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Concentration

@concentration.band

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Avon Terror Corps //
BERLIN // MELBOURNE

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Sonitus x o_u: Nox Sonituum 24/10/2026
@punctum_krasovka

> Nick Klein
You might encounter the works of multidisciplinary artist Nick Klein in a gallery just as easily as in a rowdy club; he is also an active curator in the Berlin scene and the head of the excellent PL (Psychic Liberation, etc.) label. His musical output ranges from sound art to noise techno; recently, his live sets have tended towards sheer hellish soundscapes. One unifying element of his approach might be the willingness to make it sound raw: Klein does not smooth out the rough edges, and listeners are exposed to harsh sounds and structures. It is quite easy to form an addiction.

> Concentration
Ranging from industrial punk to psychotic cabaret, sardonic, horny, angry: that's Concentration, the Berlin/Melbourne offshoot of the Avon Terror Corps collective.
Not taking anything from their records, it's their live performances (including the one that took Unsound 2024 by storm) for which they are particularly renowned. All bets are off at their gigs, but it's probably safe to say they're slightly obscene, very anarchic - and extremely entertaining.

> Tzu Ni
The work of Taiwanese artist Tzu Ni encompasses not only experimental electronics but also field recordings and installations. Her albums showcase fragmented, unstable structures straddling the line between sound art and noise: a quasi-organic growth that can mutate into something both beautiful and terrifying. Of course, these characteristics are not mutually exclusive.

> Kutin & Nerve
Both Peter Kutin and Steve Hui (aka Nerve) revel in disjointed electronic compositions.
The former works with sound in the context of light or sculpture; he is also involved, for example, in the trio PLF with Elvin Brandhi and Lukas König. Hui is a key figure in the Hong Kong experimental scene; his work fuses contemporary composition with rave, creating unsightly yet thrilling hybrids.
Together, Nerve and Kutin do not play noise per se, but their frenzied energy often surpasses its intensity.

Tickets:

https://connect.boomevents.org/cs/punctum-euvup/usof-enchanted-lands-cwzgu

Flyer by @rigobertogallardo_

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On 24th October, Sonitus and o_u will present four Czech premieres. This time, Nox Sonituum will be noisy, challenging and confrontational.

~ Nick Klein
You might encounter the works of multidisciplinary artist Nick Klein in a gallery just as easily as in a rowdy club; he is also an active curator in the Berlin scene and the head of the excellent PL (Psychic Liberation, etc.) label. His musical output ranges from sound art to noise techno; recently, his live sets have tended towards sheer hellish soundscapes. One unifying element of his approach might be the willingness to make it sound raw: Klein does not smooth out the rough edges, and listeners are exposed to harsh sounds and structures. It is quite easy to form an addiction.

~ Concentration
Ranging from industrial punk to psychotic cabaret, sardonic, horny, angry: that’s Concentration, the Berlin/Melbourne offshoot of the Avon Terror Corps collective. Not taking anything from their records, it’s their live performances (including the one that took Unsound 2024 by storm) for which they are particularly renowned. All bets are off at their gigs, but it’s probably safe to say they’re slightly obscene, very anarchic – and extremely entertaining.

~ Tzu Ni
The work of Taiwanese artist Tzu Ni encompasses not only experimental electronics but also field recordings and installations. Her albums showcase fragmented, unstable structures straddling the line between sound art and noise: a quasi-organic growth that can mutate into something both beautiful and terrifying. Of course, these characteristics are not mutually exclusive.

~ Kutin & Nerve
Both Peter Kutin and Steve Hui (aka Nerve) revel in disjointed electronic compositions. The former works with sound in the context of light or sculpture; he is also involved, for example, in the trio PLF with Elvin Brandhi and Lukas König. Hui is a key figure in the Hong Kong experimental scene; his work fuses contemporary composition with rave, creating unsightly yet thrilling hybrids. Together, Nerve and Kutin do not play noise per se, but their frenzied energy often surpasses its intensity.

