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Lilly Markaki

@dustbreeding

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Lecturer in Race and Culture @rhulmediaarts curator @demomovingimage mum of @deleuzine plus sounds @stegiradio
Free فلسطين.

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📻 6:30 - 7:30 pm Lilly @dustbreeding reads from Clemen Rosset’s ‘Joyful Cruelty: Towards a Philosophy of the Real’ ✨

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Art City Bologna saw the premiere of the new collaborative work Scent of Time, both as a 28-minute fiction film as well as a hybrid dance and moving image performance with Polina Hordiievska (@iampolyaaa__ ) structured around a floor piece designed by Camilo García A. (@jackrackjack) and featuring choreography by Dayana Mankovskaya @dayanaaaaam next to Polina’s improvisation. Scent of Time depicts the coming of age story of a young girl who learns to enter into the liminal realm, a mental space that seeks beyond the pervasive presence of value paradigms.

As part of the exhibition’s public program we also had the honor to present a performative talk alongside Lily Markaki (@dustbreeding) on “DARK ADVANCES: Cosmic Danger Music, ‘Affect Aliens’, and Revolutionary Despair”, and Anna Engelhardt (@engelhardt_dcc) with her talk “Hardwired Obsolescence of Russian Colonialism”, invited by Felice Moramarco (@felice_moramarco).

Thank you! ♡

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✨ COMING SOON ✨
Pala is a quarterly publication bringing together essays, poetry, experimental prose and visual art around a loosely defined theme each issue. Issue 1: ‘Dark Matter’ is an exploration of things which are not yet fully defined, not yet understood; the unplaceable, unrepresentable and the sublime, featuring work by Brian Castriota, Lilly Marks, Lucian Moriyama, Ailsa Sutcliffe, and Kate Timney. 🌚

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Hake, sea purslane & chilli #yellow

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In anticipation of the presentation of his film ‘Evidence of Things Unseen But Heard’ on the DEMO Moving Image Experimental Politics platform [22 November—18 December], Berlin-based filmmaker @louisthomashenderson presents a one-hour-long mix of music entirely from Bristol. Spanning 1980 (the year of the St. Paul's Uprising) to the present day, the mix tracks the Bristol Sound, from the bass of reggae sound systems to the broken beats of jungle to contemporary versions of dub and industrial. A musical journey through the city of Bristol.

Images from the 1980 St. Pauls riot that erupted after police raided the Black and White Café on Grosvenor Road, in the heart of St Pauls in Bristol. After several hours of disturbance in which fire engines and police cars were damaged, 130 people were arrested, 25 were taken to hospital, including 19 police and members of the press.

16.00-17.00 Athens time
www.movement.radio

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Utopia Now !! Will be streamed with @niamos_mcr on 6pm this Friday (18th Sept) 🕯🕯 details to follow soon 🌟🌟playback will be made available too ~~

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tomorrow at 11:00 (GMT+2)/10:00 (GMT+1) I will be introducing the first part of a wonderful symposium called “Love Spells & Rituals For Another World”, starting with a live broadcast from a fictive radio station by NYC-based artist Andrea Ray 🌚 tune in via @noboundsradio

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💚ISSUE III: CATALYST💚

Issue three is about things heating up, particles warming to move faster; changes of state, diversions, calls to action and creation. As a catalyst instigates a reaction, our writers unpick or present a vehicle for transformation or production, a pivot point or planted seed.

A catalyst is not comfortable, it is sharp: friction and spikes, things to cause a burn or swerve. From the fundamental fluidity and softness of self exposed by an accident, to an unlikely grouping of musicians and a broken instrument, a catalyst prompts a new movement. In life the presence of some emergency or another is a fixture, but what is unfixed is our response. In this issue we scatter catalysts to creativity and thought like tacks in the road and hope that we arrive together at a new junction.

Featuring writing by Calum Glendinning-Clark, Lilly Marks, Izak Mullen, Ailsa Sutcliffe, Paul Taylor, Kate Timney, and photographs by Adam Todhunter.

👉AVAILABLE TO PRE-ORDER NOW FROM www.palapress.com 👈

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We are delighted to have been invited to contribute to TANK magazine’s Summer Reader for 2022, alongside Barbara Epler (New Directions), and Anthony Bird and Taylor Bradley (Honford Star).

Featuring extracts and images from the best recently published novels, non-fiction books and art books alongside world-class fashion photography and interviews with cultural luminaries. Order your copy over at @tankmagazine to discover our full list of recommendations (a number of which are available to order through our website).

