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Ansel

@anselkrut

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It’s that time of year again! You’ll be getting your steps in with all the art fairs, exhibitions and events happening across London. Here are some of our suggestions for what to see. Frieze London(@friezeofficial) Regents Park 14 Oct - 18 Oct | Tickets from £48 1-54 African Art Fair (@154artfair) Southwark 15 Oct - 18 Oct | Tickets from £32 Union Pacific (@union_pacific_london) Bloomsbury Koak (@annakoak) ‘Still Weather’ 02 Oct - 07 Nov | Free entry domobaal (@_domobaal_) Bloomsbury Ansel Krut (@anselkrut), ‘Yawa Ekat Ro Ni Tae / Eat In Or Take Away’ 19 Sept - 07 Nov | Free entry  Thomas Dane Gallery (@thomasdanegallery) St James’s Glenn Ligon (@glennligon) ‘Prompts’ 13 Oct - 19 Dec | Free entry
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An autumn creative boost for all your sensory pleasures on Substack. Link in bio. A sharp Bramley apples recipe that even my Mum could make. Distinctive art by Felicity Powell, Ansel Krut and Rober Ryman. Books, podcast, documentaries by three of my favourite writers: Joan Didion, Julia Samuels and Zakia Sewell. This American life, a Miranda July recommendation and a bit of Rocky Horror Picture Show to encourage pre Halloween hilarity. Plus a retreat where I became the better part of me. All in neatly sized, over emotional essay from me for your delectation - I hope you dig deep. #art #pleasure #education #grief #counterculture
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Ansel Krut Yawa Ekat Ro Ni Tae Eat In Or Take Away until 07.11.26 a fantastic and timely exhibition "Amongst fearful iconographic contingencies, such a quietly composed technique quietly nudges the viewer towards the deeper pleasures of the engaged gaze: the compound act of looking, thinking, and translating from painterly matter that reminds us how we differ from animals, and how we might potentially differ more… Somewhere near the heart of this, one feels, is a generalised horror of instability – the possibility that anything is possible, any shift at any moment, even unto self–consumption – and an attempt to use painting, in all its remarkable mutability, as a method of both diagnosing and acclimating to that horror." (Martin Herbert, from 'Out of the Cradle Endlessly Rocking' written for the pocket–book Hotel Vinegar, published by domobaal editions, to accompany Ansel Krut's solo exhibition in september 2006, designed by Sarah Backhouse with a story 'An Urgent Errand' by Miles Johnson) #anselkrut @anselkrut #yawaekatronitae #eatinortakeaway #martinherbert @martinlherbert #domobaal photography by @andy.keate
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there’s an inevitable joy in painting this good - along with its in-your-face quirk and biting humanity - Not to be missed, a selection of paintings by Ansel Krut first shown @_domobaal_ almost exactly twenty years ago, in dialogue with a few more recent paintings, animations and monotypes. A privilege to get to see this body of work brought together again. Up through 7th November.🔥🔥🔥🙌🏻✨ @anselkrut #anselkrut #yawaekatronitae #domobaal
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Join us for an in-conversation event with Marina Warner and @sarahvictoriaturner on the occasion of our current exhibition, The Studio of Felicity Powell, curated by @anselkrut. Tuesday 29 September, 6-8pm London RSVP via the link in bio! Artwork image: Felicity Powell, New Shoes Doubled, c. 1985 #FelicityPowell #MarinaWarner #SarahTurner #RichardSaltounGallery
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I assumed to seek knowledge, to know more, will push the practice into new territory, but to allow faith to coexist with knowing is where the practice really grows. The tension lies in the struggle of restraint. To question and challenge my understanding of what the practice is over the past few months has been wild. Coming from movement and physicality, I pushed gesture to expand space. But with every gesture I felt there was another depth missing. A dimension I wasn’t able to see yet, movement didn’t feel enough. That became the moment of crisis. I keep thinking about: الروح من أمر ربي وما أوتيتم من العلم إلا قليلاً How knowing is an actionable skill, while faith is the ability to sit with the unknown is much harder. Physically, I have been doing so much sitting, looking. What happens in total stillness? How can stillness have its place? To find that in a mark has become my new obsession. To bring depth to the outward was to go inward. So I sit, looking. Holding. In response, a new tension appears. Guided by @katrinablannin @scott_mccracken_ @anselkrut @joncarchdeacon @karolinaalbricht @matt_lippiatt @virginiarverran working alongside so many new friends and brilliant artists, grateful for @turpsbanana and all that it is.
