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Julia Biały

@art_bialy

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Freelance MUA | SFX | HAIR | WIGS
in Film, TV, Theatre & Events
📍Antwerp / London
📨 [email protected] / DM
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Set dressing for the music video of Carpe Diem, art directed by the queen @louise.wilhelmine . Written and directed by mi besti @lenanerinckx 💘. & graphic design by yours truly. Super epic to be able to help create the world for Carpe Diem by @rosiestuartband 🎂🦪💎🍒🍾✨ MUSIC VIDEO OUT NOW! written and directed by @lenanerinckx first assistent director @lunamariebogaert second assistent director @astriddk2109 director of photography @thomas_vercauteren1 first assistant camera @patricknishimwe second assistant camera Lucie Onrubia Muro gaffer @drieshouben sparks @barnaberaxhon & @quinten_hazebroek key grip @jonathanpauwels art director @louise.wilhelmine art assistent @piadierick set dresser @cedrichoufflijn hair and make-up designer @art_bialy hair and make-up assistant @barbarabroucke miniature oysters by @mirasabbe @lenanerinckx & me actor @insta_freddy oyster @rosiestuartband dinner guests @kamielbossuyt @warrebossuyt_ @ventje_verkeerd @tanne_vp @chielpeersman @cedric.haeck @ydouardo montage @lenanerinckx colourgrading @thomas_vercauteren1 pictures by @thomas_vercauteren1 supported by @litesstudios @litescamera @liteslighting @playrightbe & Sound Track
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Heel dankbaar dat ik hier mijn klein steentje aan mocht bijdragen. Dit was zo zo indrukwekkend ❤️ #Breendonk nu volledig op Streamz en vanaf 8 november wekelijks op VRT Max.
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Oei wats daar gebeurd?.. Çava @warrebossuyt_ ? Two more sleeps and you can enjoy our freshest single Carpe Diem in the killer videoclip from @lenanerinckx !!! Presave via the link in the bio 🦸🏻‍♀️👩🏻‍🎤🧙🏻‍♀️🥂🍒
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Almost everyone's !!!🥂🦪✨ In three days 23/10 Carpe Diem will be released ... Presave Carpe Diem via the link in our bio
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BOOKISH 2 POST 💄✂️✨️ My second ever hair & make-up job in Belgium was this special coproduction between @happyduckfilms and @eagleeyedrama series called Bookish! Second szn officially streaming on @uandalibi 💥 Written & produced by @themarkgatiss who also plays Mr Gabriel Book in the series, the story follows a bookeeper who has a knack for solving mysteries in 1940s London. Thank you to the designer @esther_de_goey for inviting me to the world of Bookish, hot sticks and foggy alleyways. It was one of my top jobs of all times, I got to do so much and I learned so much. Got to see places all over Belgium and even Germany, learned a bit of dutch and made new friends along the way 🩷 Beautiful BTS pictures by @thomas_vercauteren1 & @gaetandefocuspuller 📸 Directed by @carolinagiammetta Shot by @anton.mertens & @maximiliaan #bookish #bookishseries #markgatiss #detectiveseries #hairandmakeupteam
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Costume “The retreat” 🎬👗 @the.retreat.short
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What a crazy beautiful summer with all of my favorite people, thank you thank you thank you 🤍🤠
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“When I went to film school to learn how to make movies, it was interrupted by the pandemic. With the school closed, we couldn’t get our hands on 16mm or 35mm motion picture cameras, so I decided to buy my first still camera to learn how to expose film correctly. “My photos started getting attention from my friends and they began calling me the film guy. It’s magical to have such a slow process and see the results much later. Maybe it’s due to every picture having a price tag, but I truly think of each photo being intentional and more of moment rather than a disposable image from an iPhone. “Film gets me out of my comfort zone and appreciate everything more. As I keep using my film camera, friends want me to help them get their own film cameras. We go into a camera shop to find their first film camera, each finding a camera that they feel connected to. Next thing I know, now I’m the camera guy. “Walking the streets of New York and London, cameras are always a conversation starter and I get to learn a lot from other film photographers and their choices, sharing social medias seeing their work. I think my love for film photography has led me to have an eye in getting shots to look like a movie still where each photo needs to tell a story. That has given me the opportunity to work as a behind the scenes photographer for a feature film and a Netflix project where I wouldn’t have had the opportunity if I didn’t learn what I know now from my experience in film photography. My love for film photography has given me work and jobs I could only dream of!” @matty_mash Portrait of Matt was done using my Leica M6 Processed at @bleekerdigital All other images are by Matt
