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Cyanview

@cyanview_

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Shade Anything Anywhere !
Any camera in a production deserves to be matched to the others. Cyanview can do that. Over network. Local and remote.

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🎥 One panel. Full camera control. Endless possibilities.

Meet the Cyanview RCP — a multi-camera control panel that provides shading over most brands and types of cameras used in broadcast. Physical knobs and a touchscreen gives you instant access over most camera settings and allows for an effective matching of your cameras.

The integration with the routers or switchers brings a quick access to all your cameras from a single panel as there are no limits in the number of cameras supported. All Cyanview technologies are integrated together to offer a whole set of key functionalities: tally, wireless, wi-fi, remote production, pan-tilt heads and gimbals control, motorized lenses, etc.

To match your specialty cameras on top-tier productions or to shade your main ENG camcorders or D-Cinema, @cyanview_ Cyanview’s RCP offers a major uptick in quality and efficiency, both for setup and operations.

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Preparations are in full swing for an exciting project in France, where camera control on the @djiglobal Ronin 4D was specifically requested. Great to see this setup coming together!

Due to the continuing efforts of our partner manufacturer @cyanview_ we can now offer full wireless connectivity for the Ronin 4D!

🎛️ In-body controllable features: Iris, Color Temp/Tint & Shutter Control
🎨 Extended control features through one of our available color correctors
📡 Proven wireless COFDM Video Transmission

Paired with our expansive range of wireless solutions, this setup gives you endless possibilities on any production!

Get in touch if you have any questions or have an upcoming project where you’d like to deploy this setup! 🤝

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@victoriassecret 2026 Fashion Show has to be one of my favorite shows I’ve ever worked on. The creativity that goes into this show is something to be in awe of. 5 days of rehearsals and look design along with months of planning and testing. Im so honored to have been trusted to help create the show, thank you @jamesbmerryman & @chasehsmith & @gribiche for your collaboration and constant strive for excellence.

@cyanview_ and us at @funiculargoats have been working on some really cool Live show imaging software called #LiveLab and this was one of the first live shows to debut it.

We are able to fine tune the look live during the show, globally or locally per camera with in DaVinci Resolve, Live Lab and a Multiple Cyan View RCPs at the same time. Colorists are now connected Video Shaders/DITs (@t.ho626 & Justin Wells) in a seamless collaborative workflow where we can create bespoke looks quickly while matching cameras in a way Video Shaders are familiar. Not only that but we can FADE between the looks for a seamless transition without dimming down the lights nor cutting to a VT.

Live Lab also features a new workflow called FXVP (I call it spatial processing) where we can use OFX plugins like digital diffusion and Halation, to further stylize the image.

Special Shout out to Suny Parker from Livegrain who was right next to Chase and I dialing in LIVEGRAIN

Creative: @bureaubetak
Studio Moross: @ariesmoross

Director: @jamesbmerryman
DP: @chasehsmith
AD: @lilhayley1
TD: @davidjbernstein
TD (TikTok): @kerryonpr
Screens TD: Iqbal Hans

Prod Co: @doneanddustedtv
EP: Katy Mullan
Co-EP: Sarah Levine Hall
EIC: Jody Kolozsvari
Sup Prod: Lysa Cárdenas Velez
Line Producer: @sorrymsjudson
Producer: @thepchu

Tech & Cinema Engineering Integration: @funiculargoats

Lighting Designer: @gribiche
Lighting Director: @ryanhealeylx
Lighting Director / Programmer: Ryan Tanker

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VS26. Among all of the incredibly talented crew we worked with, some unprecedented tech was implemented on this show. In collaboration with CyanView, we’ve been working on a technology we used to make this workflow groundbreaking.

For the first time ever, we are now able to fine-tune creative color and technical camera matching in real-time seamlessly and it’s all thanks to a software called Live Lab we’ve been working on with @cyanview_ . This combined with low frame delay spatial processing allows us to fade the color and filter of bespoke looks between each scene dynamically in all cameras at the same time. We’re not just switching a LUT… we’re fading two looks between scenes without cutting or utilizing any lighting gimmicks, which is typically something you could only ever do in post.

Special Shoutouts

Fashion Show Producers: @bureaubetak
Prod Co: @doneanddustedtv
Director: @jamesbmerryman
DP: @chasehsmith
Tech Manager: James Coker
Live Colorist: @adamlighterman
LIVEGRAIN

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Amazon Music - Shakira Live From Madrid

This couldn’t have been more fun. ( deserves two posts) The show itself is already so vibrant, and has so many different looks. So happy to be apart of it with such a good crew and good vibe.

