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@applied.photography

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Applied Photography and Time-Based Media @dieangewandte @dieangewandte_iod

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For this year’s MATCH! initiative, students from Applied Photography & Time-Based Media (led by Maria Ziegelböck) paired up with ID1 to explore where object design, photography, narrative, and styling intersect at this year's @viennadesignweek

"Between what it is and how it is, worlds unfold."

Thank you to all student teams, mentors, and visitors for making this collaboration so inspiring! Swipe through to see some highlights.

Photo: Robert Putenau / esel.at

#ZeroAndOneChairs #ViennaDesignWeek #ExhibitionRecap #DieAngewandte #AppliedPhotography IndustrialDesign MATCHinitiative ViennaExhibition

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window reflections from a photowalk that was part of @bandini3000 workshop at @applied.photography last semester

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Coming up next as part of VIENNA DESIGN WEEK 2026 🪢 The exhibition ’Zero and One Chairs’ was created as part of MATCH!, a recurring initiative organised by the department of Applied Photography and Time-Based Media at the University of Applied Arts Vienna, which explores the synergistic potential of student teams from different degree programs.
In collaboration with the department Industrial Design, this year’s focus was on the intersection of photography and the object, with particular attention paid to the relationship with set design, styling, casting and narrative.

Seen from the perspective of Applied Photography, the object and thus the chair, is a welcome protagonist. Photography’s multiple applied genres are cited here: documentary, fashion, advertising, architecture and the portrait. When the function in Industrial Design coalesces with the idea of the purpose in Applied Photography, the question of factuality emerges. Be not mistaken: The most literal things are often the most confusing and enigmatic. Between what it is and how it is*, worlds unfold. We put the images to work.

VDW Cocktail: 29 Sep, 17:00–18:00
Showcase and drinks followed by a collective walk to the billboards in front of the main entrance of the University

Open Saturdays:
26 Sep / 3 Oct, 11:00–18:00

Opening hours: Mon–Fri: 11:00–18:00
AIL, Otto Wagner-Postsparkasse / Georg-Coch-Platz 2, 1010 Vienna

The collaborative works are on display at the AIL and on the billboards at the university’s main entrance on Oskar-Kokoschka-Platz.
@dieangewandte @viennadesignweek
@applied.photography @angewandte_id

Featuring works by:
Benjamin Kos / Emil Leckert
Caterina di Muzio & Francis Grill / Elisa Oberth
Laura Schagowetz / Yoomin Sun
Magdalena Chan / Virginia Pagliarini
Nejra Maslicova / Sina Svetina
ojaswit / Marlene Egger
Pavle Banovic / Julius Esser
Vanessa Kügerl & Leila Schiraz / Ambrosia Koeb
Yulli Kwon / Vincent Paul Müller & Charlotte Vecsei

Organized and curated by: Yasmina Haddad and Elisabeth Wildling

*David Campany, Out in the World: Still Life Photography between Art and Commerce, Frieze magazine, no. 143
Photo: Yulli Kwon / Charlotte Vécsei & Vincent

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The unofficial official ID1 guide to Vienna Design Week 2026 — a roundup of all events, exhibitions, and talks by students, the institute, and alumni. See you there!

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Final Projects · Summer Semester 2026
Institute of Design

Applied Photography and Time-based Media (@applied.photography)

All photos: © die Angewandte, 2026, Vincent Forstenlechner, CC-BY-NC-ND-4.0

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Marie Luise Baumschlager (@marieluise.baumschlager): Zwitschern

The diploma project “Zwitschern“ examines how people, when looking at photographs, automatically form ideas about personality – based on the sound of a voice, detached from the semantic meaning of speech. The work proceeds from the question of how an altered voice can be made visible as a moment of physical and identity-related shift. Its starting point is illness as a moment in which the taken-for-grantedness of one’s own body breaks down.

Marie Luise Baumschlager (@marieluise.baumschlager): Zwitschern

Marie Luise Baumschlager (@marieluise.baumschlager): Zwitschern

Marie Haefner (@marie_haefner): Aura

“Aura“ examines epilepsy and its visual representation, drawing on Marie Haefner‘s experience of the condition. At its centre are so-called auras — shifts in perception, consciousness, and sensation that occur in everyday life and usually remain invisible to those around the person experiencing them. While epilepsy is frequently represented in media contexts through the image of a seizure, this work engages with less visible, yet often more frequent, manifestations of the condition.

Marie Haefner (@marie_haefner): Aura

Marie Haefner (@marie_haefner): Aura

Nico Pistec (@gnotschi2000): Can you feel the ocean sneeze?

