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Showcasing ASC community talent & network 🖼️ Powered by @ascstudios @aschandbagfactory.

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THANK YOU to everyone who came to the opening of Don’t Let That Horse Eat That Violin - the very first Painters’ Painters group show… and HUGE thanks to @r00byb00by_ for our beautiful pictures 📸

Exhibition opening times: Saturdays and Sundays 11-5pm until 31st October or by appointment

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Introducing Ania Tomaszewska-Nelson (@tomaszewskanelson) at 24/7

Selected by judges Nicky Coutts and Danny Rolph for ASC’s 30th Anniversary Exhibition, Ania responds to the 24/7 theme with her new film, The Creature, housed inside a custom hunter’s tower crafted in Poland. Rooted in nature, her practice channels elemental powers and natural cycles that exist outside the demands of continuous productivity.

Private View: Thursday, 15 October | 6:00 PM – 9:00 PM

You can find out more about this exhibition by clicking Link in Bio > ASC Gallery Events & Exhibitions > 24/7

#ASC #Londonartists #ASCGallery #LondonExhibition #Thehandbagfactory

Image: Animal photo from ‘The Creature’ photoshoot by Lucy Nelson.

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Untitled
Oil on Canvas
20.5cm x 25.5cm
2026

Showing in Don’t Let That Horse Eat That Violin, opening Thursday 15th October 6-9pm @ascgallery, London.

Don’t Let That Horse Eat That Violin is the first group show by Painters’ Painters, a network of likeminded artists built online. It brings together a selection of painters wholly committed to their medium, who share an investment in the particular possibilities of paint. The show is an attempt to highlight the endlessness of such possibilities. 
Together, these artists demonstrate the world-building capacity of paint. It can hold intimacies and desires that exist outside of language, narrative scenes that don’t exist at all, and—perhaps most importantly—a space where the playful, the mournful and the mundane are all welcome. Put simply: because painters paint, a horse can eat a violin. 
@_adamrawlinson
@luke_vinnicombe
@jolie.goodman
@veritywoolley
@jackhughesartist
@alice__mansfield
@_footprintsoffaith
@eveveveoc
@nickyedgings
@tommycamerno
@alexloughrey
@ivanburdon_art
@studiodouglass
@_april__
@acochraneart

Don’t Let That Horse Eat That Violin is the first group show by Painters’ Painters, a network of likeminded artists built online. It brings together a selection of painters wholly committed to their medium, who share an investment in the particular possibilities of paint. The show is an attempt to highlight the endlessness of such possibilities. 
Together, these artists demonstrate the world-building capacity of paint. It can hold intimacies and desires that exist outside of language, narrative scenes that don’t exist at all, and—perhaps most importantly—a space where the playful, the mournful and the mundane are all welcome. Put simply: because painters paint, a horse can eat a violin. 
@_adamrawlinson
@luke_vinnicombe
@jolie.goodman
@veritywoolley
@jackhughesartist
@alice__mansfield
@_footprintsoffaith
@eveveveoc
@nickyedgings
@tommycamerno
@alexloughrey
@ivanburdon_art
@studiodouglass
@_april__
@acochraneart

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Foredawn Vladimir Logutov @logutov_studio

Foredawn presents a new direction in Vladimir Logutov’s work, following Fire Run and Fireline. 
Visibility has almost disappeared, attuning the eye to minimal changes, shifts of grey, the space between black and dark, and the faint movement of light. Darkness no longer closes the space; it asks perception to work differently.

At the centre of the exhibition is a new large-scale painting alongside a series of works on paper. Here, images exist at the threshold of emergence, appearing gradually through barely perceptible tonal shifts and the deliberate effort of looking.

Foredawn captures a moment where forms remain partly hidden in darkness, yet the expectation of dawn is already present—held between shadow, attention, and the possibility of first light.

You can find out more about this exhibition clicking Link in Bio > ASC Project Space Exhibitions > Foredawn  We hope to see you there!

#ASC #Londonartists #LondonExhibition #projectspace #VladimirLogutov

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Opening up on the 15th of this month 🥳

@paintersspainters

Don’t Let That Horse Eat That Violin is the first group show by Painters’ Painters, a network of likeminded artists built online. It brings together a selection of painters wholly committed to their medium, who share an investment in the particular possibilities of paint. The show is an attempt to highlight the endlessness of such possibilities.

Together, these artists demonstrate the world-building capacity of paint. It can hold intimacies and desires that exist outside of language, narrative scenes that don't exist at all, and—perhaps most importantly—a space where the playful, the mournful and the mundane are all welcome. Put simply: because painters paint, a horse can eat a violin.

@_adamrawlinson

@luke_vinnicombe

@jolie.goodman

@veritywoolley

@jackhughesartist

@alice__mansfield

@_footprintsoffaith

@eveveveoc

@nickyedgings

@tommycamerno

@alexloughrey

@ivanburdon_art

@studiodouglass

__april___

@acochraneart

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Meet Loretta Yussuff ✨

A British figurative artist of Nigerian–Lithuanian heritage. Her practice explores universal human emotions and psychological states through Black figuration, drawing on Christian and Western art traditions. Her work is characterised by rhythm and expressive colour, which play a central role in communicating both internal and communal experiences.  Loretta currently has an exhibition with fellow artist Cathalina Navarro Lagos at ASC Streatham Hill titled ‘Almost Together’. This will run until October 1st, 2026, and can be viewed by appointment between 11am – 7pm. You can book an appointment by DMing @lorettayussuff.

