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Ernst Yohji Jaeger

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Artwork documentation for Lord Arthur Savile’s Crime, a group show presented by @sadiecoleshq Sadie Coles HQ, Savile Row, 21 January — 21 March 2026

1: Maggi Hambling, Lord Arthur Savile’s Crime, 1994-2025.
2: Ernst Yohji Jaeger, On the Life of the Soul, 2025. Courtesy the Artist, Croy Nielsen and Sadie Coles HQ, London.
3: Helen Marten, Cheap Whine (sugary malice), 2026.
4: Nicole Eisenman, Charlie, 2025.
5: Andrew Cranston, Painterly Problems, 2011.

‘The second exhibition in our new galleries on Savile Row is a group show inspired by Oscar Wilde’s novella, Lord Arthur Savile’s Crime. Wilde’s story, with its eclectic cast of characters situated in acidly etched London, is the stimulus for an exhibition of works of various scales and mediums. Our building was initially built as an arts club in 1870, recalling a period of intimate exhibitions and society gatherings that Wilde fictionalised within the milieu of Mayfair. The restored gallery reflects the neighbourhood’s artistic lineage, and the artists participating in the Lord Arthur Savile’s Crime exhibition sit with the shadows of those exhibited in the area since the founding of the Royal Academy in the late eighteenth century.

Set within spaces that once hosted similar salons, with a scenography that responds to that maximalist aesthetic, the exhibition Lord Arthur Savile’s Crime reimagines the relationship these sites hold to art, social behaviour and the potential drama of narrative. The works presented engage with a satire that reflects staged human behaviour as a contemporary response to Wilde’s fervent and monstrous Mayfair…’

All images (Unless stated in caption) : © the Artist/s. Courtesy of the Artist/s, Sadie Coles HQ, London. Photo: Katie Morrison.

#installationphotography #exhibitionphotography #artworkdocumentation #sadiecoles #sadiecoleshq

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More from 🇫🇷 this summer. @e_yohji show @galerie_crevecoeur was a dream 🤍
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#ernstyohjijaeger #ernstyohjijäger

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Découvertes et retrouvailles heureuses à la @kunsthallewien, au sein de l'exposition "Lebt und arbeitet in Wien", curatée par @danielbaumannhitwestt, michellecottton &
@monicageorgieva🌻

1) & 2) Rini Mitra @mitrariniswarnaly
3) & 4) Laurence Sturla @laurencesturla
5) Ernst Yohji Jaeger @e_yohji
6) & 7) Ashley Hans Scheirl @ashleyhansscheirl
8) Lukas Kaufmann @marilux_k
9) Min Yoon
10) Anna Schachinger @senhoraannaschachinger

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ribambelle

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An art collection for the Queen of Ithaca, Penelope from The Odyssey.

Featuring works by Olga De Amaral, Shio Kusaka, Ernst Yohji Jaeger.

#theodyssey #odysseus #contemporaryart #arthistory #artadvisor

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Ernst Yohji Jaeger

Ernst Yohji Jaeger (b. 1990, Frankfurt am Main, Germany) starts his paintings with the process of applying, building up and sanding away layers of paint. He continues this until something emerges on the canvas that demands to be formulated. Although he initiates the process, his practice strives to relinquish as much control as possible over the eventual image. He is less interested in formulating or executing a predetermined idea, concept or message, and more in the challenge of letting go of what is familiar, conscious or learned. The layers of colour that have accumulated beneath the painting’s surface through his preparatory process give the image its foundation. Upon this ground appear architectural elements, figures, plants, shadows, various objects and motifs that he carefully pulls from his observations of everyday life.

See three of his paintings at Kunsthalle Wien Museumsquartier in the ‘Lebt und arbeitet in Wien’ exhibition.

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Die Malereien von Ernst Yohji Jaeger (geb. 1990, Frankfurt am Main, Deutschland) beginnen mit dem Prozess des Auftragens, Aufbauens und Abschleifens von Farbschichten. Er setzt diesen Prozess fort, bis etwas auf der Leinwand entsteht, das ausformuliert werden will. Jaeger interessiert sich weniger dafür, eine bestehende Idee oder Nachricht auszuführen, als für die Herausforderung, Gewohntes, Bewusstes oder Gelerntes loszulassen. Die Farbschichten, die sich während dieses vorbereitenden Prozesses unterhalb der Oberfläche der Malerei angesammelt haben, bilden das Fundament des Bildes. Auf dieser Grundlage treten architektonische Elemente, Personen, Pflanzen, Schatten, verschiedene Objekte und Motive zutage, die er vorsichtig seinen Beobachtungen des alltäglichen Lebens entnimmt.

