
https://www.francisheery.com

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ZEITSTÖRUNGEN [Time Disturbances], an exhibition by Daniela Friebel, Freda Heyden and Christian Kesten is opening today. I wrote a score for a continuous, long-durational sound sculpture with interventions, realized live by more than 20 musicians. Sound by Caroline Siegers for a film by Daniela Friebel. The voice of Angela Winkler in an environment by Freda Heyden.

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alnobf! launched last Saturday and already our Audiowalk about empty Russian houses, inclusion, and racoons has been played over 250 times ❤️🦝💥

So much hard work went into this project. We’d like to thank and give credit to all our contributors:

Script Writer: Lainey Molloy
Music Producer: Jonathan Knowles

Voices: Annette Stall, Dawn Patricia Robinson, Alexey Kokhanov, Marianne Streisand, Wolfgang Voigtländer, Sophia Kimmig, Wolfgang Schneider, Sophia Linden

Historical Consultant: Wolfgang Schneider, Geschichtsfreunde Karlshorst

Archival Recording: Lautarchiv der Humboldt-Universität zu Berlin

English to German Translation: Sophia Linden

Special Thanks: Anna Katz & Dirk Moldt from Museum Lichtenberg, Christoph Meißner & Ann-Sophie Winterhoff from Museum Karlshorst, Geschichtsfreunde Karlshorst, Inge Gräber & Heinz-Hermann Jurczek from GISELA-Freier Kunstraum Lichtenberg, Moritz Ahlert & Kiosk of Solidarity, Lilia Usik, Caroline Winkler, Christiane Wiegand, Nele Saß, Ricardo Neuner, Pirkko Husemann & Pierre Karohs from KAHO, Niko Alber, Izzy Dempsey, Stasi-Unterlagen-Archiv, Sabine Musial from the Tagebuch- und Erinnerungsarchiv, Lautarchiv der Humboldt-Universität zu Berlin, and everyone who supported us through the project!

Gratefully funded by Bezirkskulturfonds Lichtenberg

@laineymolloy @_dwnxr @alkokhanov @sophia_linden_ @museumlichtenberg @museumkarlshorst @gisela_freier_kunstraum @lilia_usik @heinzhermannjurczek @kiosk.of.solidarity @moritzahlert @carolinewinkler_ @nelesass @goodwillmedien @izzydempseyphoto @superwuerfel @kaho.berlin @lautarchiv @ba_lichtenberg

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YOLDAŞ – FRAUEN, DIE EINANDER HALTEN

YOLDAŞ – WOMEN HOLDING EACH OTHER
💚
FRAUEN. ARBEIT. MIGRATION.
Solo Performance
PREMIERE MUNICH 20.10.2025 @festivalspielart
21. & 22.10.2025 @festivalspielart
PREMIERE BERLIN
30.10.2025 @maxim_gorki_theater
„Das, was BMW zu dem machte, was es heute ist, das waren wir“, so Emine Ulusen, die 38 Jahre lang Arbeiterin im BMW-Werk München war. Zusammen mit Evgenia Karakolidis und Anayurt Kırımlı gehört sie der ersten Generation von Gastarbeiter*innen in Deutschland an. Sie sind „Yoldaş“ – Freundinnen und Wegbegleiterinnen. Der Großteil ihres Lebens spielte sich im BMW-Werk ab, wo sie Zeiten der Sprachlosigkeit, der psychischen Verausgabung und der harten körperlichen Arbeit erlebten. Die Sängerin Nihan Devecioğlu wuchs als Enkelin von türkeistämmigen Arbeiter*innen im Umfeld des Werks auf. Nun schafft sie einen poetisch-musikalischen Raum für Erinnerungen – an ihre eigene Kindheit im München der 1980er Jahre und an die Frauen, deren Arbeit bis heute unsichtbar blieb. Frauenstimmen, kombiniert mit dem Klang der Maschinen und dokumentarischem Filmmaterial, fügen sich zu einer lebendigen Collage der Zeitgeschichte – und werden zugleich zu einem Ausdruck von Selbstermächtigung und weiblicher Solidarität.

