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A conversation between earth and fiber, intertwining hard, structured ceramics with delicate threads. Royal Academy, Summer exhibition 24
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From the opening of Sila, Al’Qala at the @realfabricatapices 

Her Hands, Her Land is installed on an 18th-century loom, the same loom once used to weave royal tapestries for the Royal Palace of Madrid.

A tool once used to serve power and monarchy now holds stories of land, labor, and survival. Placed within this structure, the work brings together two traditions of making; Palestinian embroidery and Spanish tapestry. Threads shift in meaning, moving between ornament and testimony, between craft and continuity.

The loom becomes a meeting point, where practices, separated by time and geography, come into relation. Embroidery appears not only as heritage, but as presence: held, repeated, and carried forward, where threads carry memory across time, and histories are not only preserved, but continuously reworked and reasserted.
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We are pleased to announce that pieces from the Widad Kawar Collection, on loan from Tiraz Centre, are featured in Al’Qala: Hilos de Historia (Threads of History) at the @realfabricatapices in Madrid (10 April–7 June 2026).

The exhibition, which also includes works by @inaashassociation and artists of @thesilaproject charts Palestinian embroidery across past, present, and future. 

We encourage colleagues and friends in Spain to visit.
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Sikka is about art, ceramics, meeting people, talking about our pieces, sharing our thoughts, etc.
But it is most of all the event that gathers an awesome ceramics community in one special place where smiles, stories and friendship create memories and experiences to cherish forever ❤️
Thank you @kamalpottery for making Bayt Al Khazaf, House 207 our precious home in Dubai 💫 💫 

Missing you all! 😍
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#cybellemoutranceramics
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#ceramicart #handmadeceramics #contemporaryceramics #sikkaplatform 
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