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a little bit of bts from afterimage @afterimage_film 🎞️

i had the opportunity to be the director of photography for this project during my internship at @assemblyatlanta , and i’m really proud of what we made. i learned so much throughout the experience, both in preproduction about communication but also on set! so grateful i got to meet so many amazing friends and collaborators along the way! 
 📸 bts photos @jjcnphoto 

Talent @demi_lehman @heidirew 
Director @jessegwinter 
Producer @sadie.hixon 
Writer / Scripty / editor @niyadoesfilm 
Art Director / Locations / Wardrobe @_maybemarley 
executive producer @mayrainatl 

DoP me
1st AC @boite_de_jul 
2nd AC @ethansnipesfilms 
cam Utility @evildeadken 
DIT @hey.jakailan

Gaffer 
@lv.videography 
Key Grip 
@crsnlstr 
Grips 
@will__karim 
@garandshoo 
@jabarigmarshall 
@michael.wyse 

Art PA/ Wardrobe Assistant 
@janae_cg 
HMU @dear.dijia 
Mixer @woodybond 
sound designer @ethan_conroy_ 
composition @cob.wav 

editor @niyadoesfilm 
colorist @jessegwinter 
VFX @kendall_dirks 
graphics @emmyraeeee 
 1st AD @ellakesler 
2nd AD @emily_reuijl 
2nd 2nd @nicholasbruno53 
PA @wallacecarseell @joshwatts63 
stunts sarah ekstrand 

special thanks @assemblyatlinterns rockbottom rentals @rhude.house @universalproductionservices @atlaslensco @mayrainatl @junorose13
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“AFTERIMAGE” — An Assembly Atlanta Internship film shot on Atlas Mercury Series Lenses 🪞 

”As the Director of Photography for the Assembly Summer ‘26 Production Cohort, I knew I wanted lenses that felt gritty and could lean into the film’s otherworldly visuals. The story is a psychological thriller following an artist whose pursuit of success slowly pulls her into an alternate reality, so I wanted the image to feel unsettling, like reality was quietly slipping as she entered that world. After testing a handful of lenses, the Atlas Mercury lenses fit the vibe best. We shot on the Sony FX6 with the 36mm, 42mm, and 72mm, but I quickly found myself reaching for the 36mm the most. The wider perspective, closer focus, and subtle distortion gave certain moments an uneasy energy that fit the story without ever feeling forced. I kept the lens at T2.2 throughout the bathroom sequence to create a shallow depth of field to keep the audience right there with the character. The Mercurys added a sense of depth that felt immersive while staying emotionally grounded. They never felt like they were calling attention to themselves, simply becoming part of the visual language of the film, and I couldn’t be happier with how they helped bring the story to life!” - Maggie Lucy, Director of Photography 🔮

 Writer/Editor/Casting Director - Niya Young @niyadoesfilm 
Writer & Director of Photography - Maggie Lucy @maggielucyscamera 
Director/Assistant Editor/Visual Effects Artist/Colorist - Jesse Winter @jessegwinter 
Producer/Marketing - Sadie Hixon @sadie.hixon 
Production Design/Location Manager - Marley Williams @_marleymadeit 
Executive Producer - Mayra Garcia @mayrainatl 
AVIVA - Demi Lehman @demi_lehman 
Music Agent - Heidi Rew @heidirew 
Visual Effects Artist - Kendall Dirks @kendall_dirks

#FilmedOnAtlas #AssemblyAtlantaInternship #StudentFilmmakers #Anamorphic #PsychologicalThriller
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You’ve been summoned… 😈

Devil’s Advocate is an official selection of the 17th Annual Atlanta Shortsfest. 

Catch our premiere Saturday, May 16 at 5:30 PM in the “What Could Go Wrong” block.

Ticket link in bio! 🎟️
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Amazing few months with amazing few people 👹
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back to up