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Anita Jori

@dr.analoguebubblebath

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Researching electronic music and dance cultures
📍Berlin
🏫 Postdoc @leuphana
📝 Teaching @tu_berlin
📰 Editor at Dancecult
🎧 Curator @ctmfestival

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Some late evening this year, I found myself mixing Thaiboy Digital (@bigthaiboy ) and @thefrostchildren for a venue in Berlin. It reminded me of my BA Thesis, which I wrote to graduate from UdK Berlin as part of the @newmediaclass_udk . Almost seven years before I started this journey, I had been working long nights where alcohol was the main source of income for venues. And to be honest, it can make you feel quite lonely as a sober spirit, even though you are surrounded by hundreds people.
Things have changed. According to recent @clubcommission research (see Studie Clubkultur Berlin) Berlin’s club revenue structure has shifted, with ticket sales now accounting for roughly the same share of revenue that drinks did in pre pandemic.

ᴛʀᴀɴꜱᴠᴇʀꜱᴀʟ ꜱᴏɴɪᴄ ᴍᴇᴛʜᴏᴅꜱ:
ʟɪꜱᴛᴇɴɪɴɢ ᴛʜʀᴏᴜɢʜ ʙᴇʀʟɪɴ’ꜱ ᴍɪɴɪᴍᴀʟ ᴛᴇᴄʜɴᴏ ᴏꜰ ᴛʜᴇ 2000ꜱ ᴀɴᴅ ʜʏᴘᴇʀᴘᴏᴘ, sitting unpublished on my drive for the last year somehow closes the circle between experiencing these two different situations of Berlin’s nightclubs.

While some people argue that dancefloors have become worse, or maybe just different, I suggest to transpose the practice of Transversal Listening as a sonic method to draw connections between the 2010s Minimal Techno and the genre of Hyperpop, which emerged throughout the pandemic and expanded the multiverse of electronic dance music.

You can download the thesis via my website (link in bio), and eventually access it digitally at the library of @udkberlin .

Special thanks to my supervisor, Dr. Anita Jóri (@dr.analoguebubblebath ), whose seminars brought a lot of light through the screens during the pandemic isolation many of us experienced, at a time when dancefloors were locked down.

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Join us this sunday for a discussion on the legacy of Vilém Flusser with author Martha Schwedener @marthaschwendener @etienne_la_font_de_saint_yenne and Anita Jóri @dr.analoguebubblebath of the Flusser archives

Sunay July 5
at Laden 2 Brunnenstr. 65
13355 Berlin
@laden2berlin

In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images.

#berlin #hopscotchreadingroom #booklaunch

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@_dialoguingarts researches how the performing arts build belonging and inclusion. Last week, we met in Oulu, Finland, to discuss first results and policy recommendations. Somehow I managed not to take a single picture on the conference room 🙈 Thank you for an inspiring week!

1 late night sun captured by @ronschah
2 oulu
3 biking
4 beautiful drones @cuejero @hakosalo
6 in thought with @runahestad
8 joik @frodefjellheim
9 air port streching

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Why does d@rts matter? | @unesco Culture & Arts Education Week 🎭

This week we are joining the global dialogue on how culture and the arts can build lasting peace.

dialoguing@rts fosters cultural dialogue through innovating and inclusive artistic practices. Our mission is to advance cultural literacy for social inclusion, ensuring that every voice is heard and every culture is celebrated🎨

➡️ Swipe to discover why d@rts matter from 9 voices across some of our partners

🇫🇮 Terhi Nokkala from @uniofjyvaskkyla
🇳🇿 @sarahfostersproull & Ralph Buck from @universityofauckland
🇺🇬 Sylvia Antonia Nannyonga-Tamusuza from @makerere
🇳🇴 @runahestad & @jens_knigge from @norduniversitet
🇩🇪 @dr.analoguebubblebath from @leuphana
🇮🇹 Licia Lombardo from @csiunivr & Francesco Rossi from @leserre_ud
🇷🇸 @m.vracar from @kulturanova_org

👇 And what about you? Why do you think d@rts matters in the world today?

