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C O D E D C L O T H - Emma Reichenbach

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Frolicking about in my beautiful handmade piece from @coded_cloth the colour palette suits my artwork and my style to perfection.

Connection in the love of texture, colour and creativity - also saying hello on DMs 😉

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I’m looking forward to my pop up People Who Own My Ties exhibition/talk/film next Tuesday 22nd Sept from 1.30pm @museumofthehome To book a free ticket follow the link in my bio or from @selvedgemagazine Here are some photos from my tie portraits series. Thank you to all my friends for being fabulous models👌🌟🌟🤩 #selvedgemagazine #ltm2026 #selvedgelondontextilemonth #appliqué

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ONLY 2 SPACES LEFT !🧥✨🧨
Our closet sale is almost here, and we’ve got TWO seller spaces left.

DM us now if you want to clear out your wardrobe and sell your clothes in our beautiful store.
If you're more of a shopper, come and hunt for your next favourite piece, meet fellow fashion lovers and have a drink; the bar will be open all night!🍸

📍Saturday 10.10.26

🕣 6PM till late

@bsufashionsociety @bathspafashion @bathspafashionphoto @bathspauni

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Coded Cloth is modern folklore, re-fashioning the past since 2020. It expresses founder Emma Reichenbach's passion for vintage and antique costume and textiles, collage, patchwork and embroidery spanning the historic to the contemporary. Dress up, dress down we love to see vintage finds reimagined.

Photographer @circehamilton
Model Olive @olive.jones_ wearing her own coat
Fashion Designer @emma_reichenbach_studio @coded_cloth

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$✨We are excited to share that BAS studio holder Emma Reichenbach will be showing their work in an exhibition at Bath Spa University! ✨ 22/01-31/01 The Liquid Square presents a new body of work by Emma Reichenbach, developed from decades of collecting vintage silk scarves selected for their graphic boldness, visual wit, and inventive use of the square format. Moving beyond the limitations of seeing the silk square as purely adornment, the scarf here becomes a starting point for examining how images behave when released from flatness and certainty. The exhibition features a series of newly designed silk scarves, digitally printed with trompe l’œil images of fallen, crumpled and distorted scarves originally produced by iconic twentieth-century fashion houses. When disrupted by gravity and chance, familiar patterns fracture and reassemble, transforming the scarf into what the artist describes as a ‘liquid square’; a mutable, shape-shifting surface that blurs the boundary between object and image. Through these playful visual puns, The Liquid Square raises questions of authorship, ownership, and originality, asking who owns an image once it has been altered, layered, and set in motion. @coded_cloth$

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