Tickets: https://connect.boomevents.org/cs/punctum-euvup/usof-enchanted-lands-cwzgu

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Summer Cinema Club
July - August 2026

11 JULY
HOSTED BY GUILHERME VILHENA MARTINS
@gvilhenamartins
16 JULY
HOSTED BY COLIN HUERTER
@five.flights.up
25 JULY
HOSTED BY JONATHAN GUGGENBERGER
@nathan_the_rog
29 JULY
HOSTED BY CONCENTRATION
@concentration.band
31 JULY
HOSTED BY NINA KEHR
@ninikhr
6 AUGUST
HOSTED BY ALEXIA TIMMERMANS & ANA SAVCIUC
@alexia_timmermans @savciucaa
25 AUGUST
HOSTED BY JEANNE-ANGE WAGNE
@ja.m.w
30 AUGUST
HOSTED BY LINH NGUYEN & ON FORGETTING
@llinh_nh @onforgettingbook_

Sign up now!
Link in bio!

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full vid: https://www.ursss.com/2026/06/concentration-rissa/

@concentration.band
@thrush___
#avonterrorcorps
@rissa________________
@localservice__
@thehierarchyofrelevance
@_djuliona_
@marcodapino
#ursss

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KT newsletter update.

Back to back interviews: J. Walsh talks to King of Darkness director Nick Murcott before its 4/20 screening.

Then a bonus of Luke Neher in convo with The End of History (2023) director Zac Cooper.

THIS WEEK: Tara Kenny on James Litchfield’s Alphabet Lane (2025) screening at Cinema Nova now.

On Substack or in your inbox….Enjoy :)

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Luke interviews Zac about The End of History for @kinotopia_

💙FREE STREAMING EXTENDED UNTIL SUNDAY💙

Link in bio for both the article and the film which you can watch free until Sunday 26 April.

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Beloved Crash Heads, long time between offerings, but we come bearing ripe fruit. Many of you have no doubt watched as “The End Of History” - Zac Cooper’s (@concentration.band) 2023 bugged out, Berlin bender-suspender covid comedy - went from small time festival oddity to certified cult hit.

Now, for the first time ever, you can stream this under-seen gem online at autocrash.icu

🚨FREE FOR THE NEXT TWO DAYS - LINK IN BIO🚨

Check it out for free for the next 48 hours (ish).

——
About the film: 
Written and filmed in four days each, “The End Of History” tracks Australian techno producers Darcy & Pat as they struggle to acclimatise to a changing Berlin where the clubs have (briefly) been closed down. Forced to either talk to each other or to finally engage with a city they know only as a playground for high-as-fuck expats, they leave as fast as they can to East Germany proper to create “something no one’s ever done before”.  A film written and directed by a guy who was himself in Berlin to get his band off the ground, The End Of History is self-implicating-satire of the network of transient drug pigs who make Berlin their Adult Disneyland.  There’s some stuff about male loneliness in there too.

— About Zac:  One third of @concentration - “one of the greatest live acts on the planet right now” (as per The Quietus) - Zac Cooper is the guy that convinced us to to do autocrash in the first place. “Everyone on Earth should be part of a ten person a collective.” Musician, academic (AI stuff), filmmaker and general Good Time Charlie, Zac’s work is always riotously entertaining.

—
😱 Watch this space because more of the autocrash filmography is coming online for screaming in the coming weeks 😱

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Yo! Special edition of ‘Ead this coming Sunday, sharing deck duties from sunny Melbourne with old favourites @concentration.band! Recorded live from @thehenhousemelbourne, tune in to @aajamusic for our double trouble set!

📺

👁️

🐍

#aajaradio #londonradio #newmusic #deptford #concentration

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2025 was hypnotic 🌫️🤍

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Shows this month:
17 October: HERDING at @sb.spacebetween – Nürnberg, Germany
21 October: @scribble.mp3 x Holy Matrimony at @bar_neun – Berlin, Germany (DJ)
23 October: @nights_of_pablum at @villakuriosum – Berlin, Germany

Photo by @stoliad
Poster 1 by @vinouuus
Poster 2 by @nocturnerror
Poster 3 by @carnalina_

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tra la la

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Pellicole ritrovate - HandMade2025

#35mm #analog #filmisnotdead #ilford #delta3200 #ricohgr

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