#dialoguingarts #internationalartseducationweek #artsedweek #horizoneurope

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Our 2026 Research Networking Day brought together nine students, scholars, and artist-researchers selected via open call to present research addressing CTM Festival’s theme »dissonate < > resonate.« Hosted by @dr.analoguebubblebath, @dead9vbattery and Sarah-Indriyati Hardjowirogo, the three separate modules feature presentations by @lefteris_krysalis, @notajpeg, @kikaeche, @incontextmusic, @mayan.dj.pt, @lamiamusicuk, @borisonik6000, @studio_morten_poulsen, and Gabriele Murano diving into the complex musical, social and political interrelationship between these ideas—sometimes clashing, sometimes finding new ways to relate.

› Watch the three modules via our biolink 🧑‍💻

Video: @isabelle.m.schmitz

Photos: @camille_blake

This RND edition took place at @daad_artists galerie in collaboration with Universität Oldenburg, Kunst Universität Linz, and Leuphana University Lüneburg.

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Jóri Anita — A beat elmélete

Alig várjuk Dr. Jóri Anita technókutató holnapi, rendhagyó előadását. Kutatása a tánczene, a nyelv és a városi kultúra metszéspontjait vizsgálja. A Leuphana Egyetem posztdoktori kutatója és a CTM Festival Discourse programjának társkurátora. Anita arra keresi a választ, miként válik a ritmus társadalmi nyelvvé — hogyan szerveződik közösséggé, várossá, sőt identitássá a klubkultúra.

A beat elmélete című előadásában a berlini klubélet és a gentrifikáció összefüggéseit járja körül: hogyan alakítja a város gazdasági és kulturális átalakulása az éjszakai élet tereit, és miként tükrözik ezek a folyamatok a tágabb társadalmi dinamikákat, valamint párhuzamokat von a budapesti klubszcénával, megmutatva, hogy a zenei közösségek miként reagálnak a városi változásokra és a kreatív ipar nyomásaira.

Október 26-án, 16:00 órakor a BINÁLÉ záróestjén.

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Anita Jóri — The Theory of the Beat

We are looking forward to Dr. Anita Jóri’s lecture tomorrow 4 pm. Her research explores the intersections of dance music, language, and urban culture. A postdoctoral researcher at Leuphana University of Lüneburg and co-curator of CTM Festival’s Discourse program, Jóri examines how rhythm becomes a social language — how the dance floor evolves into a form of community, a city, even an identity.

In her talk, The Theory of the Beat, she delves into the relationship between Berlin’s club culture and gentrification, tracing how economic and cultural transformations reshape nightlife spaces. Drawing parallels with Budapest, Jóri reflects on how music communities respond to urban change and the pressures of the creative October 26 at 16:00, as part of the BINÁLÉ closing event.

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I’ve just come back from a gathering that brought together voices, practices, and perspectives from over seven countries—Norway, Finland, Italy, Serbia, Uganda, New Zealand, and Germany among others. We met in @chemnitz2025 to explore how the performing arts can spark dialogue across boundaries and identities—and how they can contribute to building a more cohesive and inclusive society.

I had the honor of opening the @_dialoguingarts general assembly together with the wonderful @runahestad with a loop-based performance that wove together sampled voices, traditional Norwegian fiddle sounds, a folk melody, and a song based on Tennessee Williams’ haunting poem We Have Not Long to Love—a reminder of how fragile and precious connection is.

In times when the arts are increasingly underfunded and under pressure, being part of a project like @_dialoguingarts that insists on the social and political relevance of the arts feels more important than ever. I left Chemnitz full of questions, inspiration, and a sense of shared responsibility to keep these conversations—and this work—alive. Thanks to the whole amazing team and especially to @jens_knigge and @runahestad for being the most inspiring project leaders and for bringing us together.

#dialoguingarts #horizoneurope

📸 Franz Lermer

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To all the members of the d@rts consortium, our Advisory Board, and Associated Partners, thank you 🫶

And to everyone who joined us, in person or online, during our days in Chemnitz: your presence mattered.

Through listening, questioning, sharing, and creating, you continue to shape this project in powerful ways.

🎭 d@rts is about using the arts for dialogue, co-creation, and making space for voices too often unheard.

A special thank you to Technische Universität Chemnitz for hosting our consortium meeting and to Open Space Chemnitz for welcoming us during the public events in the frame of Kulturhauptstadt Europas Chemnitz 2025.

