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Booth Fucsia 4
@artissimafair

Alex Bodea
Pavel Brăila
Diana Cepleanu
Mark Verlan

30 October – 1 November 2026
29 October - Preview
Oval Lingotto Fiere, Torino, Italy

Our participation at Artissima 2026 is kindly supported by The Ministry of Culture of the Republic of Moldova.

Alex Bodea
Sick Traveller, 2023
ink and pencil on paper
19.8 × 25 cm

#alexbodea

Diana Cepleanu
Untitled, 2024
oil on canvas
26 × 20.5 cm

#dianacepleanu

Pavel Brăila
I Really Miss Dancing, 2021
neon tubes, plexiglass
Ø 77 cm

#pavelbraila

Mark Verlan
The Locomotive (Shotgunning), 1990s
pencil on paper
30 × 20 cm

#markverlan

Booth Fucsia 4

30 October – 1 November 2026
29 October - Preview
@artissimafair

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Extras din expoziția curentă de la MARe

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Cum arată orașul părăsit din lucrările Dianei Cepleanu prezente în expoziția Late Summer Spritz de la nivelul 3 MARe/Muzeul de Artă Recentă? Iată răspunsul ei >>

“Pentru mine un oraș părăsit este un oraș care profită de absența celor care au plecat și se destăinuie dezvăluind lucruri pe care de obicei nu are timp să le arate. Când orașul e părăsit toate “fantasmele” lui vorbesc o altă limbă. E o limbă fără cuvinte dar plină de arătări.

Desigur eu atunci sunt un martor și devin un aparat de fotografiat manual. Cu mare atenție, dar fără grabă, înhaț întâmplări peste care ochiul meu cade. O lucrare a mea va fi despre gâtul pe care îl întinde umbra unei străzi mici până în frunzișul intunecat când trece peste arcul unei cupole. O pată luminoasă îmi apare ca o creatură. Ea s-a născut din varul zidului la întâlnirea cu transparența unor frunze și acum e golul prin care se furișează o ușă.

Astfel de întâmplări trec înaintea cuvintelor care denumesc obiectele și fără a fi lucruri apar. Vederea mea începe să le aștepte cu nerăbdare și ele se ivesc peste tot încurajate. Un copac aproape uscat devine de-o dată mai viu și uitându-și regnul desface o coadă de păun. Culorile pe care le trimit pe pânză se mișcă cu pași mici în direcțiile pe care eu le dau. Dar unde ajung sau cât de mult se schimbă rămâne o surpriză pe care o aștept la sfârșitul lucrului.”

Diana Cepleanu, Peisaj, 2024
Diana Cepleanu,, Pomii roșii, 2006

📸 Alexandru Paul

[ENG] What does the deserted city look like in Diana Cepleanu’s works presented in the Late Summer Spritz exhibition on the 3rd level of MARe/Museum of Recent Art? Here is her answer >>

“For me, a deserted city is a city that takes advantage of the absence of those who have left and opens up, revealing things it usually doesn’t have time to show. When the city is deserted, all its ‘ghosts’ speak a different language. It’s a language without words, yet full of visions.

Of course, I am then a witness and become a manual camera. With great care, but without haste, I snap up occurrences upon which my eye falls. One of my works will be about the neck that the shadow of a small street stretches into the dark foliage as it passes over the

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15/07/2026 - Galeria Plan B - Dana Cepleanu

#galeriaplanb #planbgallery #planbberlin #dianacepleanu

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Spre deosebire de pustia deșertului, în Bucurestiul semipustiit de vacanta și soare, demonii de miazăzi se ascund și se revelează, se joacă și se simbolizează din zori până la apus. Lor le este dedicat exercițiul plastic inaugurat la MARe – în seara de 12 august 2026, pe când toată omenirea era cu ochii pe soare ca să-i imortalizeze dispariția, iar Bucurestiul s-a ținut cu prudență departe de observarea directă a evenimentului astral, înlocuind-o cu o memorabilă experiență artistică. Perception included.
MARe iși extinde viziunea asupra scenei artistice invitând o artistă ale cărei lucrări fac parte din colectie să curatorieze o expoziție. In această primă ediţie, Larisa Sitar preia rolul de curator, reunind lucrări contemporane ale unor artiști care locuiesc în București sau au legături cu acest oraş, în cadrul expoziției de grup Late Summer Spritz: APPARATUS 22, Diana Cepleanu, Roberta Curcă, Adelina Ivan, Gili Mocanu, Giuliano Nardin, Maruša Sagadin, Kristin Wenzel, Mādälina Zaharia. Larisa Sitaru face din etajul trei cu terasă de la MARe un obiect artistic complet, o experiență a nonfigurativului în care principalul actant este percepția ta, participantule la muzeul din oraș. Lucrările sunt alese și poziționate cu măiestrie astfel încât să își corespundă, dar tu, participantule, în funcție de propria ta poveste și viteză a procesului psihic intern, ești cel care decide dacă le lași să dialogheze între ele sau intri în dialogul lor, dacă această corespondență va fi flux, visare, amplificare simbolică sau, dimpotrivă, surpriză, joc, teatru cu măști, discontinuități sau aha-uri. Pe Larisa Sitaru o știam iubitoare de non-figurativ, așa că mi s-a părut cât se poate de firească alegerea ei de a aduna la etajul 3 de la MARe creații non-figurative, eliberându-ne astfel capacitatea personală de percepție pentru a ne proiecta fiecare niște lumi interne care abia așteaptă lumina zilei.
În expoziție, luminile orbitoare, umbrele, regularitatile pietrelor și gestaltul percepției omenești preiau amorsele artiștilor și devin pe rând figuri, figuranți și fi

