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@anksyee

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affiliate scholar @new_centre💜
phd candidate @fmk.beograd❤️

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This year’s bal publication is now available to purchase or read at Improper Walls.

bal’26 publication includes contributions by Helena Aadli, Renea Begolli, Likana Cana, Hana Čeferin, Anton Goncharov, Vildana Hermann, Rūta Junevičiūtė, Anyla Kabashi, Kroplya, Diona Kusari, Ana Marinković, Petra Matić, Milica Popović, Justina Špeirokaitė, Saša Tatić, and Paula Veidenbauma.

Editors: Ajda Ana Kocutar, Vjollca Krasniqi, Lara Mejač, Justina Špeirokaitė, Merete Väin

Issue design: René Vogelmann

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Part of ‘bal’26: Dismantling the Promise’ program - link in bio

Curated by Justina Špeirokaitė
Curatorial and editorial team: Merete Väin, Ajda Ana Kocutar, Lara Mejač, Urtė Špeirokaitė, Miloš Vučićević
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‘bal’ is a transdisciplinary comparative project exploring the artistic and cultural landscapes of the Baltic states and the post-Yugoslav region.
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Supported by BMWKMS, MA7, 15. Bezirk, Lithuanian Council for Culture, the Lithuanian Embassy in Vienna, the Estonian Embassy in Vienna, and Ministry of Culture of Kosova

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Symposium
21.10 4-7 PM
Improper Walls

‘Feminist Data as Resistance: Algorithmic Bias, Bodily Autonomy, and Digital Feminist Resistance in the Post-Yugoslav Balkans’ by Ana Marinković

‘Corridor Limbo’ by Paula Veidenbauma

‘Ecologisation of Architecture’ by Aljaž Rudolf

‘Aesopian Language’ by Rūta Junevičiūtė

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‘bal’26: Dismantling the Promise’ full program - link in bio

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‘bal’ is a transdisciplinary comparative project exploring the artistic and cultural landscapes of the Baltic states and the post-Yugoslav region.
_
Supported by BMWKMS, MA7, 15. Bezirk, Lithuanian Council for Culture, the Lithuanian Embassy in Vienna, the Estonian Embassy in Vienna, and Ministry of Culture of Kosova

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Symposium
21.10 4-7 PM
Improper Walls

‘Feminist Data as Resistance: Algorithmic Bias, Bodily Autonomy, and Digital Feminist Resistance in the Post-Yugoslav Balkans’ by Ana Marinković

‘Corridor Limbo’ by Paula Veidenbauma

‘Ecologisation of Architecture’ by Aljaž Rudolf

‘Aesopian Language’ by Rūta Junevičiūtė

_______________
‘bal’26: Dismantling the Promise’ full program - link in bio

_
‘bal’ is a transdisciplinary comparative project exploring the artistic and cultural landscapes of the Baltic states and the post-Yugoslav region.
_
Supported by BMWKMS, MA7, 15. Bezirk, Lithuanian Council for Culture, the Lithuanian Embassy in Vienna, the Estonian Embassy in Vienna, and Ministry of Culture of Kosova
_
Image by Nikola Dimitrović

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Symposium
21.10 4-7 PM
Improper Walls

‘Feminist Data as Resistance: Algorithmic Bias, Bodily Autonomy, and Digital Feminist Resistance in the Post-Yugoslav Balkans’ by Ana Marinković

‘Corridor Limbo’ by Paula Veidenbauma

‘Ecologisation of Architecture’ by Aljaž Rudolf

‘Aesopian Language’ by Rūta Junevičiūtė

_______________
‘bal’26: Dismantling the Promise’ full program - link in bio

_
‘bal’ is a transdisciplinary comparative project exploring the artistic and cultural landscapes of the Baltic states and the post-Yugoslav region.
_
Supported by BMWKMS, MA7, 15. Bezirk, Lithuanian Council for Culture, the Lithuanian Embassy in Vienna, the Estonian Embassy in Vienna, and Ministry of Culture of Kosova
_
Photo: ‘Feral Palace’ by Amadeja Smrekar

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This week on &&& Triple Ampersand, we are publishing “The Fold, the Grid & the Void” by Ana Marinković.

