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suılloɹ ʇuǝɹq

@brentronic

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½ Samurai ½ Sensei. Updated site under construction. Portfolio on request.
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Voici la fameuse double-page du nouveau livre "Lakers. An Official History of the Purple & Gold" de @vikkitobak aux éditions @taschen en collaboration avec les @lakers • avec ma paire d'adidas Crazy 1 "Sunshine", achetée à Kith NYC en 2013, portée par Kobe Bryant au NBA All-Star Game 2021 ! Pour ce projet d'envergure, j'ai proposé diverses archives, dont des paires du Black Mamba et de Earvin "Magic" Johnson. Seule la Crazy 1 a été retenue, mais je ne me plains pas... Welcome to the #LakeShow 💜💛 Crédit photos : slide 8 @__.fatfat à l'arc 01 de la ligue U15 France du Grand Paris @bananacut.fr • slide 10 @cmichalet #book #Lakers #sneakers #kobebryant
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On this day in 2021, @evidence released “Unlearning Vol 1” 🧩 🧩🧩 We’re celebrating the anniversary with special bundles and deals on all Evidence music and merch now through July 1. Drop your favorite track in the comments ⬇️ Fav song? EV 🧩 🐿️ Better You 🧩🧩🧩 All Of That Said feat. Boldy James Pardon Me Where We Going From Here… Lost In Time (Park Jams)
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20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3) [Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music. On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world. Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude. This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity. The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned. “It ain’t where ya from, its where ya at……” Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi Curated by @paulmittleman, more coming soon.
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Hip-Hop Bible. #egotrip 🏆
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Hip-Hop Media’s Greatest Group. #egotrip 🏆 Sacha Jenkins 🙏🏻
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It’s May 1st and… On May 7th, Sun Ra: Door of the Cosmos art auction goes live on @artsy This fundraiser directly supports the documentary film in progress—7 years in the making—by Drew DeNicola who has been deeply committed to researching, interviewing, and building trust around this story. Over the past seven months, I’ve been working closely with @zoritapepita @ariellaflowers @eliaeinhorn and @steverivo to bring this to life. As a filmmaker, I know ideas are often abundant—but resources are not. This is how we bridge that gap. This is how the work continues. Beginning May 7th, you can bid on works by:
@allisonjanaehamilton 
@heyitsbunmi 
@reginaldsylvester2 
@sanfordbiggers 
@saulwilliams 
@shantell_martin 
@tadebimpe Each piece directly supports the next phase of the film—bringing it closer to completion, and ensuring this legacy is honored with the care it deserves. Thank you to all the artists who contributed and thank you in advance to all of you will will bid! Thank you @annelauresees for the guidance and Thank You @brentronic for the stellar design
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Making changes to my website… My work is a collective of artisans I am grateful to work with time and time again
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YoYoYoYoYo by Spank Rock is an electrifying debut that fuses hip-hop with electro, Baltimore club, Miami bass, and glitchy dance influences into a bold, high-energy sonic collage. Driven by the charismatic delivery of Naeem Juwan and the inventive, forward-thinking production of Alex Epton, the album thrives on its playful, party-centric spirit and genre-blurring creativity. Tracks like “Bump,” “What It Look Like,” and “Rick Rubin” showcase pulsing beats, synth-heavy textures, and dynamic rhythmic shifts, while the project’s experimental edge and club-ready momentum give it a distinctive identity that helped define mid-2000s alternative hip-hop and blog-era dance culture. (Source: Internet) Click (or copy and paste) the links below to listen to the full album and many more! RAP: 2006 https://open.spotify.com/playlist/1oMlM7rv529QxcKXHVOpFQ?si=e95bd89b456d4fef&pt=2b2adb82658e50123de1aad4cc952dfb VAULT 44 https://open.spotify.com/playlist/2UOiTx8rxjCgNTcuVgfetX?si=2f69590f8f9c499e&pt=32f137d1c2833926eacb672aa015d173 . . . #HipHop #ElectronicMusic #AlternativeHipHop #DanceMusic #MusicProduction
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20/20 captures Dilated Peoples at a focused moment in their career, delivering a tight, head-nod hip-hop statement rooted in West Coast boom-bap and classic underground flair. Evidence and Rakaa “Iriscience” trade sharp, vivid rhymes over rugged beats, while DJ Babu’s turntablism and production add soulful scratching and rhythmic depth that anchor the group’s sound. With production from core members and collaborators like The Alchemist, Sid Roams, and Porse, the album blends hard-hitting singles such as “Back Again” with thoughtful cuts like “You Can’t Hide, You Can’t Run” and “Kindness for Weakness” (feat. Talib Kweli), showcasing the trio’s chemistry and commitment to hip-hop tradition. Built as a collection of standout tracks rather than a conventional album arc, 20/20 offers a vibrant array of beats, deft lyricism, and classic hip-hop energy that resonates with longtime fans and solidifies the group’s legacy in the genre. (Source: Internet) Click (or copy and paste) the links below to listen to the full album and many more! RAP: 2006 https://open.spotify.com/playlist/1oMlM7rv529QxcKXHVOpFQ?si=18f5c180165e4487&pt=a74d1e084785b57e6c07e8f99d8d50b1 VAULT 44 https://open.spotify.com/playlist/2UOiTx8rxjCgNTcuVgfetX?si=79bef74a4df14d51&pt=72403bb4bc7e25d9acba43b6dcdd0196 . . . #DilatedPeoples #twentytwenty #westcoasthiphop #BoomBap #CapitolRecords
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1020. [ATxL Archives] @egotripland _ After Dark Special _ 1998 _ NYC Publisher _ Ted Bawno Editor In Chief _ @chairmanmaonyc Art Director _ @brentronic Founders _ @henrychalfant, Sacha Jenkins RIP, @freeelliottwilson All new Ego Trip Ads, Baby! No Frills! Mo’ Thrills! Just trying to pay the bills! So get off our dilz! Limited Collector’s Edition no. 313/385 #egotripmagazine #sachajenkins #thearrogantvoiceofmusicaltruth #atxl #atxlarchives
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The baddest unit. #egotrip 🏆 SHR 🙏🏻 (Shani 🙏🏻)
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Stussy interviews graphic design legend Brent Rollins for their World Tour project with 40 renowned artists across the world. For those who may not know— Brent Rollins is responsible for movie logos like Boyz N The Hood, Mo Better Blues, Dead Presidents and more, as well as designing and art direction for Rap Pages and Ego Trip to album covers for Black Star and Gangstarr….and how can I not mention his work for Supreme and Stussy. A true chemist with the vision, swipe right to see a cropped image of the Stussy tee that dropped alongside 39 others in 2006.
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