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[RO] Coming soon | din 13 august la MARe | Late Summer Spritz este o expoziție de grup curatoriată de artista Larisa Sitar, prima ediție a unui nou format prin care MARe invită artiști din colecția sa să preia rolul de curator.

Expoziția reunește 9 artiști care împărtășesc o afinitate distinctă pentru imagini (aproape) non-figurative. Printr-un joc subtil de forme, culori și materialitate, lucrările evocă atmosfera unui oraș torid, părăsit de locuitorii săi care fug de căldura verii. În această absență colectivă se conturează o alteritate stranie, care iese din fundal pentru a lăsa suprafețele și obiectele brute expresive să ocupe centrul scenei.

Artiști: APPARATUS 22, Diana Cepleanu, Roberta Curcă, Adelina Ivan, Gili Mocanu, Giuliano Nardin, Maruša Sagadin, Kristin Wenzel, Mădălina Zaharia

Mulțumiri galeriilor Plan B, Ivan Gallery, Christine König Galerie și Suprainfinit pentru împrumutarea lucrărilor prezentate în expoziție. Mulțumim partenerilor media și sponsorilor.

Late Summer Spritz
13.08.2026 - 15.11.2026
Curator: Larisa Sitar
Coordination assistant: Maria Grigorescu

MARe/Muzeul de Artă Recentă, Primăverii 15, etaj 3

Detaliu lucrare: Maruša Sagadin (b. 1978, Ljubljana)
Photo: Simon Veres

@larisa_sitar @marusasagadin @grigph23 @mada_zah @adelina__ivan @robertacurca @dianacepleanu @apparatus_22 @kristinwenzel_ @nardin_giuliano @galeriaplanb @ivangallery @christinekoeniggalerie @suprainfinitgallery @simonveres_aeph

[ENG] Coming soon | Starting from August 13 at MARe | Late Summer Spritz is a group exhibition curated by artist Larisa Sitar, marking the first edition of a new format in which MARe invites artists from its collection to take on the role of curator.

The exhibition brings together nine artists who share a distinct affinity for (almost) non-figurative images.

Through a subtle play of forms, colors, and materiality, the works evoke the atmosphere of a torrid city deserted by its residents fleeing the summer heat. In this collective absence, a strange sense of otherness emerges from the background, allowing raw, expressive surfaces and objects to take center stage.

Featured artists are APPARATUS 22, Diana Cepleanu, Roberta Curc

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The group exhibition ‘Hyperbleed’ opens in Berlin this week, presenting works by contemporary female artists that investigate the production, circulation, and manipulation of images–where fact and fiction make way for one another. Dörte Eißfeldt’s exhibition at C/O Berlin, closing this weekend, similarly investigates how photography is a medium of transformation and recognition, rather than merely depicting reality. C/O presents a special closing weekend program, including an artist talk with Eißfeldt on Saturday evening, in conversation with curators Inka Schube and Sonia Voss.

See the full list at the link in bio.

Credits:
Martyna Marciniak, ‘Anatomy of Non-Fact’ 2024
Britzenale 5
Martyna Marciniak, ‘Anatomy of Non-Fact’ 2024
Graciela Iturbide: ‘¿Ojos para volar?’, Coyoacán, Mexico, 1989
Diana Cepleanu: ‘Sandals’, 2024, oil on canvas, 50 x 50 cm
Graciela Iturbide: ‘Novia muerte’, Chalma, Mexico, 1990

@projectspacefestival @solaris_space_berlin @tyna_marc @berlin_britzenale @coberlin @gracielaiturbide @doerteeissfeldt @galeriaplanb @dianacepleanu
#whatson #berlin #berlinevents #berlinart #performance #installation #exhibition #festival #program #gallery #program

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Salon

Anthony Banks, Karen Barbour, Margot Bergman, Casey Bolding, Lisa Brice, David Byrd, Gillian Carnegie, Diana Cepleanu, Billy Childish, Caroline Coon, Jane Corrigan, Andrew Cranston, Ann Craven, Verne Dawson, Brian DeGraw, Kaye Donachie, Simone Kennedy Doig, Denzil Forrester, Carole Gibbons, Huddie Hamper, Paul Housley, Brook Hsu, Merlin James, Chantal Joffe, Behrang Karimi, Adam Keay, Florian Krewer, Na Kim, Jennifer J. Lee, Bill Lynch, Alastair MacKinven, John Maclean, Elizabeth Magill, Alissa McKendrick, Noel McKenna, Stephen McKenna, Walter Price, Daisy Sheff, Amy Sheffer, Mike Silva, Pádraig Timoney, Caroline Walker

Lismore Castle Arts, Lismore, Co. Waterford P51 F859, Ireland

Curated by Matthew Higgs, this group exhibition brings together some forty paintings, made by an intergenerational group of artists. An exhibition catalogue will be published this summer.

