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Boris Camaca

@boris_camaca

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Find us at @villa.noailles ✧ Temple Magazine special issue 2026 will be in our corner at villa Noailles shop from the opening of the 41st Festival de Hyères, October 15th.

📸 @leilaschiraz

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Hélène Diap pour @cosmopolitan_fr

Photographe: @boris_camaca
Stylisme: @clemenceguillerm

#contrebande

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Boris Camaca
Locomotion (The Unfinished Path) ||, 2026
Nicoletti

Aleksi Halttunen
Untitled, 2026
Filet Space

Alex Heard and Middleton Maddocks, in response to Sara Graça’s exhibition ‘is it more room’ at Kip, 2026

@alexheardalloneword
@gm.say.it.back
@saragraca123
@kip.gallery

Nic Sanderson
Ten Yards From A Decade, 2026
Bolding
@nic_sandersonn
@bolding__
@alfiesantiques

Recent reading

Julio Le Parc
Light. Colour. Action. 2027
Tate Modern

Eggs at Conditions open studios

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The Office Series - Discover INTERLUDE

@boris_camaca
@ishh
@52x25
@hochshop44

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INTERLUDE
New season pieces for getting back to routine.

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Today, Numéro art visits @wiels_brussels for @ali.cherri 's exhibition, curated by @helenakritis . The show brings together, for the first time, several of the artist’s most emblematic works. For the occasion, we’re sharing a portrait of Ali Cherri, shot by @boris_camaca for Numéro art 11.

Born in Beirut in 1976, Ali Cherri explores how institutions shape the way history is constructed, preserved and transmitted.

Across films, sculptures, watercolours and installations, the exhibition brings together human figures, fragmented statues and hybrid forms, reflecting on the ways stories are collected, presented and passed on.

Film plays a central role in Ali Cherri’s practice. Drawing on documentary, fiction and archival material, his moving-image works often bring together archaeological sites, museums, landscapes and personal narratives. By moving between past and present, and between fact and fiction, his films question how images and stories contribute to the construction of history. They also examine what happens to objects, places and memories when they are removed from their original context and transformed into cultural narratives.

Ali Cherri’s practice often explores the relationship between the human figure, architecture and the structures that surround us. His sculptures also bring together materials such as mud, bronze, marble and found stone, challenging traditional ideas around permanence, value and heritage. By incorporating archaeological fragments into his work, Ali Cherri further explores the ways museums present objects and give them new meanings.

On view at WIELS, Brussels, until January 3, 2027.

Portrait: Boris Camaca for Numéro art 11
2-10: courtesy of WIELS © @elinewillaert

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Game

Shots for @nssfrance

Photography @boris_camaca
Light @cons.kyr
Interview @vervemarie

@nssmagazine

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Plywood chairs / benches

1 covered in Bhutanese tsasho

Shots for @nssfrance

Photography @boris_camaca
Light @cons.kyr
Interview @vervemarie

@nssmagazine

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Damn that was cool (sorry I'm late that was in February)
Creative challenge beetween Louis Vuitton and IFM Paris.

Over several months, students reinterpreted the figure of the dandy through menswear silhouettes. Working exclusively with Louis Vuitton fabrics (mouais ..) each participant developed à complété look from concept to construction.

Next post you'll see my absolutely breathtaking drawings, which I've created using my legendary imagination and my hands, blessed with such a rare talent ;)

Photographe : @boris_camaca
Models : @mathiisrlt and @sambaxally

#louisvuitton #fashionstudent #emergingdesigner
#ifm

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@boris_camaca

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Can power ever be modest? Or does it only know the places it can rule — and rule them?
This space is under its command, and to prove itself, it goes to extremes. The blue swallows every surface as if it were the only color that exists, while the chairs sit there only for those who would witness it and make it real. And that vast emptiness behind them belongs to no one — it’s the space power seized to display its own size, finding no one worthy of it. So it locks itself into the one room it fully controls. Staying sealed in its own box may be the only thing that makes it feel powerful.
—
@balenciaga Summer 2020, Paris. Designed by @sub.global @niklas.bildstein.zaar @isolefaraguna
Photos by @boris_camaca A vast monochrome blue installation for the Balenciaga Summer 2020 show. Hundreds of blue chairs are arranged in a double spiral across a blue carpeted floor, surrounded by floor-to-ceiling blue velvet curtains. The ceiling is a dark grid of fluorescent light panels. The space is empty of people.

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Slam Jam New Balance 5030 PFW house party w @seretide_ and @amilraja. #slamjam #newbalance

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