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Bryony Gillard

@bryonygillard

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Artist, Curator, Workshops | she, her
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Our first project is Moving Waters a series of film screenings across 4 locations. At Location One: Terre Verte Gallery (Altarnun, Cornwall) we will showcase 5 artists - Bryony Gillard Sonia Levy Katy Richardson Nicky Barton and Pouria Kazemi (stills above). We will also show a range of selected artists silent films on reels on various monitors throughout the gallery. There will also be 2 workshops! One on wet collodion photography and one soundwalk. Terre Verte Gallery, Alternun, PL15 7SJ. 10.00am – 5.00 pm. 10/11/12 + 17/18/19 October 2024. Events/workshops 12 + 19 October
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💧 WATERY SPECULATIONS 💧 Conference Stream (6 panels, 19 presentations) Curated by Lucy A. Sames London Conference in Critical Thought June 28+29 2024 (this Fri + Sat), free but booking required (link in b1o) University of Greenwich, Stockwell St, SE10 9BD 💦FRIDAY June 28💦 🌊 OCEANIC ZONES, 09:30-11:00 Ifor Duncan + Sonia Levy, Masteries of the Deep Mae Lubetkin, Reorientating subsea vision: geologies of digital imaging and oceanic imaginaries Klara Kofen, Liquid Exit: maritories, sanctuaries and sovereignties 🧜‍♂️ MYTHIC WATERWAYS, 11:30-13:00 Isabelle Donetch, Fluvial imaginaries as method: Navigating Santiago’s imbunched identity Rebecca Goddard, Salt Rhyne; brackish methodologies and slow seeping Hat Fidkin, ‘Ts’ono’ot’ or, Cenote - a Hydrofeminist Study of the Yucatan’s Watery Underworld 🦪 EXTINCTION, 16:00-17:30 Kate McMillan, The River’s Stomach Caroline Wright, Drifting Ecologies: Embodied relationships to a destabilised coastline Ally Yanxiu Luo, Oysters & (Post-)Extinction Thoughts on Future 💦SATURDAY June 29💦 💧 BODIES OF/AND WATER, 09:30-11:00 Bryony Gillard, My Wits or Salts paula roush, Wateryquery Kirsten Cooke, Aqueous Humours Fluid Ground 🛶ADRIFT, 11:30-13:00 Gabriele Nasole, Drifting Senses: Freediving and Sensorial Fluidity as Methodologies Angela Davies, Aequus Susie Olczak, Floating 🪸 QUEER AND MULTISPECIES IMAGININGS, 16:00-17:30 Sam Godfrey, Wet glitches and digital kelp: trans ecologies as methodology Andrea Khôra, SCARUS Ⓐ DUDLEY Ⓔ, I Know Carl Gent, Linda Stupart, echo / ecco @iforduncan @sonia__levy @klara_kofen @becky_goddard @hatfidkin @kate_mcmillan_ @carolinejwright1 @bryonygillard @kirstensylviacooke @gabrielenasole @susieolczak @s_k_godfrey @andrea_khora @chekhovs_gunge @lindastupart @fashion_vacuum @hadalflux @angeladaviesartist Image captions in comments..
