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Dom Marker

@dommarker

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Diane Arbus
Albino sword swallower at a carnival, Maryland, 1970

a photograph which @dommarker sent me in the summer last year that is now tattooed on his chest 🗡️
thank you for trusting me with this machine tattoo and always blessing me with most beautiful finds 🪽

done at the best @tappintatts 🤍

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‘wing of desire’ based on the sculpture by roberto santo
🪽

a year in the making 🌬️🤍

for my luv @dommarker

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We did some RA-4 prints for @dommarker at @garagefilmlab
Great fun!

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Congrats Chico Alumni @dommarker and @jennifersakaistudio! Both are winners of the 2024 Creator Labs Photo Fund presented by Aperture and Google’s Creator Labs!

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(1/3) - Some bits and pieces from the last days in our studio, including our gonzo exhibition/screening in our most liminal of spaces. This isn’t the end of Lemberg Blue, but it is the end of the place we called home for 5 dreamy months.

Warmest thanks to everyone in the crew, including @frau.hiroshima @luckyscheka @nykytiuk__a @robogrib @molchi.treshchina @dommarker @uliana_pikhorovych @nikita.kadan @coscheylab @___gumbal___ & everyone at REMA who helped us out + all of our friends and family for their support.

We are now fully entering the post-production phase. Everyone is once again flung across different cities & countries, but the bond we share is deeper than ever before. And the work continues. See you around - xoxo

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After much deliberation we are happy to announce that we have awarded Dom Marker the Charcoal Publishing Prize from the 2024 Chico Review. We are very excited to work with Dom, and look forward to developing and publishing his first monograph.

Dom Marker (b. Kharkiv, 1990) is a self-taught Ukrainian-American artist. Born during the collapse of the USSR, Marker emigrated to New York City with his parents when he was three years old. He returned to Ukraine for the first time shortly after the full-scale invasion in 2022, volunteering on humanitarian missions in frontline regions. His emergent artistic practice is embedded in community activism, analog processes, and archival material, focused on themes of belonging, transience, and the hauntological nature of images as document. Marker’s move back to his birthplace in the midst of war, and subsequent reconciliation with Ukrainian heritage, is the core of his ongoing, long-term work.

@dommarker @chicoreview @charcoalpress

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(3/3) - Some bits and pieces from the last days in our studio, including our gonzo exhibition/screening in our most liminal of spaces. This isn’t the end of Lemberg Blue, but it is the end of the place we called home for 5 dreamy months.

Warmest thanks to everyone in the crew, including @frau.hiroshima @luckyscheka @nykytiuk__a @robogrib @molchi.treshchina @dommarker @uliana_pikhorovych @nikita.kadan @coscheylab @___gumbal___ & everyone at REMA who helped us out + all of our friends and family for their support.

We are now fully entering the post-production phase. Everyone is once again flung across different cities & countries, but the bond we share is deeper than ever before. And the work continues. See you around - xoxo

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Dom told New York about us @maksym_stodolia @dommarker @hm1ss_gd

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Бачу себе тут ніби я маленька дитина

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