The essay starts with the Backrooms, the 2019 image of yellow wallpaper and damp carpet posted to 4chan that grew into internet lore and has now reached the multiplex. Ana Marinković reads it through Mark Fisher’s eerie, a failure of presence in which human architecture carries on without human life, and treats the entities added to those corridors later as a retreat into a more consumable kind of fear.

The argument pivots on what the in-between does to identity. Where Marc Augé read the transit corridor as a site of modern alienation, the essay reads anonymity there as relief from forced legibility. Against Victor Turner’s account of liminality as a bridge between two fixed social positions, Ana Marinković proposes the fold, where A and B become two faces of one surface pressed together across a void, and argues for permanent liminality as an unscripted existence rather than a crisis on the way to enclosure.

To read the full text, please visit the link in our stories or bio.

IMAGE: Backrooms , 2026, Kane Parsons

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bal’26: Dismantling the Promise
07.10-06.11
Improper Walls

07.10, 6 PM: exhibition opening. ‘Ghost Town’ by Paula Veidenbauma
09.10, 6 PM: bal screenings. ‘Pagirnis’ (dir. Anastasija Pirozenko), ‘I Have A Song To Sing You’ (dir. Eluned Zoë Aiano, Alesandra Tatić, Greta Rauleac), ‘Mother Mare’ (dir. Elisa Chiari)
14.10, 6 PM: performative reading. 'A Holder, A Recipient' by Collective Dreaming (Julija Šilytė & Milda Valiulytė)
20.10, 6 PM: publication presentation. ‘Body as an Archive: Performative Art Practices in Postwar Kosova’ by Anyla Kabashi & Renea Begolli
20.10, 7 PM: performance. ‘RADIO GLAS DRINE’ by Vildana Hermann
21.10, 4-7 PM: symposium. Rūta Junevičiūtė, Ana Marinković, Aljaž Rudolf, Paula Veidenbauma
05.11, 6 PM: film screening & discussion. ‘The City That Has Peace’ by Petra Matić, with Tayla Myree

bal’26 publication includes contributions by Helena Aadli, Renea Begolli, Likana Cana, Hana Čeferin, Anton Goncharov, Vildana Hermann, Rūta Junevičiūtė, Anyla Kabashi, Kroplya, Diona Kusari, Ana Marinković, Petra Matić, Milica Popović, Justina Špeirokaitė, Saša Tatić, and Paula Veidenbauma.

Full program: link in bio

Curated by Justina Špeirokaitė
Curatorial and editorial team: Merete Väin, Ajda Ana Kocutar, Lara Mejač, Urtė Špeirokaitė, Miloš Vučićević

Graphic design: René Vogelmann
Photo: Anton Goncharov

Supported by BMWKMS, MA7, 15. Bezirk, Lithuanian Council for Culture, the Lithuanian Embassy in Vienna, the Estonian Embassy in Vienna, and Ministry of Culture of Kosova

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It was such a joy to lead the first day of workshops for @parasite.hk’s Workshops for Arts Professionals this summer ☀️

We started the morning with a Monday Chatroom session, getting to know the participants and their positions on art and tech today. The afternoon session focused more on identifying challenges and areas for growth in our fields, and devising possible solutions to address them. I shared numerous projects from Web3, including (and especially) ones that failed, as case studies for how we might intervene.

Thank you again to the entire Para Site team, and especially to @lookstefan and @yuenyukl, who nudged me to look back at my learnings from Web3. It is my time building and learning and curating in Web3 that taught me how much value there is in embodied research, and I appreciated the opportunity to look back at projects and spaces that I have held close to me, even if they did cease.