Fotografie ist schön, weil es mühsam ist ständig zu lächeln. Fotografie ist schön, weil man unbeliebten Personen den Kopf abschneiden kann. Fotografie ist schön, weil man Geld vervielfachen kann. Fotografie ist schön, weil man die Pizza vergrößern kann. Fotografie ist schön, weil Videos bei Vernissagen nicht beachtet werden. Fotografie ist schön, weil die Blume kein Wasser benötigt. Fotografie ist schön, weil malen Geduld erfordert. Fotografie ist schön, weil die Sonne nicht untergeht. Fotografie ist schön, weil niemand Popcorn essen muss. Fotografie ist schön, weil sich zu Erinnern das Gehirn anstrengt. Fotografie ist schön, weil die bunte Welt grau sein kann. Fotografie ist sch

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We’ve reached 50% of our goal! Thanks everyone who contributed to this! We’re still 10.000 short for applying for the visa for Zakariya and his children. Please keep supporting us! We couldn’t have done this without you and can’t complete this task without you as well ❤️ thanks for your amazing support 💪🏾💪🏾❤️‍🩹❤️‍🩹

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Island Sway 🇵🇭🌊🌐 is an experimental short film I directed about Filipino diasporic identity, told from within the community itself.

Inspired by childhood memories, the film explores shared celebrations, familiar gestures, social dances, and cultural practices that connect Filipinos across generations and across places. It reflects on how traditions, memories, and culture are passed on and kept alive.

Screening at the @dieangewandte Festival

@applied.photography
1–4 July
10:00 AM – 09:00 PM

Credits

Directed by @chelsea.stokes
Camera: @praslennart , @waaaieychan
Choreography & Performance: @debbsi
Sound Design: @deedontcare & @romderful

Performers:
Amelia Anne Rectra Aubrée-Marie Atienza Bienna-Ressa Noel Cassandra Ann Argao Chantle Cotamora Chriselle Celine Mendez Claudine-Marie Atienza Denise-Marie Tidoso Devin Joe Baybayan Lizelle Magpantay Lorraine Cortez Sabrina-Marie Genove Venus Velasco Magoo Zara Meagan Blay

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💫

I took these photos in May on @voguing_vienna practice sessions

I hope these images convey at least a small part of the magic, energy, and sense of community that I felt on that day

This is part one of my project for @applied.photography ZKF, that was shown on @dieangewandte festival

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Special thanks to everyone who has helped Zakariya get this far! Please continue to support him and his kids and share our campaign widely 🙏❤️
@applied.photography
@skulptur_und_raum
@ortsbezogene
@cocolokomusic
@luna.almousli
@fanialive
@triosurdeaca

#zikoatangewandte #zikoplusthree #gaza #palestine

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This festival was very cute! Special thanks to our department festival queen @elodiegrethen for all your energy & support (again and again). 🫰🏼

@applied.photography

Installations visible on exhibitionview from left to right by: @ojaswit @fotolaida (hidden blue: me) & @luki_stuewe ✨

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Angewandte Festival 2026⁠ ❤️⁠
@dieangewandte ⁠
⁠
Until tomorrow (4 July), the University of Applied Arts Vienna will present curated exhibitions, final-year projects, and a wide range of artistic and academic works. The programme ties in with the exhibitions and demonstrates how the University of Applied Arts Vienna brings interdisciplinary ideas to society. Under the theme unfinished business, students from the Institute for Language Arts are dedicating this year’s installation at Oskar-Kokoschka-Platz to a linguistic exploration and creating a space that emerges through dialogue.⁠
⁠
▪️Information and full program: ⁠
https://www.angewandtefestival.at/⁠
⁠
–––––⁠
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Photos: Kristina Deska Nikolić @deska.deska #dieangewandte⁠ #angewandtefestival26 #performances #talks #vienna --> Linkin.Bio⁠

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excerpts from my ongoing photobook project, ‘my skin is rancid’ are still on view at the Angewandte Festival, as part of the Ways of Seeing exhibition of the department of applied photography & time-based media.
today (july 3) till 9pm, and tomorrow from 11 am to 6pm.
4th floor,
schwanzer trakt,
oskar kokoschka platz 2.

this project is an exploration of what happens when disability not only informs, but also mediates and activates artistic production. through compulsive image-making and interventions in darkroom processes, my obsessive-compulsive disorder participates in the creation process itself. the resulting images emerge from a process of failed refinement, where attempts to resolve discomfort instead generate new forms of distortion. as the negatives get denser, colours shift, and the myth of the neutral photograph begins to fall apart, the images take on new forms and meanings. alongside the images, i produced texts in the form of automatic writing during each instance of a compulsive urge. i penned down whatever words came to me, in whatever order, only occasionally emerging as full sentences or coherent thoughts.

1: a relief, beckon deep blue (or blue 21); from my skin is rancid
2: tangled in the blood & vine (or red 13); from my skin is rancid
3: untitled text 1
4: blue 31 & untitled text 4
5: untitled text 16
6: blue 24 & untitled text 9
7: red 16 & untitled text 6
8-10: exhibition views

please go have a look at what i’ve been working on for the past few months, and the many impressive works my classmates are exhibiting :)

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