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Carter Johnson

@carterdjohnson

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ONEIDA!!!

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BEFORE

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JOHNSON

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it's been a wonderful and rewarding experience working with incredible people on this project. as the show the winds down, i have one more announcement:
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we are having a Closing Reception tomorrow, Friday, July 21 from 6-9 pm for RESIDENTIAL PROPERTIES 2.0
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we will also be debuting a publication with contributors from within and beyond South Florida. it's free and available to the public 📖
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please stop by if you're around and come celebrate with us 🥂
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on a personal note: thank you to everyone involved on this project--first and most importantly the artists! you are my colleagues and friends and i highly respect all you stand for. additionally, to the contributors to the publication who submitted under a very tight window. second @dianalowenstein_gallery for offering me the opportunity to curate with an open heart. finally a special thank you for others who supported this project @oolitearts @carterdjohnson @julianamm2360
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image credit: Carter Johnson. "Tilting", 2023

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Shout out to Yanira Collado for her participation in Diana Lowenstein Gallery’s group exhibition of Miami artists - RESIDENTIAL PROPERTIES 2.0
OPENING RECEPTION TONIGHT May 19, 2023 from 6-9PM!
Stop by and show your support.

[2015] We've all seen this. A group of neighborhood kids are playing ball in the street. Suddenly, the ball is overthrown, miss-hit or purposefully expelled through a window. The glass violently shatters, and the group disbands in all directions, avoiding the wrath of the homeowner. Like the force of a wrecking ball, the breaking of a window wreaks both sensory and territorial havoc.

[2023] There is no longer a child's baseball that strikes the window with blunt force. One can apply abstractions - as we should. Now there is the slow, atomized spreading of cracks; old buildings, or even new, that give way to water, salt, and wind. Local and global weather intertwine and mix with old foundations and new drywall. Mold, mildew, and humidity physically mark the presence of a creeping climate - a manifestation of the virtual networks of planetary overreach.

Participating Artists:
A.S.T.
Liene Bosquê
Amanda Bradley
Linda Chamorro
Yanira Collado
Kayla Delacerda
AdrienneRose Gionta
GeoVanna Gonzalez
William Lane
Johanne Rahaman
Roscoe B. Thické Ill
Odalis Valdivieso
Felice Grodin (curator)
Images from "Listing (tilting or leaning to one side)", 2014-16. Courtesy of Carter Johnson

#representedartist #exhibitionopening #yaniracollado #miamibasedartists #groupshow #contemporartyartists #fabric #miami

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i'm excited to share with you a group exhibition that i'm guest curating for Diana Lowenstein Gallery. it features some of my favorite artists that are exploring themes related to home, community, and city. this is a reboot of the first iteration that took place in 2015. Thus, please join us!
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OPENING RECEPTION - RESIDENTIAL PROPERTIES 2.0 - Friday, May 19th - 6 to 9 pm
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[2015] We’ve all seen this. A group of neighborhood kids are playing ball in the street. Suddenly, the ball is overthrown, miss-hit or purposefully expelled through a window. The glass violently shatters, and the group disbands in all directions, avoiding the wrath of the homeowner. Like the force of a wrecking ball, the breaking of a window wreaks both sensory and territorial havoc.
.
[2023] There is no longer a child’s baseball that strikes the window with blunt force. One can apply abstractions – as we should. Now there is the slow, atomized spreading of cracks; old buildings, or even new, that give way to water, salt, and wind. Local and global weather intertwine and mix with old foundations and new drywall. Mold, mildew, and humidity physically mark the presence of a creeping climate – a manifestation of the virtual networks of planetary overreach.
.
Participating Artists:
A.S.T.
Liene Bosquê
Amanda Bradley
Linda Chamorro
Yanira Collado
Kayla Delacerda
AdrienneRose Gionta
GeoVanna Gonzalez
William Lane
Johanne Rahaman
Roscoè B. Thické III
Odalis Valdivieso
Felice Grodin (curator)
.
Images from "Listing (tilting or leaning to one side)", 2014-16. Courtesy of Carter Johnson
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special thank you to @julianamm2360 🙏

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Please join us for a special group exhibition featuring many Miami artists:
...
OPENING RECEPTION - RESIDENTIAL PROPERTIES 2.0 - Friday, May 19th - 6 to 9 pm
...
[2015] We’ve all seen this. A group of neighborhood kids are playing ball in the street. Suddenly, the ball is overthrown, miss-hit or purposefully expelled through a window. The glass violently shatters, and the group disbands in all directions, avoiding the wrath of the homeowner. Like the force of a wrecking ball, the breaking of a window wreaks both sensory and territorial havoc.
.
[2023] There is no longer a child’s baseball that strikes the window with blunt force. One can apply abstractions – as we should. Now there is the slow, atomized spreading of cracks; old buildings, or even new, that give way to water, salt, and wind. Local and global weather intertwine and mix with old foundations and new drywall. Mold, mildew, and humidity physically mark the presence of a creeping climate – a manifestation of the virtual networks of planetary overreach.
.
Participating Artists:
A.S.T.
Liene Bosquê
Amanda Bradley
Linda Chamorro
Yanira Collado
Kayla Delacerda
AdrienneRose Gionta
GeoVanna Gonzalez
William Lane
Johanne Rahaman
Roscoè B. Thické III
Odalis Valdivieso
Felice Grodin (curator)
.
Images from "Listing (tilting or leaning to one side)", 2014-16. Courtesy of Carter Johnson

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WHAAAA?!?!?

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APSARA STANCE

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SPAZI

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