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Rosa

@antylc

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Keep me out it, baby, that’s between y’all. Sorry and thanks @forkeepsbooks
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I’m thrilled to announce DEEP DOWN, my newest curatorial project with Irina Toshkova (@tfaadvisory), presented at Atlanta Art Fair 2026, October 1–4 at Pullman Yards’ Porter Hall, Booth F03. Irina and I have been working together since 2016, so this year marks 10 years of collaboration! For this milestone, we brought out an all-star lineup of artists from New Orleans, Miami, Atlanta, Detroit, Baltimore, Charlotte, Los Angeles, Harlem and New Haven whose practices push us to look beyond the surface. *** Objects and images can hold histories, memories, contradictions and meanings that aren’t always immediately visible or legible. The act of looking deeper can often shift what we understand something or someone to be. DEEP DOWN asks: What lies beneath the surface? What is carried within us? What remains unseen? These 14 interdisciplinary artists make space for complexity by challenging our perceptions of what can be immediately seen and understood. Across their practices - through materiality, scale and form - perception becomes a point of departure, opening up space for what is felt, remembered, inherited, imagined and understood. Our Blackness is often read from the surface. DEEP DOWN asks us to look beyond what is immediately visible, and then to look again. What appears to be one thing can become another the longer we stay with it. A surface is never only a surface. An object is never only an object. Deep down, we are more than the surface can contain. Come see DEEP DOWN at Atlanta Art Fair, Toshkova Fine Art, Booth F03, October 1–4. Featuring: @nicoelganso @catuxxca @artlovetrap @antylc @midnightolive @dontekhayes @mariomooreart @mvrjoni @blonder.than.necessary @instantglassic @alison_saar @iamdiannesmithart @prophetpropaganda @c.chronicles #AtlantaArtFair #AtlantaArtFair2026 #DEEPDOWN #ToshkovaFineArt #ContemporaryArt #BlackArt #Curatorial #AtlantaArt #PullmanYards
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Thank you Noah Washington for the beautiful article on #journeyofablackgirl💕 written for @theatlantavoice alongside Rosa Duffy of @forkeepsbooks ! So grateful🙌🏾 Curated by @floydintl @atlantacontemporary , please click link in my bio to read the full story !!! ✨
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@fruitofthejoom brother, according to the algorithm your article about me dropped exactly a year ago today. i remember walking into @forkeepsbooks meeting you for the first time talking your head off and you still ended up hitting me with “my brother you’re interesting, i want to write a story on you 😅”. that decision changed my life brother. folks still hit me up about this saying they heard my distinct ass voice on the radio haha. i really gained another brother the first time we met that day. forever grateful. link still in my bio!
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I’m often inspired by artists, makers and creators alike, especially when it centers the city I’m from…Atlanta. Rosa Duffy @antylc you magical being, have given me a gift so yummy. From the exhibition, a look into your art practice, and your extended offering @forkeepsbooks…it is all a beautiful love letter to this city, Black culture and our histories. Atlanta is a hub for Black thinkers and doers fostering their crafts while being surrounded and in community with likeminded individuals. As the landscape and demographics of Atlanta shift, “Tall and Wild: Atlanta 1984-1994” counters the erasure of how Black people in art and culture has shaped this city for many, many years. More of my thoughts on this to come *insert sneaky, plotting laugh* Keep going Rosa…we need you. And Floyd @floydintl, you’re the best kind of champion for artists and creatives…so thank you. P.S. I posted on the same day I experienced it so you know the love is real lol #atlantainfluenceseverything #atlanta
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@johnson_trading @averynhope @antsoulo I don’t know who to throw the ball to Appreciate everyone who came by the @newideacorp booth at AVAILABLE WORKS this weekend. We exhibited a glimpse of the CD archive we recently acquired from Elliott Wilson’s Estate— filled with promo joints, instrumentals, and classic mixtapes. Big thanks to @somethingspecialstudios @geoffsnack @wsanyc for bringing it all together
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🫰🏽
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i chose to honor #womenshistorymonth by celebrating black women artists and archivists - the women who create, and the women who help preserve those creations. my gratitude for the work each of you do is deep! | read more at the substack link in my bio 💌
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Look at this lineup!!! We’re bringing out our colleagues who are actively collecting, preserving, and sharing Black arts writing ephemera for a for a two-day convening in Seattle! ▶️ Swipe to see the who’s who and CLICK THE LINK in bio to RSVP and join us! ✍🏾The (Printed) Matter of Black Arts Writing: Archives for the Future considers what it means to engage with the printed matter of Black art worlds—flyers, pamphlets, zines, notebooks, and books—at a time when the digital is often assumed to be the primary and most permanent repository of knowledge. Through public and private conversations and workshops, the program explores the significance of gathering around materials that are fragile and prone to disappearance, and reflects on how contemporary practices of preserving and circulating Black arts writing ephemera shape future intersections of Black art, writing, and community. How do we gather around objects that fade, crease, and disappear—and what do those gatherings reveal about the futures of Black art, writing, and community? *mic drop* 🎤 join us!
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Rosa Duffy’s Uncertain Data: A Counter-Reading 📍 Hawkins HQ, Atlanta 🗓 On view through February 21 Uncertain Data: A Counter-Reading is a solo exhibition by Rosa Duffy exploring archives, memory, and systems of knowledge through sculpture, found objects, and archival imagery. The exhibition examines how information is collected, interpreted, and distorted particularly within Black histories. It invites viewers to reconsider what is preserved, obscured, or erased. Now on view @hawkinsheadquarters
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We survived the storm. Rosa Duffy’s ‘Uncertain Data: A counter-reading’ is open Wednesday - Saturday 12:00 - 5:30 till February 21st.
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♣️
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🚨Long ass caption alert 🚨 Grateful to have made the most of the past few months with friends, family, and folks that inspire me beyond words 🥹🫶🏾 Love you all! (1) No Me Quiero Ir De Aqui <\3 (2) A Corner of Joanna’s + Christian’s Home (3) For Keeps <3 (4) The Boys (5) The Girls (6) Outside Activity (7) Talat for Andy’s Birthday (8) Conversation Backed By Action, Thanks To @elletatebaeza @zionestrada @eadmassu @nikishka / @guildcommunity @too_black @blackreconstructioncollective @tonikaj @babywasu (9) Lending Hands to “M_W_iggles” by @sculpturethings + @freaughouse at SITE by @thegoatfarm @alliebashuk @jacob.okelley @parks.miller + so many more (10) “Eye of the Beholder” By @__sergio.suarez (11) The Beautiful Studio of @patrickeugeneart (12) Mia Interacting with “Paint With Light” by @ryan.g.clark (13) Some Of My Faves @atlartfair @utilityobjects @siltstudio @bored.robby (14) Works by @sonyayongjames (15) “River of Rebirth” by @lennartlahuis @atldsgnfest (16) Works by @jensinokunishistudio (17) @constructgallery Debut Exhibit! Ft. Pieces by @loganwaynewhite. Pleasure Meeting @beauallencollins (18) “Love Poem (10 Minutes After The End Of Gravity)” by Adam Cvijanovic @thewarehouseatlanta (19) Me Holding The Teeniest Tiniest Kitty Baby 🥹 (20) Outside Activity (cont.)
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