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Portrait of @art_bialy Painted by @kate.white.77
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The painting that brought me immense luck 🍀 Portrait of @art_bialy Painted by @kate.white.77
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The Bull goes BULLGARIA 🇧🇬 Today we’re celebrating our Bulgarian premiere at the 23rd IN THE PALACE International Short Film Festival! 🐂💨 📍 Palace of Culture Pernik – Hall 2 📅 Today – June 25
🕖 19:00
🎞️ Screening Block: Blind Spots Huge thanks to @inthepalaceiff for having us, and congratulations to the entire team for keeping The Bull on the festival road! ❤️ CAST: Marie: Maaike Cafmeyer Cyriel: @dewimwillaert Salesman: Sam Louwyck Salesman Assistant: Geert Lavens CREW: Directed by @victornauwynck Story by @victornauwynck & @shirariya Screenplay by @shirariya Produced by @krejus_ Producers: Siddharth Bala Kumar, @toto.donato & @victornauwynck Director of Photography: @tamas.meder.dop Production Design: @utace Editor: @rling_95 Costume: @koen_onghena Hair & Makeup: @art_bialy Sound Recording: @andriesess & @yannisvandenecker Composer: @guillepita Associate Producers: @manonvanc & @hollyekarinaswinehart Executive Producer: @comingman Production Manager: @loicdewaele 1st AD: @cornelisgillis 2nd AD: @paulinesonnet Script Supervisor: Alexander Bossaerts Gaffer: @witch_king__ Sparks: @ruarichambers & @dovydas.draksas 1st AC: @yangkun0119 2nd AC: @Thomas_vercauteren1 Art Assistants: @_saragl_ & @federicotrezzi Costume Assistant: @vanlerberghe_emma DIT: @toto.donato Sound Design: @heyalexhuebner Sound Mix: @danhibbertsound Colour grade: @totszegi_szilard VFX Artist: @mrlifern Unit Stills: jovoets, @jellewaelkens & @julotbarbe A very special thanks to Geert Lavens and the Lavens family! 🧑‍🌾🌾 Distribution: @belgianshortfilmagency_ The Bull is proudly produced by @piclocproductions, @donuts.film & @thelondonfilmschool🫡
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🫀WINTER🩸 – a custom silicone prosthetic and sculpture for the new @happyduckfilms TV production WINTER – reimagining a body carving/fresh scarification. Created in collaboration with make-up & sfx artist @art_bialy and the series slate’s designer @thomas_vercauteren1 Sculpted, moulded and applied by @art_bialy Photographed by @thomas_vercauteren1 Slate design by @thomas_vercauteren1 Slate printed by @4130photography Model @rhomi.m   ABOUT THE PROJECT This silicone prosthetic and custom sculpture was created for an individual film slate design, featured on set of the new crime series “Winter”. Directed by @driesvos & @kaatbeels, telling a story about the bond between a detective and a pathologist who together go against mysterious crime cases. THE PROCESS Made using hard monster clay within a few hours in the late afternoon. The hardness of the clay helped to retain the details. Thomas designed the logo of the slate and printed it out for me in the correct scale to have it as a reference. Due to the quick turnaround of the project which was about 48h, agreeing on the scale firsthand helped to portray the idea accurately when transferred onto the model’s back.  I had to jump to art and crafts store to get new sculpting tools before starting as I was in between two countries at that time. PAINTING & COLOURING I knew I would be making the back of the model look like it belonged to a dead person. Also, it needed at least 2 variations of gore and bloodiness so the piece was only partially pre-painted using alcohol paints. Once on, I used a mix of alcohol and grease paints that neutralised the warmth in the skin tone and created bruising where necessary. It was a blend of detail work and randomness of splatter to merge everything together. BLOOD & GRIME Since the Winter prosthetic was a stylised version of what a real carving in the body would look like, it had to appear photogenic from the bird’s point of view. Contrast was important as well as different levels of gore and grime so the client could choose the most suitable version. Basically, one option could have more blood and scratches while the other focused primarily on the outlines of the body carving.
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