Thank you @tankmagazine, we can’t wait to be reading away somewhere sunny this summer ☀️💦🍉

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ZHŌUWÉI NETWORK / PUBLIC PROGRAM
a cura di Felice Moramarco (@felice_moramarco)
Teatro San Leonardo

Oggi dalle ore 18 al Teatro San Leonardo il public program di ZHŌUWÉI NETWORK si apre con "Ambitopia: costruzioni speculative di un futuro indecidibile": una serie di lecture-performance il cui obiettivo è quello di fornire una visione della complessità degli scenari emergenti dalle attuali configurazioni tecnico-politiche del reale, attraverso i contributi delle artistə e ricercatorə Emilia Tapprest (@nvisible.studio), Victor Evink (@s_x_m_b_r_a), Anna Engelhardt (@engelhardt_dcc) e Lilly Markaki (@dustbreeding). Sabato, invece, alle ore 18, 20 e 22 si terrrà la performance "Scent of Time", che ha come protagonista uno dei personaggi del film Embodied Ambitopias, una ragazza dodicenne interpretata da Polina Hordiievska (@iampolyaaa__), il cui raggiungimento della maggiore età è tormentato da opposti paradigmi ideologici ed estetico-politici.

[Today from 6 PM at Teatro San Leonardo ZHŌUWÉI NETWORK's public program opens with "Ambitopia: Speculative Constructions of an Undecidable Future": a series of lecture-performances whose objective is to provide an insight within the complexity of the scenarios emerging from the current techno-political configurations of the real, through the contributions of the artists and researchers Emilia Tapprest, Victor Evink, Anna Engelhardt and Lilly Markaki. On Saturday at 6, 8 and 10 PM "Scent of Time" will take place: the protagonist of the performance is one the characters of the film Embodied Ambitopias – a twelve year old girl interpreted by Polina Hordiievska whose coming to an age is tormented by opposite ideological and ethico-aesthetic paradigms.]

presentato da DEMO Moving Image Experimental Politics e Adiacenze
promosso da ART CITY Bologna 2022 in occasione di ARTEFIERA
con il sostegno dell'Ambasciata e il Consolato Generale del Regno dei Paesi Bassi, I-Portunus, Mondriaan Fund e Stimuleringsfonds

#artcity #artcity2022 #acb022 #adiacenze #emiliatapprest #worldbuilding #movingimage #demo #zhouweinetwork #liminalvision #ambitopia #installation #performance

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The publication “Love Spells & Rituals” is a documentation of a symposium held earlier this year, organised by @dustbreeding designed by @tonibrell

In an attempt to move from discourse to action, they have decided to employ this project as a means to raise funds in support of organisations safeguarding LGBTQI lives in the UK. All proceeds will be split between @africanrainbowfamily @mermaidsgender and @aktcharity

If you can, please support the project by buying a publication through the fundraiser (link in bio). The volume will be printed and dispatched in January 2021.

We’re very happy the publication also includes contributions by our graduates @charlotte__rohde @auroraaandrea as well as critical studies’ @romydaywinkel

All contributions:
Denise Ackerl, Marcus Bell, Toni Brell, Keti Chukhrov, Genevieve Costello, AC Davidson, Mijke van der Drift, Phoebe Eccles, Aimilia Efthimiou, Antke Engel, Andrea González Garrán, Caroline Harris, Christian Klesse, Si Leong, Lilly Marks, Cynthia Montier, Lisa Moravec, Ophélie Naessens, Nat Raha, Andrea Ray, Charlotte Rohde, Lou Lou Sainsbury, Sorana Santos, Despoina Tzanou, Alexandra Voutsina, Nadira Clare Wallace, Romy Day Winkel.

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MEANINGS & SYMBOLISM
// ETYMOLOGY & MORE
Introduction and images selected by Writer, Researcher & Event Programmer @dustbreeding //
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"Flowers have to be the world’s most ancient gift. Flowers bear significance in all cultures, in all corners of the planet. With flowers we can say: I love you or I love myself; I am sorry, will you take me back? I miss you, and: make love not war. Colour, morphology and the hidden properties of flowers all play a role in imbuing each of them with a particular meaning. The images selected here are only a tiny offering towards an appreciation of the language of flowers; my choice often inspired by the essay at hand.”
〰
"There’s rosemary, that’s for remembrance.
Pray you, love, remember.
And there is pansies, that’s for thoughts …
There’s fennel for you, and columbines.
There’s rue for you, and here’s some for me.
We may call it “herb of grace” o' Sundays.
Oh, you must wear your rue with a difference.
There’s a daisy. I would give you some violets,
But they withered all when my father died.”
Hamlet, Act IV, Scene 5
〰
All Images 🔗
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1. Bill Murray holding one of many bouquets (destined to remain undelivered) in Jim Jarmusch’s Broken Flowers (2005)
2. John Everett Millais’ Ophelia (detail) (1851-2), oil on canvas, 76.2 x 111.8 cm, Tate Britain, London (@arte_365 @tate)
3. Orchid (or a ‘beautiful lady’) in a jar by Nobuyoshi Araki (@camilogmm)

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