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Installation views Lebt und arbeitet in Wien: Contemporary Art from Vienna: Ernst Yohji Jaeger, Rebis / 彼岸花, 2026; Nigredo, 2023; Untitled (moonwort), 2022, Kunsthalle Wien Museumsquartier 2026, Courtesy the artist & Croy Nielsen, Vienna, © Bildrecht Wien, 2026, photos: www.kunst-dokumentation.com and Kunsthalle Wien

@e_yohji
@croynielsen

#ErnstYohjiJaeger #LebtUndArbeitetInWien #ContemporaryArtFromVienna #ViennaArtScene

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Paris-based writer Eloïse Duguay (@labeautaniste) returns to our collaborative series „Dear Paris“ with a new chronicle from the French capital. In „Mirages in the Heat Wave“, she follows the city underground, where the métro becomes a refuge from the relentless heat this month and a place to watch Paris unfold through fleeting encounters, strange observations, and moments of unexpected solidarity. Full story via link in bio ✨

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on est passé voir la nouvelle expo d’ernst yohji jaeger à la galerie crèvecœur

au premier regard on dirait des paysages ou des scènes sorties d’un rêve

mais plus tu regardes plus tu découvres de nouveaux détails et des histoires qui s’entremêlent

t’as toutes les infos sur notre app CUR8!!

#ArtContemporain #ExpoParis #ExpoGratuite #GalerieParis #CUR8

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Existe um ranking que o mercado raramente coloca em destaque. Não é o de quem vale mais, é o de quem mais cresceu num período específico, e os nomes que aparecem nessa lista não são sempre os que você esperaria.

Yu Nishimura saiu de US$58 mil para US$711,2 mil em doze meses, com sete obras batendo o próprio recorde em sequência, no mesmo período em que a David Zwirner anunciou sua representação. Antonio Obá teve uma obra arrematada por quase dez vezes a estimativa mínima na Sotheby’s Nova York, saindo de US$228,6 mil para mais de US$1 milhão numa temporada em que o Museo Reina Sofía, o ICA Miami e o Inhotim já tinham obras dele em acervo. O mercado de leilão chegou depois das instituições, não antes.

Ernst Yohji Jäger dobrou o recorde em doze meses. Danielle McKinney teve uma obra estimada em US$40 mil arrematada por quase US$280 mil. Simone Leigh cresceu 85% sobre o próprio recorde dois anos depois da Bienal de Veneza. Michael Armitage avançou 5% sobre um recorde de US$2,24 milhões com uma pintura em casca de árvore lubugo que referencia um ataque do al-Shabaab no Quênia em 2014.

Constantin Brancusi morreu em 1957, mas um busto de bronze seu foi de US$71,2 milhões para US$107,6 milhões entre 2018 e 2026, sem que o artista tivesse criado nada com intenção de mercado. E Jackson Pollock, que não lança uma obra desde 1956, teve o recorde quase triplicado numa única noite na Christie’s em maio de 2026, saindo de US$61,2 milhões para US$181,2 milhões.

O que esses oito casos têm em comum não é o percentual. É que em nenhum deles o mercado esperou o artista ser unanimidade para precificar. Quando o movimento começa, ele já está precificado.

Salva essa lista e envia pra quem está posicionando capital agora

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Ernst Yohji Jaeger @galerie_crevecoeur

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Ernst Yohji Jaeger
Calamondin

5 & 7 rue de Beaune, Paris
Through July 25, 2026

Bookshop selection curated by Ernst Yohji Jaeger:

The Great God Pan and Other Horror Stories (The Great God Pan, 1894) — Arthur Machen
The Brothers Karamazov (1880) — Fyodor Dostoevsky
Beauty and Sadness (1964) — Yasunari Kawabata
Wild Seed (1980) — Octavia E. Butler
Sayonara, Gangsters (1982) — Genichirō Takahashi
Nausicaä of the Valley of the Wind (1982–1994) — Hayao Miyazaki
In the Dark Places of Wisdom (1999) — Peter Kingsley
The Dance of Reality (2001) — Alejandro Jodorowsky
Reality (2003) — Peter Kingsley
Earthlings (2018) — Sayaka Murata
The City and Its Uncertain Walls (2023) — Haruki Murakami

Work: Ernst Yohji Jaeger, Marie After Helene Schjerfbeck, 2026.
Exhibition views: Ernst Yohji Jaeger, Calamondin, Crèvecœur, Paris, 2026.
Courtesy of the artist and Crèvecœur, Paris. Photos: Aleksei Kostromin & Martin Argyroglo.

@e_yohji #ernstyohjijaeger

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Crèvecœur @galerie_crevecoeur presents Calamondin, a solo exhibition by Ernst Yohji Jaeger @e_yohji , on view at the gallery’s 5 & 7 rue de Beaune space in Paris from 11 June to 25 July 2026. Born in 1990 in Germany and now living and working in Vienna, Jaeger takes his title from the small citrus tree that has lived in his studio through a near-death and a slow recovery — a private ordeal that becomes, across the paintings gathered here, a way of thinking about what can and cannot be forced out of a body of work. Thom Oosterhof @thomoosterhofprojects paid a visit.

Discover in CAI Magazine

Words by @thomoosterhofprojects

@e_yohji
@galerie_crevecoeur

#peinturecontemporaine #contemporarypainting

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