Concept, interviews, performance, artistic & musical direction
Nihan Devecioğlu
Video artists & camera
Cana Bilir–Meier @canabilmei | Tizian Stromp Zargari @tizianstrompzargari
Musical & conceptional collaboration
Alexey Kokhanov @alkokhanov
Directional assistance
Frank Abt
Dramaturgy
Viktorie Knotková @viktorie_knotkova
Scenography
Ragna Heiny
Technical guidance
Ada Binaj @ada.kadabra_

Sound Design @silositges

Trailer @isikharun
Management of artistic production
Rat & Tat Kulturbüro

Funded by
the Kulturreferat der Landeshauptstadt München and the Verband freie Darstellende Künste Bayern e.V. within the framework of the Prozessförderung des „Förderpakets Freie Kunst 2025“, with supporting funding from the Bavarian Ministry for Science, Research, and Art
Co-production
SPIELART Festival @festivalspielart Munich | Maxim Gorki Theater @maxim_gorki_theater 💚

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Join us in Consuelo y Marea, an exhibition by Mariana García Mejía (@mariana.garcia.m) at Hošek Contemporary.

Rooted in an open archive of lullabies gathered since 2024, the exhibition unfolds as a series of sound installations and a publication. Through arrullos —human and non-human lulls— a soft space of solace is offered. Solace, memory, and the tender yet complex histories carried by sound. Moving between personal and collective memory, the exhibition revisits lullabies as childhood symbols while questioning their assumed innocence. Re-contextualised as living sonic archives, arrullos carry stories of oppression, resistance, and liberation.

🔊With contributions from Sydney Ginnard (@sydneylondonparis), Yupanqui Ramos (@yupanquiramos), Alexey Kokhanov (@alkokhanov), Haonan Liu (@haonanliu_archive) and Oran Ray (@oran_ray_drummer).

🗓 Opening: March 1, 2026 between 16:00 - 19:00 (followed by a sound installation by Berlin Improvisers Orchestra)
Duration: March 1-14, 2026
Open daily 14:00 - 18:00 (except Tuesday)

📍 Hošek Contemporary
Märkisches Ufer 1z
10179 Berlin

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ЯE:IMAGINE // 𝗣𝗿𝗲𝗺𝗶𝗲𝗿𝗲

FRAUEN. ARBEIT. MIGRATION.

„Das, was BMW zu dem machte, was es heute ist, das waren wir“, sagt Emine Ulusen, 38 Jahre lang Arbeiterin im BMW-Werk München. Zusammen mit Evgenia Karakolidis und Anayurt Kırımlı gehört sie zur ersten Generation der Gastarbeiterinnen in Deutschland – Yoldaş, Freundinnen und Weggefährtinnen. Die Sängerin Nihan Devecioğlu, Enkelin türkeistämmiger Arbeiterinnen, verwandelt ihre Erinnerungen an das München der 1980er in einen poetisch-musikalischen Raum – eine Collage aus Stimmen, Maschinenklängen und weiblicher Solidarität.

•••

“What made BMW what it is today – that was us,” says Emine Ulusen, who worked 38 years at the BMW plant in Munich. Together with Evgenia Karakolidis and Anayurt Kırımlı, she belongs to the first generation of guest workers in Germany – Yoldaş, friends and companions. Singer Nihan Devecioğlu, granddaughter of Turkish workers, transforms her memories of 1980s Munich into a poetic-musical space – a living collage of voices, machine sounds, and female solidarity.

•••

📍 Yoldaş – Frauen, die einander halten
📝 Von und mit Nihan Devecioğlu
📌 Mitarbeit Regie Frank Abt | Mitarbeit Musik & Konzept Alexey Kokhanov | Szenografie Ragna Heiny | Videokünstler*in & Kamera Cana Bilir–Meier & Tizian Stromp Zargari | Sounddesign & Technische Leitung Ada Binaj | Künstlerische Produktionsleitung Rat & Tat Kulturbüro | Dramaturgie Viktorie Knotková
⏰ Premiere: 30/Oktober 20:30, Studio Я

📸 Trailer isikharun

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Our English trailer is ready!