Directed by - @jamesbmerryman
@wearevampiro
Executive Producer - @alexjuliarich
Project Manager: Víctor Rins @victorrins
Technical EP: Joel Mestre Rovira @joelmacca
DPs: @nathanielhilldop and Brett Turnbull
Vision Mixer: Marc Kingham
Live Colorist: @jtharriman
Stream Lighting: Al Gurdon @algurdon
Lighting Programmer: James Scott @polarised.reality
Gaffer: Rich Gorrod
Vision Supervisor: Emelie Scaminaci
Shaders: Frédéric, Nele Verniers, Werner Van Den Eede,
Cue Pilot: @siebiez @cuepilot
Stream Audio: Dave Clauss
Technical PM: Oriol Marí Gómez
EIC: Hannes Hofer
OB EIC: Kevin Mertens
Camera Equipment EIC: Albrecht Gerlach @photocinerent , @lucien.peron
Vision Engineer: Marvin Haag
OB Audio Engineer: Bjarne Jakus
Special Cameras: Till Bentkowski
Comms: Carlos Palomo González
Producers: Bruna Caba, Sandra S. Pohl

FUTUREFRIENDS @futurefriends.la
Producers: Chase Simonds @chasersinsta , Kristen Wong @kristenvonkoko
Associate Director: Hayley Collett

CAMERA
Agito Ops: Ignacio Villagrá Fernández, Francisco Javier Donato Morales, Raúl Ramos Salas
Camera Ops: Israel Sas Rey, Marcos Batista Fernández, Israel Sánchez-Beato Berruezo, Jesús Gómez Fernández, Enrique Fernández Ortiz, Sara Martín Herencias
Jimmyjib: Richard Scholten
Robotic Camera: Carlos Domínguez Pinardo
Drone Camera: Miquel Calvo Manyosa
Cineflex: Jorge Agero
Spidercam: Neels Feil
Drone Pilot: Josep Flores Florit
Helicopter Pilot: Robert Abello
Spidercam Pilot: Üdo Ravenstein
RF Engineer: Javier Trifol
RF Tech: Markel Revuelta
Helicopter RF: Markel Garay, Ander Laboreira
Steadicam @cameraconnector
Tour Cameras | Screen | Lighting design - @solotech_inc @arri @cmotionlcs @timeinpixels @railcam

Tour lighting designer - @dan_norman_
Programmer Eric Christian
Lighting director - @kathbeer
Key lighting director - @rokqueen

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Amazon Music - Shakira Live From Madrid

This couldn’t have been more fun. ( deserves two posts) The show itself is already so vibrant, and has so many different looks. So happy to be apart of it with such a good crew and good vibe.

Directed by - @jamesbmerryman
@wearevampiro
Executive Producer - @alexjuliarich
Project Manager: Víctor Rins @victorrins
Technical EP: Joel Mestre Rovira @joelmacca
DPs: @nathanielhilldop and Brett Turnbull
Vision Mixer: Marc Kingham
Live Colorist: @jtharriman
Stream Lighting: Al Gurdon @algurdon
Lighting Programmer: James Scott @polarised.reality
Gaffer: Rich Gorrod
Vision Supervisor: Emelie Scaminaci
Shaders: Frédéric, Nele Verniers, Werner Van Den Eede,
Cue Pilot: @siebiez @cuepilot
Stream Audio: Dave Clauss
Technical PM: Oriol Marí Gómez
EIC: Hannes Hofer
OB EIC: Kevin Mertens
Camera Equipment EIC: Albrecht Gerlach @photocinerent , @lucien.peron
Vision Engineer: Marvin Haag
OB Audio Engineer: Bjarne Jakus
Special Cameras: Till Bentkowski
Comms: Carlos Palomo González
Producers: Bruna Caba, Sandra S. Pohl

FUTUREFRIENDS @futurefriends.la
Producers: Chase Simonds @chasersinsta , Kristen Wong @kristenvonkoko
Associate Director: Hayley Collett

