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( 4/10 ) This is one of the ten images chosen for the 2026 Photographers Without Borders Photo Contest. We’ll be posting all images at once, and we invite our PWB community to vote for your favorite by liking, commenting, or sharing this post before 11:59pm ET Oct 25.

This image is by photographer Awaz Saud @awazzoom

“When I was a kid, I would always see my father cut some green wheat from the fields, bundle it by hand, and hang it on the living room wall where it would slowly turn from green to gold. It is an ancient Kurdish tradition our elders practiced, a symbol of freedom, peace, and a rising home. 
 
Then the war came to Rojava, Syria, and we left everything behind. Years later, far from home in the Kurdistan Region of Iraq, I saw him doing it again, the same hands, the same careful cutting, the same quiet ritual. With that bundle in his hands, everything came back, the walls of our old home, the smell of the fields, the feeling of being safe. When he hung it on the wall of our new place, it felt like home again.
 
This is a photograph of wheat. But more than that, it is a photograph of a man who refused to let war take everything who carried a tradition across borders and years and loss, and kept it alive with nothing more than his own two hands. 
 
After all those years of hard times, a small bundle cut from the earth still has the power to make us feel safe, and to give us the freedom that war tried to take away.” - Awaz Saud

#morethanphotographers #photographerswithoutborders #storytellingforchange
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پێشانگەی بەرگەگرتن 

ئەودیوی جەنگ چی لێیە ؟ داگیرکاری کەی و چۆن ئامادەیە؟
 ئەزموونی کورد بوون لە ناو بەرگەگرتن و هونەردا.

نمایشی بەرگەگرتن بە بەشداری چەند هونەرمەندێکی کورد لە گەلەری ستریت لە شاری ئێکزتەر لە وڵاتی بەڕیتانیا، بە زمانی کەسی یەکەم باس لە خۆی ئەکات، باس لە بەرگەگرتن، ڕۆژی نێوان ساڵانێکی دوور و درێژ لە داگیرکاری، باس لە ئامادەیی هونەر دەکات وەک کەرەستەی سەرەکی بەردەوام بوون.
فۆتۆ، فیلم، پێرفۆرمانس، تێکست، دەنگ، ئەرشیف ئامادەن و هەم دەگێڕنەوە، هەم پرسیار دەکەن، گرنگ تر لە هەمووی؛ ئامادەن. 

 بەشداربوان: 
فایەق ڕەسول 
هەردی کوردە
کامەران نەجم
ئەحمەد نەجم
سارینا پەناهیدە 
هۆشەنگ بەهجەت 
بژوێن جەمال 
بەها یاسر
ئاوەز سوعاد 
ئەرشیفی کریس کۆچێرا 
پاڵپشتەکانی پێشانگە: 
ساڵۆنی مۆدێنا ئاڕت، مۆزەخانەی کامەران، ستۆدیۆی نوسینی نڤیس 

بە هاوبەشی زانکۆی ئێکزتەر، IAIS ، ئاژانسی مێترۆگرافی.
بەشێکە لە زنجیرە نمایشی جیهانبوونەوە Re Worlding، پڕۆگرامی ڕێکخەری. 

سوپاسی بێ کۆتام بۆ تۆم ترێڤەر، ڕێگەیەکی درێژی لەگەڵ بڕیم.

سوپاس بۆ : دکتۆر فەرەنگیز، بژوێن، بەها، جەیمس ،سارا ،ئەنیکا، لیڤ، کایا، مادس، مۆیان. 
سابرینا، پاولا, ڕووباری ئێکس

Endurance exhibition
What is beyond war? When and how colonialism is present? 
The Kurdish experience between Endurance and Art.
Endurance will be on show at Street Gallery, IAIS, in Exeter city, it talks from the first person’s language, talks about endurance,
 about days in long years of colonialism, about art as the main tool for continuation. 
Photographs, film, performance, text, and archives have been displayed. They tell and they ask, most importantly; they are present

Participants
Faek Rasul
Hardi Kurda
Kamaran Najm
Ahmed Najm
Sarina Panahida
Hoshang Bahjat
Baha yasir
Bzhwen Jamal
Awaz Suad
Chris Kutschera’s archive

Supporters:
Modena Art Salon, Kamaran Museum, Nivis Writing Studio

In collaboration with the University of Exeter, IAIS and Metrography Agency.
The exhibition is part of ReWorlding display and The Curation Program.

My endless thanks to Tom Trevor’s endless support

Special Thanks to: Dr. Farangis, Bzhwen, Baha, James, Sarah, Anika, Liv, Kaia, Mads, Moyan, Sabrina, Paula and River Exe.
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