Installation views, ‘Salon’, Lismore Castle Arts, Co. Waterford, Ireland, 25 April - 25 October 2026. All photographs: Jed Niezgoda.

With thanks to:

@sadiecoleshq @antonkerngallery @harkawik @halesgallery @rvngintl @kerlingallery @approachgallery @themoderninstitute @gladstone.gallery @maureenpaley @galeriaplanb @nicolavassellgallery @klausgallery @karmakarma9 @galeriesardine @polinaberlingallery @inglebygallery @deboergallery @victoriamirogallery @seaviewla @motherstankstation @veneklasengallery @neugerriemschneider and the private lenders who have loaned work to the exhibition.

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Our Coup de Cœur from this year’s RAD Art Fair edition:

1. NICOLÁS LAMAS @nicolaslamas
Whale, 2025
archival pigment inkjet print on Hahnemühle paper
Presented by SABOT

2. WEI YANG @vazn3y
Time Up, 2026
papier-mâché
Presented by SOLO

3. BIANCA MANN @bianca_m.a.n.n._
Fragment || / Fragment II, 2026
resin, silicone, metal
Presented by H’art Gallery

4. RADU OREIAN @raduoreian
Self-portrait with Stiletto, 2024
oil, impasto on canvas mounted on wood
Presented by Jecza Gallery

5. ANASTASIA CALINOVICI @anastasya.asdf
Spleen season guilt, 2026
aluminium
Presented by Atelier 35

6. DANIEL VAN STRAALEN @danielvanstraalen
Into the Office 1, 2026
blotter print
Presented by PHARMAKON

7. GEORGE BULARCA NEGRU @animal.sleep
Ochiul Minții 004k3, 2026
illuminated porcelain
Presented by SABOT

8. DIANA CEPLEANU @dianacepleanu
Glass Toy, 2025
oil on canvas
Presented by Galeria Plan B

9. XAVIER ROBLES DE MEDINA
Female figure Saamaka (?) or Creoles, 2025
bronze
Presented by CATINCA TABACARU GALLERY

10. VIRGINIA TOMA @virginia_toma
Untitled, 2025
drawing on MDF
Presented by /SAC

Visibility, headlines, prizes - all good, but collecting is about art, artworks, artists and galleries.

We grow our collection with purpose and we take long-term commitments to works we believe deserve to remain in our conversation.

@rad.fair
@sabot_gallery
@solo.projectspace
@hartgalleryro
@jecza_gallery
@atelier35.bucharest
@pharmakon_gallery
@galeriaplanb
@catincatabacaru
@sacbucharest

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Just attended @jeremyscholar’s most recent group show ‘Moments of Being’ featuring the likes of Louis Fratino, Gwen John and Boscoe Holder.

My favourites include a beautiful Sylvia Sleigh work on paper along with a great Eugène Carrière oil.

The show is up until July 10th.

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Open today at Jeremy Scholar, Moments of Being brings together twenty-six artists who explore the body as a site of exchange between painter and subject. Here, painting becomes a poetic distillation of time, or as the art critic John Berger once described “a moment made permanent”, a translation of fleeting human connection onto canvas. Bringing together modern and contemporary work, Moments of Being traverses the last century, ambitiously demonstrating that artists continue to expand the parameters of portraiture, referring to the past and offering novel, conceptual renditions. @lydunishka

Featuring:

Sergey Kononov
Untitled, 2026
Oil on paper laid on canvas
61.5 × 45 cm

Jean Nipon
Work It, 2026
Coloured pencil on paper
40 × 40 cm (unframed)
58 × 58 cm (framed)

Diana Cepleanu
Self Portrait, 2023
Oil on canvas
29.5 × 22.5 cm (unframed)
34.5 × 28.5 cm (framed)

Please email info@jeremyscholar.com or DM for further information or to arrange an appointment.

Images courtesy @fineartdocumentation

#MomentsofBeing #JeremyScholar #sergeykononov #jeannipon #dianacepleanu

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Duminica aceasta mi-am luat 2 ore pentru mine si placerile mele si m-am dus singura la @rad.fair sa ma bucur de arta contemporana, de artisti romani, de culori, forme, idei si concepte.

Am vazut multe lucrari frumoase si deosebite care m-au bucurat efectiv. Las aici o parte din favorite 💛

Voi ati ajuns ? Ce v-a placut in mod deosebit? ☀️🙏🏻

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