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Come and celebrate our 1st birthday SOAK with our stellar all female line-up on 30th May! Say YES with us to @weirdbabysayyes, witness @bryonygillard in rom-com flow as Terah, listen to the powerful wordsmithery of @ceribakerwords, go on an embodied journey into the world of kink with @mothmanbabe, get swept up in the moving poetics of @cavepoet, hear @juliapond_ do some feminist evangelising. Join us for this explosion of queer feminist joy @leadworksplymouth! 🎟 pay-what-you-can- link in bio. ⏰️ Doors 6.30pm. Performances 7-10pm. 📍Leadworks Thanks to our fabulous videographer @transfigured_time for the vid, featuring @ebaccmc and Antonia Eastwood (plus willing volunteers) in the iconic SNATCH GODS at our last SOAK ✨️ 🌊 . SOAK Live Art is supported by @aceagrams and @theaiplym. Curated and run by @srblissett and @kerrypriestess. This event is part of @mayfest24 by @uopperformance. #soakliveart #leadworksplymouth #bryonygillard #weirdbaby #juliapond #frankiebaker #sarahcave #ceribaker #birthday #queerperformance #lgbtqart #queerfeministart #mayfest24 #performanceart #madeinplymouth #cultureisalive
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Before we announce the first act of 2024 we'd like to take a moment to share some documentation of Act VII: Open Stage, which took place in December 2023, and brought to the small stage three performances: 'Along Came Tera', by Bryony Gillard, 'Lady Credit' by Toon Fibbe and 'PLAGUE', a performance over the phone, by Sam Cottington. The selected artists come at text and its performativity from different angles, but together presented a cross section of artists busy with it as material within their work, beyond it just being a tool for the dissemination of an idea. From appropriating the formal structure of a 90s romantic comedy, to a lipsyncing incarnation of a figure of finance, to a phone with a live actor suspended somewhere between art and theatre awaiting an audience on the end of the line, the works that were presented at Open Stage are both wildly different and similarly contemporaneous, fully aware of the technologies through which language is shared, sub-culturally built and, inevitably and alternatively, co-opted.   Playbill Act VII: Open Stage followed Playbill's first Open Call, an initiative through which we aspire to expand on the notion of text -and language based art practices, and offer platform and means for experiment. The next Open Call will be in fall 2024, but first: mark your calendars for Friday, March 29 when we continue with Act VIII. More information will follow soon!
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Excited to have a film showing alongside some wonderful artists today at @kunstnerneshus kino in Oslo, 11-5. Thanks to @clawsonandward
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A huge thank you to the people that made my lil exhibition and opening event of wood fired pots possible! @katie_inglis_pottery who’s been helping me in the studio over the last few months (especially all the cronching) 🔨🙏 @karolina_ptaszkowska for being my rock 🪨 or 💎 ? and for cooking the most amazing medieval pottage 🥘😍😋 and to @bryonygillard @lvrsthrlnd and @nell_on_earth who run @perennialgallery for kindly inviting me to present my work 💚 and to everyone who has helped with the @lydegreenpottery project since it’s inception and finally to all who came out over the weekend, it was a very special moment 🙏🥳🎉🥣 May there be more peace and happy times in 2024 🕊️ much love 💕
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Repost @_playbill 𝗣𝗹𝗮𝘆𝗯𝗶𝗹𝗹: 𝗔𝗰𝘁 𝗩𝗜𝗜: 𝗢𝗽𝗲𝗻 𝗦𝘁𝗮𝗴𝗲 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟲, 𝟮𝟬𝟮𝟮, 𝗱𝗼𝗼𝗿𝘀 𝗮𝘁 𝟴𝗽𝗺  𝗧𝗼𝗿𝗽𝗲𝗱𝗼 𝗧𝗵𝗲𝗮𝘁𝗲𝗿, 𝗔𝗺𝘀𝘁𝗲𝗿𝗱𝗮𝗺 Featuring performances by Sam Cottington, Toon Fibbe and Bryony Gillard. ACT VII marks our first open call as a platform. Given that Playbill originally began from a perceived lack of presentation spaces focused exclusively on language- and text-based artistic works in the Netherlands, we devised Open Stage as we wanted to hand the platform over to artists working with similar concerns, assuming they were also desiring more opportunities to present their work. Applications were reviewed by Playbill in dialogue with Roos Gortzak. The selected artists—Sam Cottington, Bryony Gillard and Toon Fibbe—come at text and its performativity from different angles, but together present a cross section of artists busy with it as material within their work, beyond it just being a tool for the dissemination of an idea. From appropriating the formal structure of a 90s romantic comedy, to a lipsyncing incarnation of a figure of finance, to a phone with a live actor suspended somewhere between art and theatre awaiting you on the end of the line, the works that will be presented for Open Stage are both wildly different and similarly contemporaneous, fully aware of the technologies through which language is shared, sub-culturally built and, inevitably and alternatively, co-opted.   Additionally, the end of this calendar year brings with it the launch of our first annual report, chronicling the cycle of acts that began Playbill. Spanning our activities from 2022 and the first quarter of 2023, Annual Report 2022–2023 includes a newly commissioned text by Mayra A. Rodríguez Castro, an artistic commission by Allison Parrish and audience reports by Jacquine van Elsberg, Samantha McCulloch, Sands Murray-Wassink and Zazie Stevens. To celebrate the launch of this publication—which sits somewhere between administrative accounting and creative reinterpretations of that very thing—we will end the evening with a toast, during which the publication will be available for the taking.
