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Bárbara Santos

@barbara.kuringa

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Teatro de las Oprimidas AtivistaFeministaAntirracista @redmagdalenainternacional
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15 de outubro: celebrar a vida, a arte e a educação como práticas de transformação. Hoje é dia de celebrar o Teatro das Oprimidas, o aniversário de Bárbara Santos, criadora e difusora dessa metodologia, e o Dia das Professoras e dos Professores. Três celebrações que se encontram na potência de ensinar, aprender, criar e transformar o mundo. O Teatro das Oprimidas nasce da necessidade de colocar em cena as opressões que atravessam a vida das mulheres, especialmente as violências de gênero e raça, e de construir, coletivamente, caminhos para enfrentá-las. É um teatro que não se limita a representar a realidade: busca compreendê-la, questioná-la e ensaiar possibilidades de transformação. Celebrar Bárbara Santos é reconhecer uma trajetória de pesquisa, criação, formação e luta, que ampliou as possibilidades do Teatro do Oprimido a partir de uma perspectiva feminista e antirracista, inspirando mulheres a ocuparem a cena e a se reconhecerem como protagonistas de suas próprias histórias. Celebrar as professoras e os professores é também reconhecer que a educação vai muito além da transmissão de conhecimentos. Educar é provocar perguntas, despertar olhares críticos, compartilhar experiências e criar condições para que cada pessoa possa compreender o mundo e participar de sua transformação. Que o teatro continue sendo espaço de encontro, escuta, resistência e reinvenção da vida. Que a educação seja sempre uma prática de liberdade. E que possamos seguir construindo, coletivamente, um mundo em que todas as pessoas tenham o direito de existir, falar, criar e transformar. Viva o Teatro das Oprimidas! Viva Bárbara Santos! Viva as professoras e os professores! Viva a arte e a educação como práticas de transformação social! #teatrodasoprimidas #barbarasantos #diadosprofessores
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15th October is the Day of Teatro de las Oprimidas Join Madalena-Berlin on October 17 to celebrate in the way we know best: through Forum Theatre. We’ll present SCHMERZ IST NORMAL. Come celebrate with us! 🎭 Teatro de las Oprimidas emerged from the urgent need to create theatrical representations that do not blame oppressed people for the oppression they face, and that move beyond individualistic ways of staging conflict. It is an aesthetic and political investigation that brings social structures into the performance and into dialogue with the audience. Teatro de las Oprimidas promotes an aesthetic inquiry into injustices shaped by the intersections of gender, race and class. It examines how socialization and the construction of gender shape social roles, making visible the mechanisms of oppression that sustain patriarchy and exploring alternatives to transform this reality. Teatro de las Oprimidas is a methodology with specific proposals for making theatre, open to everyone committed to overcoming patriarchy, making space for other ways of being, and building a project of social transformation that includes diverse subjectivities. Above all, it opens up a way of thinking about Feminist Aesthetics. @barbara.kuringa , a leading methodological reference for the Ma(g)dalena International Network, is an artist, writer, teacher and the artistic director of @kuringa_berlin and @madalena.berlin. Her book Teatro de las Oprimidas traces the development of feminist aesthetics among artist-activists from diverse regions, nations and cultures, and presents the political history of the Network @redmagdalenasinternacional Bárbara, today we celebrate your vision, your teaching and all the work you set in motion. Thank you for all that you’ve given us and continue to give. Long life to Teatro de las Oprimidas! May keep moving us, finding strength, resistance and possibilities through Teatro de las Oprimidas. Happy birthday, Bárbara! 🎂 #TeatroDeLasOprimidas #TheatreOfTheOppressed #FeministAesthetics #BárbaraSantos