Massive thank you to Nikolai Alber @goodwillmedien for your hard work.

alnobf! is an audiowalk sharing perspectives on the legacies of the DDR in East Berlin, on inclusion, empty Russian houses, and racoons.

Listen for free now via Soundcloud (link in bio)

Script Writer: Lainey Molloy
Music Producer: Jonathan Knowles

Voices: Annette Stall, Dawn Patricia Robinson, Alexey Kokhanov, Marianne Streisand, Wolfgang Voigtländer, Sophia Kimmig, Wolfgang Schneider, Sophia Linden

Historical Consultant: Wolfgang Schneider, Geschichtsfreunde Karlshorst

Archival Recording: Lautarchiv der Humboldt-Universität zu Berlin

English to German Translation: Sophia Linden

Special Thanks: Anna Katz & Dirk Moldt from Museum Lichtenberg, Christoph Meißner & Ann-Sophie Winterhoff from Museum Karlshorst, Geschichtsfreunde Karlshorst, Inge Gräber & Heinz-Hermann Jurczek from GISELA-Freier Kunstraum Lichtenberg, Moritz Ahlert & Kiosk of Solidarity, Lilia Usik, Caroline Winkler, Christiane Wiegand, Nele Saß, Ricardo Neuner, Pirkko Husemann & Pierre Karohs from KAHO, Niko Alber, Izzy Dempsey, Stasi-Unterlagen-Archiv, Sabine Musial from the Tagebuch- und Erinnerungsarchiv, Lautarchiv der Humboldt-Universität zu Berlin, and everyone who supported us through the project!

@laineymolloy @_dwnxr @alkokhanov @sophia_linden_ @museumlichtenberg @museumkarlshorst @gisela_freier_kunstraum @lilia_usik @heinzhermannjurczek @kiosk.of.solidarity @moritzahlert @carolinewinkler_@superwuerfel @kaho.berlin @lautarchiv @ba_lichtenberg

alnobf! is funded by Bezirkskulturfonds (BKF) Lichtenberg

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The reading of the play «Berlin Syndrome» by my beloved Polina Borodina @fairyidiot , directed by Marfa Gorvits @gorvits_marfa

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Maniozis

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This sound “A” from our INTERIORISATION III made the entire space vibrate. It was such a clear, piercing vibration. From my memory, that scene lasted at least 20 minutes, maybe half an hour. Only five years later, I discovered a very powerful vocal meditation with this AAAAA, and started practicing—and I was amazed to realize that we had approached it from a completely different entry point, yet ended up in the same place that meditation leads to. AND: Participants were not actors or singers (except professional singer @nafsetchenib); as I remember, none of us at that time had experience in singing improvisation (except Alexey Kokhanov). 10 days of workshops with @alkokhanov, @sonya.levin, and myself.

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We are deeply grateful to everyone who joined us for the two-day event of the Grgur Savić @gr_savic - Graphic Score Serie • Edition #2 as a part of - Tracés de l’Écoute THE BOOK PROJECT — IN SIX CHAPTERS @gs_graphicscores
Your presence and enthusiasm made each evening truly memorable, highlighting an interest in the fascinating art of graphic scores.

With an extraordinary lineup: [All the videos shown were captured on Day 2. Our sincere apologies to dear Anna Clementi and Francis Heery for their absence from the footage.]

Performance: [17 & 18. July, 2025]
Asta D. @asta_d_dokumenta [voice]
Mat Pogo @matpogo [voice]
Anna Clementi @annie2007 [voice]
Elisabetta Lanferdini @elisabetta_lanfredini [voice]
Alexey Kokhanov @alkokhanov [voice]
Christian Kesten @christian.kesten [voice]
accompanied by the music of Francis Heery [modular synthesizer] and Meinrad Kneer [double bass] @meinradkneer

We extend our heartfelt appreciation to the talented artists who enriched this series with their incredible performances.

Thank you once again for being a part of it. 🤍

__
#GrgurSavić #NightOfGraphicScoreMusic #Tracés del’Écoute #ConcertSeries #GraphicScores #bookproject #sixchapters #visualart #soundpoetry #voice #instrumentoftheyear2025 #bookscores #visualpoetry #blackoutpoetry

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