CAMERA
Agito Ops: Ignacio Villagrá Fernández, Francisco Javier Donato Morales, Raúl Ramos Salas
Camera Ops: Israel Sas Rey, Marcos Batista Fernández, Israel Sánchez-Beato Berruezo, Jesús Gómez Fernández, Enrique Fernández Ortiz, Sara Martín Herencias
Jimmyjib: Richard Scholten
Robotic Camera: Carlos Domínguez Pinardo
Drone Camera: Miquel Calvo Manyosa
Cineflex: Jorge Agero
Spidercam: Neels Feil
Drone Pilot: Josep Flores Florit
Helicopter Pilot: Robert Abello
Spidercam Pilot: Üdo Ravenstein
RF Engineer: Javier Trifol
RF Tech: Markel Revuelta
Helicopter RF: Markel Garay, Ander Laboreira
Steadicam @cameraconnector
Tour Cameras | Screen | Lighting design- @solotech_inc @arri @cmotionlcs @timeinpixels @railcam

Tour lighting designer - @dan_norman_
Programmer Eric Christian
Lighting director - @kathbeer
Key lighting director - @rokqueen

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Huge thanks to everyone for visiting us at @ibcshow 2026. Amazing response to our @smallhd overlay solution - cmotion cLink.

Check it out here 👉https://cmotion.eu/LCS/clink

Thanks to @pantherfilmequipment and @fomasystems for helping create a fun and interactive booth.

Thanks to @camalotamsterdam for the loan of equipment and Fantastic logistic support 🫶🏻.

Thanks to @angenieuxlenses @brighttangerine @leitzcine @ronfordbaker @truelensservices for the loan of your fantastic products.

And, thanks to our partners @bitpart.xyz @blackmagicdesign @cyanview_ @fomasystems @microfilms_machinerie @motionimposs @nipros_official @nogravity_films @reddigitalcinema @skaarhoj and @vislinktechnologies for presenting cmotion solutions across 4 different halls.

To find out more about cmotion solutions, please email sales@cmotion.eu

#focuspulleratwork #1stac #cameradept #assistantcamera #cinematography

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Check out the latest IBC news from CyanView!

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Kane Brown Concert Live on Amazon. Come walk through the cinematic broadcast truck side with us!

From Color, to Enginnering/Records/Robotics, to Production Suite, and finally Audio!

#KaneBrown #AmazonMusic #PrimeVideo #contrastfilms #cinelive

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Swing by the Cyanview stand at IBC2026 to check DJIO out in person

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#gain_summit moment of event #gain

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FIFA 2026:

FIFA World Cup 2026 Fan Experience Miami was 33 days of awesome!

Thanks to Solari Productions our Chameleon MPV team worked 33 days at the FIFA World Cup 2026 Fan Experience Miami, after months of preparation, we were in charge of all FIFA and Fox Sports live broadcast feeds both receive and transmit to and from all fan areas.

Special Thanks to Jesse Miller from Midtown Video and Judy Zuo and the Kiloview Team for helping us build a reliable, robust and effective SRT solution for FIFA World Cup 2026.

Also thanks to John Fields (Big Red) for always being on top of things for all live transmissions and helping us execute flawlessly.

Our Chameleon 2 Mobile unit was the perfect match for this production, 10 days of prep and 33 days of continuous flawless execution nonstop, running 24/7 it was by far the best place to be working at in the entire FIFA Fan experience, even the clients moved in permanently, special thanks to the entire LMG team, we had a great time, learned a lot, made good new friends and aced a very demanding and complex workflow, our engineering team is better because of this experience, a total blessing in every regard.

We had live games, live concerts, including the Pitbull Grand Opening show with 45,000 fans and the 4th of July 250 Year USA Independence Day Celebration with over 20,000 attendees.

Over 600,000 people from all over the world attended the FIFA World Cup 2026 Fan Experience Miami at Bayfront Park in Down Town Miami, during the 25 day show run, 45,000 fans attended on opening day and up to 30,000 fans during games of the Brazil, Colombia and Argentina teams.

Event Features:

Broadcasts: 70+ live FIFA World Cup match broadcasts

Entertainment: 50+ headline acts and 90+ DJs across 25 consecutive days

Community: Over 1,000 local performers and 28 food and beverage vendors

#fifa #fifaworldcup #fifaworldcup2026 #fifaworldcup23 #solariproductions #cmgshows #chameleon #chameleonMPV #Chameleon2 #midtownvideo #kiloview #obvanmiami#blackmagicdesign #bayfrontpark #wavecentral #cyanview #livetruckmiami #Multipurposeproductionvehicle #multicameramiami

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