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Summer Exhibition 2026, Royal Academy of Arts. Sharing the art that captured our hearts.
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Some of my favourites from the Summer Exhibition 2026 @royalacademyarts 🧡
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I’ve been thinking today about the work of Felicity Powell, ahead of an event I’m doing at Richard Saltoun Gallery on Thursday 3 September - a walk through then a chat with her husband Ansel Krut. . I’m still forming ideas ahead of the presentation, but thinking a lot about mythology and metamorphosis, glorified and abject bodies, the power of fragments and found objects, and about how so much of her work is dealing with something that hovers very close to magic - superstition, lucky charms, totems, spells and amulets. Her sculptures have an uncanny potency. I’m looking forward to talking and listening. . Please come and join us - details of the event are in my bio. It’s free but space is tight so you need to book. . @anselkrut @richardsaltoungallery #felicitypowell #womenartists #womeninsculpture #medals #sculpture
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Join us next Thursday for an exhibition walkthrough with @hettiejudah and @anselkrut. The Studio of Felicity Powell 3 Sept, 6-8pm London RSVP via the link in bio Image credit @katrinaastamatopoulos #FelicityPowell #HettieJudah #AnselKrut #ExhibitionWalkthrough #RichardSaltounGallery
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The Studio of Felicity Powell at Richard Saltoun Gallery. Open until 3 October 2026. Earlier today I returned for the third time to Felicity Powell’s Exhibition and each time it stays with me in different ways. To see her work out in the world 10 years on from her passing is very moving. The works speak to each other in a way that builds the logic of her interior world, one filled with myths and magic. Her sensibility is irresistible. I have known Felicity’s work since I was a child, and instantly connected with it. (I credit her as a large reason I am an artist myself.) It’s such a joy to see her works come together for this unmissable exhibition, and huge congratulations to Ansel, Hannah and Saskia on a fantastic install. (I’ve tentatively placed a couple of my own works amongst Felicity’s here – I enjoyed feeling like our works were speaking to each other, in the way I know that we would have been chatting if she were still here.) 1. Eye 2. Coral Tears 3. Eyes 4. Part of Set of 3 sculptures in bronze 5. Clip from Copycat (Ann Buchanan)’, (my work) 6. Teardrops and Hair (a.k.a Sweaty and Hairy balls) 7. Installation view of The Studio of Felicity Powell 8. A hand 9. Runaway Tree 10. Silvered Hands 11. Clip from I wish I could talk in technical (my work) 12. The John Charles Robinson Medal, V&A collection 13. Clip from ‘Sleight of Hand’ 14. Installation view of The Studio of Felicity Powell 15. New Shoes Doubled 16. Clip from ‘Scanning’, film shown in Charmed Life at the Wellcome Collection. 17. Profile with a Bee 18. Portrait of a Lady by Alesso Baldovinetti. I always thought Felicity looked like this painting when I was young. She was definitely more beautiful but there is something ethereal about the woman that seemed to match her energy (at least to child me). 19. Felicity #felicitypowell @anselkrut @richardsaltoungallery
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Opening this week in London! The Studio of Felicity Powell This will be the first exhibition dedicated to British artist Felicity Powell since her untimely death in 2015. Curated in close collaboration with Powell’s widower, artist @anselkrut, the show brings together key pieces from three decades, including previously unseen material, and offers and comprehensive overview of her practice across sculpture, drawing, photography and video. 24 July - 3 October Opening reception: Friday 24 July, 6-8pm Artwork images: 1) Felicity Powell, Woman holding innards, c. 2011 2) Felicity Powell, Eye, c. 2005 3) Felicity Powell, Figure with spiraled nose, 1990s #FelicityPowell #RichardSaltounGallery
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