👉 Want the full story? Get to know the artist behind the work. Click the link in our bio to explore our full feature on Loretta Yussuff.

#ASC #ASCArtists #artistspotlight #LorettaYussuff #LondonArtist

The Lash Tech, 2026, oil on canvas

The Kiss (detail), oil on canvas

The Wanderers, oil on canvas

‘Almost Together’ exhibition flyer

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Don’t Let That Horse Eat That Violin is the first group show by Painters’ Painters, a network of likeminded artists built online. It brings together a selection of painters wholly committed to their medium, who share an investment in the particular possibilities of paint. The show is an attempt to highlight the endlessness of such possibilities. 
Together, these artists demonstrate the world-building capacity of paint. It can hold intimacies and desires that exist outside of language, narrative scenes that don’t exist at all, and—perhaps most importantly—a space where the playful, the mournful and the mundane are all welcome. Put simply: because painters paint, a horse can eat a violin. 
@_adamrawlinson
@luke_vinnicombe
@jolie.goodman
@veritywoolley
@jackhughesartist
@alice__mansfield
@_footprintsoffaith
@eveveveoc
@nickyedgings
@tommycamerno
@alexloughrey
@ivanburdon_art
@studiodouglass
@_april__
@acochraneart

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Don’t Let That Horse Eat That Violin
 ✨PV: Thursday 15th October 6-9pm 📅 15th-31st October Open: Saturdays & Sundays 11am-5pm or by appointment - please contact Alice @alice__mansfield
📍ASC Cleaver Street, County Courts, Cleaver Street, Kennington, London SE11 4DZ 
Don’t Let That Horse Eat That Violin is the first group show by Painters’ Painters, a network of likeminded artists built online. It brings together a selection of painters wholly committed to their medium, who share an investment in the particular possibilities of paint. The show is an attempt to highlight the endlessness of such possibilities.

Together, these artists demonstrate the world-building capacity of paint. It can hold intimacies and desires that exist outside of language, narrative scenes that don’t exist at all, and perhaps most importantly a space where the playful, the mournful and the mundane are all welcome. Put simply: because painters paint, a horse can eat a violin.

Curated by Alice Mansfield @alice__mansfield who reflected on stepping into the curator’s role for the first time: “As a painter myself, it’s been really interesting to bring together a collection of work in this way. Curation requires a very different brain to painting, and I’ve really enjoyed the processes involved: finding a common thread, distilling the essential elements of people’s practices, writing, and trying to do justice to work that I really admire. It’s my first time curating, but it’s definitely something I hope to do more of”.

@_adamrawlinson
@luke_vinnicombe
@jolie.goodman
@veritywoolley
@jackhughesartist
@alice__mansfield
@_footprintsoffaith
@eveveveoc
@nickyedgings
@tommycamerno
@alexloughrey
@ivanburdon_art
@studiodouglass
@___april____
@acochraneart  You can find out more about this exhibition clicking Link in Bio > ASC Project Space Exhibitions > Don’t Let That Horse Eat That Violin

#ASC #Londonartists #Alicemansfield #LondonExhibition #Londonartist

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Meet ASC Art Prize 2026 winner, Faza Merajdin 🎨✨

Created as part of our Open Studios event, we selected 10 finalists from over 400 artists across our eight participating buildings before choosing Faza as the overall winner at our prize exhibition.

We recently visited Faza in her ASC Empson Street studio in East London to discuss her journey, her creative process and what winning the award means for her practice.

🔗 Read the full studio visit and Q&A on our website or you can find it by clicking our ASC Linktree in our bio.

Follow @fazamerajdin to learn more about her practice and support her work!

#ASC#ASCArtPrize #LondonArt #LondonExhibition #fazamerajdin

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My first attempt at curation :) come join us on Thursday 15th October for the opening <3

Don’t Let That Horse Eat That Violin is the first group show by Painters’ Painters, a network of likeminded artists built online. It brings together a selection of painters wholly committed to their medium, who share an investment in the particular possibilities of paint. The show is an attempt to highlight the endlessness of such possibilities. 
Together, these artists demonstrate the world-building capacity of paint. It can hold intimacies and desires that exist outside of language, narrative scenes that don’t exist at all, and—perhaps most importantly—a space where the playful, the mournful and the mundane are all welcome. Put simply: because painters paint, a horse can eat a violin.

@paintersspainters  
@_adamrawlinson
@luke_vinnicombe
@jolie.goodman
@veritywoolley
@jackhughesartist
@alice__mansfield
@_footprintsoffaith
@eveveveoc
@nickyedgings
@tommycamerno
@alexloughrey
@ivanburdon_art
@studiodouglass
@___april____
@acochraneart

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SAVE THE DATES!

I’m so looking forward to showing a new body of larger paintings with two other great women artists.
Whether you’d like to celebrate with us at the Private View or just enjoy a relaxed view, do drop by anytime between 10-5pm. If you’d like to hear the stories behind the works, Dr Cherry Smyth will be joining the artists for a gallery walkthrough special event on 12 October between 4-5 pm

The exhibition Flow exposes a flowing moment of frozen time through oozing glazes, meditative mark making and folding clay.

@annalevy_artist
@jjmorganartist
@suzimorrisart

8-12 October 10 - 5 pm daily
Private View: 6-8 pm, Thursday 8 October
Artist Talk with art writer, critic and poet Dr Cherry Smyth
4-5pm Monday 12 October (with refreshments)
@cherrysmythpoet

The Handbag Factory
3 Loughborough Street
London SE11 5 RB

#londonartist #aschandbagfactory #londonartexhibition #flow

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