Thank you / Takk / Dank u / Danke / Grazie / Kiitos / Хвала / Webale / Ngā mihi

🌍 Our Partners:
@norduniversitet (NO)
@uni_koeln , @unihildesheim , @leuphana (DE)
@csiunivr & @leserre_ud (IT)
@uniofjyvaskyla (FI)
@kulturanova_org (RS)
@makerere (UG)
@universityofauckland (NZ)
@aeconservatoires (BE)

#dialoguingarts #HorizonEurope #culturalliteracy #Chemnitz2025 #artseducation #ecoc #thankyou

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🌈 We’re back together! The d@rts team just kicked off our meeting in Chemnitz — and Day 1 was packed with big ideas and bold conversations.

From research on education and cultural policy, to creating a digital playground, from artistic trainings, to build a decolonial framework — d@rts is all about using the performing arts to buld dialogue and increase social cohesion and inclusion.

🎭 Our project connects people across Europe, Uganda & Aotearoa/New Zealand — working with communities to rethink what inclusion means through music, dance, and theatre.

Today’s General Assembly reminded us: the work starts with us. Sharing, listening, creating — together.

💛 And #Chemnitz2025 , as European Capital of Culture, is the perfect place to do that.

Stay tuned for more from our workshops and public events at @chemnitzopenspace!

PC @koschmiederfilm

#dialoguingarts #horizoneurope #ecoc

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The countdown to the d@rts public event in Chemnitz has begun! ⌛

Today, @anitajori and @mike.ahlers, give you a sneak peek of what to expect for the Digital Playground Workshop – an interactive session designed for participants to explore the digital platform developed as part of the d@rts project.

Whether you're a dancer, musician, performance artist or just digitally curious, this playful space is for you!

🗓️ 3 July, @chemnitzopenspace at 5:00 PM

⏰We can’t wait to see you there!

#dialoguingarts #culturalliteracy #horizoneurope #chemnitz2025

© Music credit: “Emotinium” by Roy of the Ravers

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Dancecult DC25 Conference
📍Technische Universität Berlin

It was enlightening to participate at Dancecult 25 conference in the frame of @ctmfestival in Berlin last weekend. ✨ Discussions covered everything from the difficulties of archiving club culture to the debate around techno’s roots and its UNESCO recognition. We heard presentations about the role of studios in artistic expression, queer and underground scenes, how club sound design influences emotional experiences, the interplay between old and new technologies, and many more... Beyond the panels, I loved diving into books on the subject, seeing a part of @michael.riemel’s incredible flyer collection, engaging with online communities, and developing a special interest in vaporwave with @jansartblog through an interesting panel discussion. The closing performance by @s_p_a_c_e.xyz absolutely blew us away—truly something we had never seen before! It was inspiring to connect with such like-minded people and share our experiences.

Electronic music and dance cultures have profoundly shaped contemporary music, art, and social movements. Its ephemeral nature, just like folk traditions and rituals, adds to the challenge of documenting and archiving this culture. From music technology to event flyers, posters, zines, clubs, and festivals, many aspects of our culture remain under-documented. What and how should we archive? Can we even properly research party culture? How can our community retain authority over its own history?

Huge thanks to the organizers for an insightful and thought-provoking gathering, can’t wait for next year’s!⚡️

#DC25 #Berlin #Danecult25 #TUBerlin #PartyArchiveResearchGroup #Culture #History #ElectronicMusic #Berlin #CTM

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𝗢𝗽𝗲𝗻 𝗖𝗮𝗹𝗹 | 𝗗𝗖𝟮𝟱 𝗖𝗮𝗹𝗹 𝗳𝗼𝗿 𝗣𝗿𝗼𝗽𝗼𝘀𝗮𝗹𝘀
We’ve partnered with Dancecult Journal and the Audio Communication Group for DC25, a Dancecult Research Network conference taking place January 24–25, 2025 at @tu_berlin.

DC25 will host participants from the broad interdisciplinary community of research around electronic (dance) music and cultures who will converge, share and celebrate their ongoing research efforts. The conference is also an opportunity for graduate students and senior researchers alike to share insights on the questions of preserving and archiving electronic music and dance cultures.

› Apply + full details in bio 🔗

Photo: @hontoo9

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