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𝗣𝗹𝗮𝘆𝗯𝗶𝗹𝗹: 𝗔𝗰𝘁 𝗩𝗜𝗜: 𝗢𝗽𝗲𝗻 𝗦𝘁𝗮𝗴𝗲 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟲, 𝟮𝟬𝟮𝟮, 𝗱𝗼𝗼𝗿𝘀 𝗮𝘁 𝟴𝗽𝗺  𝗧𝗼𝗿𝗽𝗲𝗱𝗼 𝗧𝗵𝗲𝗮𝘁𝗲𝗿, 𝗔𝗺𝘀𝘁𝗲𝗿𝗱𝗮𝗺 Featuring performances by Sam Cottington, Toon Fibbe and Bryony Gillard. ACT VII marks our first open call as a platform. Given that Playbill originally began from a perceived lack of presentation spaces focused exclusively on language- and text-based artistic works in the Netherlands, we devised Open Stage as we wanted to hand the platform over to artists working with similar concerns, assuming they were also desiring more opportunities to present their work. Applications were reviewed by Playbill in dialogue with Roos Gortzak. The selected artists—Sam Cottington, Bryony Gillard and Toon Fibbe—come at text and its performativity from different angles, but together present a cross section of artists busy with it as material within their work, beyond it just being a tool for the dissemination of an idea. From appropriating the formal structure of a 90s romantic comedy, to a lipsyncing incarnation of a figure of finance, to a phone with a live actor suspended somewhere between art and theatre awaiting you on the end of the line, the works that will be presented for Open Stage are both wildly different and similarly contemporaneous, fully aware of the technologies through which language is shared, sub-culturally built and, inevitably and alternatively, co-opted.   Additionally, the end of this calendar year brings with it the launch of our first annual report, chronicling the cycle of acts that began Playbill. Spanning our activities from 2022 and the first quarter of 2023, Annual Report 2022–2023 includes a newly commissioned text by Mayra A. Rodríguez Castro, an artistic commission by Allison Parrish and audience reports by Jacquine van Elsberg, Samantha McCulloch, Sands Murray-Wassink and Zazie Stevens. To celebrate the launch of this publication—which sits somewhere between administrative accounting and creative reinterpretations of that very thing—we will end the evening with a toast, during which the publication will be available for the taking. Event at full capacity! DM for waitlist.
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We are super excited to share the full Promenade Weekender programme! New location-specific commissioned artworks explore and respond to the natural world and the area’s unique coastal landscape across a range of disciplines including movement, sculpture, natural printmaking, and installation. The weekender programme also includes evening events, workshops & activities, music & performance, walks & talks, happenings & interventions taking place along Weston’s promenade.  We will be sharing info of all the artists and projects in the weeks leading up to the Weekender 15-17 September on Weston super Mare's promenade.  Please have a browse and put the weekender date in your diary!  This programme has been made possible with support from @aceagrams @superculturewsm @visualartssw #promenadeweston #acesupported #cultureweston #wevaa #coastalarts #artistled #westonartspace #mudlarks #northsomerset #superwestonmare #visitweston
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In “Unctuous Forms, Seaweed Kinships,” Bryony Gillard questions seaweed’s materiality, its life-giving properties, its relationship to care and queerness, and its relationship to speculative feminist futures. Series edited by Melody Jue (UC Santa Barbara) and Maya Weeks. To view the full photo essay collection, visit the link in bio. #kelp #seaweed #environmentalhumanities @bryonygillard @me1odiousone @seaweedreport @ucsb_english @ihcucsb
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And we are live!! field|guide_01 is officially available for purchase! You can find copies at our website, www.fieldguide.art or directly at jdkokot.com/field-guide-store/fieldguide01-book and soon at local stores and art festivals (more details soon!!) A HUGE a thank you to everyone who has helped us get this far! The book is gorgeous and we couldn’t have done it without all of our phenomenal contributors and supporters!! As a bonus, we’ve decided to post some of the digital components of the project in an online archive, which you can find here: https://fieldguide.art/digital-archive_01 More news soon!!
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