Instagram story viewer> @bricegarrett> Tagged
Brice Garrett(@bricegarrett)'s profile avatar HD Profile

Brice Garrett

@bricegarrett

undefined
POSTS STORIES REELS TAGGED
Did you know opals, one of the October birth stones, come in many colors and varieties? From classic white to fiery red, there's an opal for everyone. Found in deposits across the world, opals are some of the most captivating stones in jewelry. Shop Specific Gravity's collection of jewelry featuring this elusive and dynamic stone online or in store at 613 Vanderbilt Ave.
3
Download
Taking a class at BKMW? Or just happen to be in Prospect Heights? Swing by Here, There, and Everywhere — the exhibition continues through the summer until August 30th. 1. Lauren Kalman, Flourish 3, 2021 2. David Hardcastle, Brooch 1, 2017 3. Kathleen King, Giving Hands Necklace, 2018 4. Brice Garrett, Impressions (Idar 9), 2024 5. Lin Cheung, Whole Earrings, 2026 @laurenkalman @kking_bklyn_jewelry @bricegarrett @lincheungjewellery
5
Download
Please join us for our 34th Annual Enamel Guild North East Conference on Saturday, May 2, 2026 at The Newark Museum of Art We are excited to be partnering with The Newark Museum of Art to bring you our annual conference. The date of the conference is Saturday, May 2, 2026 at The Newark Museum of Art, Newark, NJ. Pre-conference workshops will be held at the same location. This year we will have presentations by Judy Stone and Jan Harrell. Presentations will be followed by demonstrations and we’ll end the conference with our raffle and the annual buy, sell & trade hour. Judy Stone and Jan Harrell will both will teach 2-day workshops Thursday, April 30 – Friday, May 1, 2026. Register now at enamelguildnortheast.org Early-bird pricing ends March 27, 2026 #enamel #vitreousenamel #enameljewelry #enameling #kilnfired #kilnfiredart #enamelguild #enamelist #enamelarts #enamelguildnortheast
0
Download
JAN HARRELL: THE PRINTED SURFACE IN ENAMEL TIME IS RUNNING OUT to register for this enamel workshop with the AMAZING Jan Harrell. Jan is an award winning artist, an incredible instructor and a beautiful person. She has taught at the Glassell School of Art for 35 years and has work in many prestigious collections. She will be here to show you how to achieve wonderful imagery and patterns in your work. You will learn how create depth by building layers and repeating patterns. Each participant will create one 5½” x 4” (110 DPI) screen and work with ready-to-use imagery on transparency film, allowing maximum time for hands-on experimentation. Jan will show the many ways to use the screens on flat and curved surfaces. You will learn to make your own screens using photosensitive film and a simple homemade light box, then explore how to wrap imagery around forms, build layered stencils, incorporate text and graphics, print on flat metal, and create decals for dimensional work using grain enamel. This technique works on pieces of all sizes from wall panels to small jewelry. “Across disciplines, artists have long incorporated multiple sources into their work, using a variety of techniques. In this workshop, free yourself from the limited vocabulary of commercially-prepared screens and add layered meaning to your enamel work. In this fast paced 2-day workshop, we will construct an inexpensive light box and then make personally created screens. Then the fun begins!.” ~ Jan Harrell JAN HARRELL: THE PRINTED SURFACE IN ENAMEL Expanding Imagery with Screen-printing and Ground Glass 2-day Workshop Thursday, April 30 & Friday, May 1, 2026 Newark Museum of Art, Newark, NJ Details at enamelguildnortheast.org #enamel #enameljewelry #artjewelry #contemporaryjewelry #jewelryartists #metalsmiths #goldsmiths #silversmiths #enamelguildnortheast #vitreousenameljewelry #vitreousenamels #vitreousenamel #janharrell.33
0
Download
$</BRICE_GARRETT\>$ “These brooches function as portals. They exist in the slippage between the visible and invisible, inside and outside, the recognizable and the abstract, offering alternate routes through material. Each form acts as a threshold not an endpoint, but an invitation to venture elsewhere. I carve mold-like voids using lapidary techniques before casting pewter through them, constructing spaces meant to be entered conceptually, perceptually, and imaginatively. The process balances meticulous carving with spontaneous casting. The resulting voids become active sites, holding absence, material, and potential.” Impressions (Idar 3); 2023; 2.25 x 2 x 0.5in; Jasper, pewter, silver, steel; Impressions (Idar 5); 2023; 3 x 2 x 0.5in; Black jasper, pewter, silver, steel @campusidaroberstein @nycjewelryweek @pratt_institute_jewelry #contemporaryjewelery @munichjewelleryweek
18
Download
Baby cat kiss ring wine and orange. 🩵
2
Download
What I paid to attend @nycjewelryweek in 2025.💰💎 Save this post for when you’re planning your budget for NYCJW in 2026! ✨Everyone’s circumstances are different✨, and this budget might not reflect what you’ve paid to attend this jewelry industry event in the past. Maybe you crashed with a friend and had no lodging expenses? Amazing! This is my experience, and I’m sharing in hopes that it will help someone who has wanted to attend jewelry week in NYC but wasn’t sure how to approach a budget. ➡️To date, I’ve attended: 4 @snagmetalsmith Conferences 3 @munichjewelleryweek 2 @ecu_symposium 5 @nycjewelryweek These all fall under the category of ‘’industry events,” which are organized gatherings (formal or informal) where people working within the same professional field come together to connect, share knowledge, showcase work, and discuss trends, challenges, or opportunities specific to that industry. Showing up and actively participating in your industry or creative community matters. Your presence can lead to paid opportunities, even if you don’t see that return on your investment (ROI) for years to come. 💵 It’s pay-to-play for most people and the expenses add up quickly. However, I believe attending events such as NYCJW is a worthwhile investment, even if you only can swing it once every few years. #artistbudget #contemporaryjewelry #jewelryindustry #artjewelry #sarahrachelbrown
54
Download
A glimpse of Junior and Senior BFA Jewelry work showcased during NYC Jewelry Week in the curated exhibition Almost Nearly There. As Pratt approaches the spring semester, we’re thinking of our juniors and seniors deep in thesis work. The strength and ambition of the fall exhibition makes it clear—they’re almost, nearly there, and ready to present fully realized bodies of work. #prattinstitute #contemporaryjewelry #artjewellery
1
Download
We hope our Pratt students are enjoying a well-deserved winter break—resting, resetting, and gathering inspiration for the spring semester ahead. ✨ To close out the year, we’re sharing the last (but certainly not least) brooch from Brice Garrett’s junior assignment, Memory of a Brooch. This piece, created by BFA Jewelry student Yana Mirada, features a subtle copper etching of the Queen of Hearts. Is it a memory of a game? A lost love? Art jewelry invites poetry and possibility—its meaning shaped by both the viewer and the wearer. ♠️♥️ #prattinstitute #artbrooch #artjewelry
0
Download
Holiday behind the scenes
4
Download
Highlighting Jiajia Li, one of our Junior BFA Jewelry students, and her brooch inspired by the look and feel of a vintage Polaroid. A beautiful blend of metals, texture, and patina that celebrates analog memories. This Brooch was a part of Professor Brice Garret’s Memory of a Brooch project. #prattinstitute #artjewelry #brooch
0
Download
Our senior BFA Jewelry students just wrapped up their semester-end critiques with impressive thesis projects. Huge thanks to our special guests and faculty for their invaluable time and expertise. Students gained so much from the experience. Here are some highlights from the event. Wishing everyone a wonderful holiday season and thanks again! #prattfinearts #artstudents #prattinstitute
1
Download
back to up