I look forward to seeing how you all continue to build 🧚

Photos courtesy of @parasite.hk

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Hong Kong Express ❣️

(Thanks to the amazing @parasite.hk team @yuenyukl @lookstefan and @jtaylorfoster )

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With love from Slop Kong

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“Vibe-coded World” Workshop today! It was so fun!!!! Thanks so much @parasite.hk again for the invite!!! @yuenyukl @lookstefan
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2026 participant cohort:
Franco Brobio (@frunkkun), Jeremy Chen (@dragonhawaiichen), John Chow Ho Fung (@john0829), Guo Cheng (@cheng.guo), Erfan Ghiasi, Danny Hartanto Kristiawan (@_d.nn), Ana Marinkovic (@anksyee), lacopo Prinetti (@iacprinetti), Crassula
Shang (@crassula.shang), Lua Vollaard (@fangedluamena), canvaswan (@canvaswan), Ailsa Wong (@ailsa.ww), and Hui Ye (@huiyeist)
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2026 Para Site Workshops for Arts Professionals
17 24-30 August 2026
° Hong Kong
The 9th edition of our Workshops for Arts Professionals runs alongside the International Conference,
‘Unsubscribe All!’! This year, we’re diving into where contemporary art meets technology - beyond inevitability narratives, towards alternative
methodologies for artistic production, collaboration, and knowledge exchange.
Rather than treating tech as a ‘black box’, we approach it as socially embedded infrastructure shaping our environments, languages, and communities. With a regional focus on Asia-Pacific, the programme tackles resource sharing, cross-disciplinary collaboration, and equitable access.

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Our Certificate Student Ana Marinković @anksyee has published “Feminist Data as Resistance: Algorithmic Bias and Bodily Autonomy in Contemporary Media Art” in AM Journal of Art and Media Studies (Issue No. 38, October 2025), where she analyzes how anti-gender actors exploit digital technologies, including surveillance, reproductive monitoring, and the weaponization of meme culture, to enforce their norms, and how feminist media art can function as counter-systems to algorithmic bias by prototyping liberatory alternatives.

To read the full text, please follow the link in our story and bio

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Després d’haver-les fotografiat des de tots els angles… (de prop, des de dins, des de dalt, buscant perspectiva, centrant-te en els detalls...) a ara, per fi, podràs tocar-les.
Les escultures inflables d’Eva Fàbregas sortiran al carrer per #LaMercè! Acompanya’ns en la desfilada pel carrer dels Ravals, i si vols participar com a portadora de l’obra en la desfilada inscriu-te a www.macba.cat (enllaç a la bio)
~
Después de haberlas fotografiado desde todos los ángulos… (de cerca, desde dentro, desde arriba, buscando perspectiva, centrándote en los detalles...) ahora, por fin, podrás tocarlas.
¡Las esculturas inflables de Eva Fàbregas salen a la calle por #LaMercè! Acompáñanos en la desfilada por la calle del Raval, y si quieres participar como portadora de la obra inscríbete en www.macba.cat
(enlace en la bio).
~
After photographing them from every angle—up close, from the inside, from above, searching for perspective, focusing on the details—now, at last, you’ll be able to touch them!
Eva Fàbregas’ inflatable sculptures are taking to the streets for #LaMercè 🎉 Join the parade through the streets of the Raval neighbourhood, and if you want to play an active part by carrying part of the work,, sign up at www.macba.cat
(link in bio).
~
Gràcies / Gracias / Thank you:
1️⃣ Muntatge de l’obra “Enredos”, d’Eva Fàbregas, a la @fundacionbotin, Santander, 2023. Foto: Vicente Paredes
2️⃣ @millennial_bastard
3️⃣ @edisonhlz
4️⃣ @anksyee
5️⃣ @blvckbeatz
6️⃣ hannilorincz
7️⃣ @voonwong
8️⃣ @a___serebryanskaya
9️⃣ @miaborau
🔟 @enfokalo
1️⃣1️⃣@luis_monferrer
1️⃣2️⃣@mar.sebastia.lac

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