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What happens when women are in pain and no one believes them? When their complaints are dismissed as exaggeration? When prejudice determines whose pain is taken seriously and whose is ignored? The Gender Pain Gap is not an individual problem. It reflects deeply rooted power structures in our society. On October 17, Madalena Berlin brings this issue to the stage. 📅 Saturday, October 17, 2026 🕖 7:00 PM 📍 KURINGA – Grüntaler Str. 35, 13359 Berlin Directed by @barbara.kuringa Join us to explore this topic and to celebrate the Day of Teatro de las Oprimidas See you at @kuringa_berlin
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WATERBODIES – WHO DOES WATER BELONG TO? Can a river have rights? Can nature have a voice of its own? And who speaks for water when it is under threat? On October 13, we bring theatre to the streets of Berlin! With WATERBODIES, Yemanjá, the goddess of the waters, encounters the Plastic Goddess, right by the Spree. A poetic and political performance about water, environmental destruction, and the Rights of Nature. We are joining the European launch of the Citizens’ Initiative for the Rights of Nature while also celebrating the Day of Theatre of the Oppressed on October 15. 📅 Tuesday, October 13, 2026 📍 7:00 PM – Oberbaumbrücke, corner of Warschauer Straße 📍8:30 PM – Café Tante Emma, Köpenicker Straße 1: After the performance, a conversation about the Rights of Nature, featuring Eduardo Salazar and other guests. @rightsfornature_eu @rechtedernatur_rdn
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Um encontro que ficará na nossa história. ✨ No dia 29 de agosto, o Coletivo Madalena Anastácia esteve em Berlim, na Alemanha, participando do Theatre Festival, realizado em celebração aos 15 anos do @kuringa_berlin por Bárbara Santos, no @uferstudios_tanz_berlin Para nós, estar nesse espaço, levando a força e a voz de mulheres negras através do Teatro das Oprimidas, foi muito significativo. Apresentamos Sonha Preta, com Teatro-Fórum, compartilhando com o público nossa arte, nossas experiências e a potência de construir outras possibilidades por meio do teatro.🎭 Direção artística: Bárbara Santos Elenco: Aline Conceição, Beatriz Mendes, Jucieni Oliveira, Maiara Carvalho, Raquel Dias e Silvana Lucas. Acompanhamento e contribuições: Cláudia Simone, Eloanah Gentil, Rachel Nascimento, Coletivo Cor do Brasil e OCA. Produção e projeção: Nlaisa Luciano. Registro fotográfico: Rodrigo Diaz Esses registros foram gentilmente disponibilizados por Rodrigo Diaz. 📸 Madalena Anastácia em Berlim. 🌍✊🏾 Seguimos sonhando, criando e ocupando espaços.
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SONHA PRETA (DREAM BLACK WOMAN) — @coletivomadalenaanastacia Sonha Preta was created after the tragic outcome of a police operation in the Penha neighbourhood of Rio de Janeiro in October 2025, which left 120 people dead. Faced with this shocking event and profound collective grief, the artists of Coletivo Madalena Anastácia decided that the story needed to be told from the perspective of Black mothers. Their voices are placed at the centre of the performance, opening a dialogue about racism, state violence, grief and collective responsibility. Founded in Rio de Janeiro in 2015 and led by Bárbara Santos, Coletivo Madalena Anastácia is composed exclusively of Black women. Through artistic production and Teatro das Oprimidas, the collective investigates the oppressions affecting Black women from an anti-racist and feminist perspective. It is part of the Ma(g)dalena International Network and associated with the Centro de Teatro do Oprimido in Rio de Janeiro. Through Forum Theatre, the audience is invited not only to witness the story, but to take part in the reflection and collectively search for alternatives. 📅 29 August · 20:30 📍 Uferstudios · Studio 14 Badstraße 41a, Berlin-Wedding 🎟️ Tickets directly at the venue Part of Aesthetics of Solidarity Theatre Festival 2026 - 15 years @kuringa_berlin
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SCHMERZ IST NORMAL — Madalena-Berlin Why is women’s pain still so often dismissed? The gender pain gap is shaped by stereotypes that portray women as “irrational”, “hysterical” or “too emotional” — with real consequences: pain being ignored, misdiagnosed or treated too late. Through Forum Theatre, Schmerz ist Normal invites the audience to confront medical misogyny and gender bias in healthcare and to collectively explore strategies for change. Directed by @barbara.kuringa 📅 29 August · 19:00 📍 Uferstudios · Studio 14 Badstraße 41a, Berlin-Wedding 🎟️ Tickets directly at the venue Part of Aesthetics of Solidarity Theatre Festival 2026 - 15 years @kuringa.berlin
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FEAR MACHINE What happens when fear becomes a political tool? FEAR MACHINE explores the rising popularity of right-wing populism in Europe and its concrete consequences for migrants — and for everyone committed to democracy. Through Forum Theatre, the performance invites the audience to intervene, challenge the mechanisms of fear and exclusion, and collectively explore strategies of resistance and solidarity. 📅 27 August · 19:00 🎭 UferStudios · Studio 14 Badstraße 41a, Berlin-Wedding 🎟️ Tickets directly at the venue Box office opens at 18:30 Part of Aesthetics of Solidarity Theatre Festival - 15 years @kuringa_berlin Directed by @barbara.kuringa Music by @tillbaumann_berlin
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WATERBODIES — IN THE ENVIRONMENT AND WITHIN Water connects our bodies, our cities and our ecosystems. This Legislative Theatre performance explores the relationship between water, climate justice and political responsibility — from the water flowing through our own bodies to the waters we collectively depend on. The audience is invited to enter the dialogue, question existing structures and develop concrete proposals for change. 📅 28 August · 19:00 📍 Uferstudios · Studio 14 Badstraße 41a, Berlin-Wedding 🎟️ Tickets directly at the venue Part of Aesthetics of Solidarity Theatre Festival 2026 by @kuringa_berlin Directed by @barbara.kuringa Music by @tillbaumann_berlin This event os supported by Nord- Süd Brücken and @senstadtberlin
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✨ AESTHETICS OF SOLIDARITY FESTIVAL This week, the stage is back with Forum and Legislative Theatre tackling housing, migration, racism, climate justice and gender-based violence. 📅 26 August · 19:00 TO GET TOGETHER Housing struggles and structural injustice in Berlin’s real estate market. Legislative Theatre 📅 27 August · 19:00 FEAR MACHINE Migration policies, racism and collective resistance. 📅 28 August · 19:00 WATERBODIES Water, climate justice and political responsibility. Legislative Theatre 📅 29 August · 16:00 FIT IN by @bralin.theater A performance exploring the experiences, pressures and struggles faced by migrants. 📍 Studio 1 📅 29 August · 19:00 Schmerz ist normal by @madalena.berlin Dream Black Woman @coletivomadalenaanastacias Two performances confronting gender, racism, violence and resistance. 📍 Studio 14 📍 Uferstudios Badstraße 41a, Berlin-Wedding 🎟️ Tickets directly at the venue Come watch, intervene, discuss and imagine concrete possibilities for change. Aesthetics of Solidarity Theatre Festival 2026 directed by @barbara.kuringa
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Estéticas de solidariedade Teatro das pessoas oprimidas Berlim, Alemanha, 2026.
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🔥 AESTHETICS OF SOLIDARITY — FORUM THEATRE Aesthetics of Solidarity brings 40 people together on stage in a large-scale collective creation directed by @barbara.kuringa and @tillbaumann_berlin The play emerges from a journey between individual experiences and structural dimensions, shaped and defined by the participants themselves. Through Forum Theatre, the production invites the audience into dialogue and collective action: how could another possible world look — and what can we do to move towards it? An invitation to experience what Aesthetics of Solidarity can mean in practice. Come and discover it with us. 📅 22 August · 19:00 📍 Uferstudios · Studio 14 Badstraße 41a, Berlin-Wedding 🎟️ Tickets directly at the venue Box office opens at 18:30 Part of Aesthetics of Solidarity Theatre Festival 2026 by @kuringa_berlin 📸 @unidesagency
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