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éditions Take5

@editionstake5

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Creating artists' books as collaborative universes with visionary artists, writers, and scientists. Non-for-profit
www.take5editions.com
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Depuis plus de vingt ans, les Éditions Take5 réunissent artistes, écrivains et designers autour du livre d’artiste. Leur dernier catalogue présente quatre publications récentes — A Walk in the Forest, Passage/s, Library of Absence et The Book of Lightness and Forgetting — quatre ouvrages qui explorent chacun à leur manière la mémoire, l’absence et le passage du temps. Sous la direction artistique de Philippe Apeloig, nous avons assuré la mise en page, l’intégration des contenus et la retouche des images. Pensé comme un espace de découverte, l’ouvrage laisse une large place aux reproductions des livres d’artistes afin de révéler la singularité de chaque projet. Le catalogue associe sobriété et force graphique : le bleu intense, associé au noir et au blanc, donne son identité à l’ensemble et met en valeur la richesse des publications présentées. — Ouvrages : A Walk in the Forest - @studio_des_signes @tonyoursler @germansermics @vincentderijk Passage/s - @dohosuhstudio Louis-Philippe Dalembert @adrienroverostudio @epok_design Library of Absence - @conradshawcross Vladimir Kramnik @aurele_sack @aleph_uteza_lysimaque Lightness and Forgetting - @shahzia.sikander Scott Small @christopheguberan & studio M.I.T @atelier.toutvabien Client et contenu éditorial : @editionstake5 @ctake5 Direction artistique : @philippe_apeloig Mise en page et retouche photo : @epok_design Photogravure, impression et reliure : @tipografialtedo Photos : @juliengremaud @annikwetterphotography #graphicdesignart #artdirection #artbooks #bookdesigner #livredartiste
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🇯🇵tech/gnosis ‼️tokyo node‼️walk-through part 3: isom 2025, euphoria 2025, wicca 2024, Zita 2025, kepone drum 1989, Dust 2005, boz* 2018, lost time 1993... The First Large-Scale Solo Exhibition in Japan, co-curated Reiko Tsubaki and Alice Ko. Approximately half of the 49 exhibited works are premiering in Japan for the first time! Featuring a rich lineup of related events and a surprising collaboration cafe within Toranomon Hills. TOKYO NODE, operated by Mori Building Co., Ltd. (Minato-ku, Tokyo; Yasuhiro Kogo, President and CEO), is proud to host Tony Oursler: Tech/Gnosis-Magic, Media, Art from Friday, July 3, to Sunday, September 27, 2026 This exhibition features 23 works making their Japanese debut. This includes four world-premiere pieces, including: Chimera (2026), a large-scale new work that utilizes TOKYO NODE’s dome-shaped gallery space with a 15-meter-high ceiling, and Empty (2000), a collaborative project initiated in 1999 with David Bowie and composer Glenn Branca featuring Reg Bloor. Tony Oursler (b. 1957) is a pioneer who blazed a trail for video installations and projection of moving images. The New York Times (published April 27, 2001) once described him as "a sculptor of air with video." Oursler is widely recognized for his uncanny, immersive installations that blend video, sculpture, sound, music, light, and language. While he maintained close relationships with artists such as Mike Kelley, Jim Shaw, Constance DeJong, Tony Conrad and Kim Gordon has been highly acclaimed within the Japanese contemporary art scene, his work has never before been introduced on a comprehensive scale in Japan. This exhibition marks his first large-scale solo show in the country, allowing visitors to experience everything from his early signature pieces to his latest works created for this occasion all at once as well as Imponderable 5D feature film produced by LUMA 2016. In addition, the exhibition will specially showcase a selection from his collection of over 3,000 archival materials—covering science, magic, and unidentified phenomena—which serve as the very wellspring of Oursler's creativity. Exhibition catalog forthcoming.
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🇯🇵tech/gnosis ‼️tokyo node‼️walk-through part 2: private 1992. F/X plotter 1991, U4EUH 1990, C>o++ 2017, MUR (dusk) 2022... The First Large-Scale Solo Exhibition in Japan, co-curated Reiko Tsubaki and Alice Ko. Approximately half of the 49 exhibited works are premiering in Japan for the first time! Featuring a rich lineup of related events and a surprising collaboration cafe within Toranomon Hills. TOKYO NODE, operated by Mori Building Co., Ltd. (Minato-ku, Tokyo; Yasuhiro Kogo, President and CEO), is proud to host Tony Oursler: Tech/Gnosis-Magic, Media, Art from Friday, July 3, to Sunday, September 27, 2026 This exhibition features 23 works making their Japanese debut. This includes four world-premiere pieces, including: Chimera (2026), a large-scale new work that utilizes TOKYO NODE’s dome-shaped gallery space with a 15-meter-high ceiling, and Empty (2000), a collaborative project initiated in 1999 with David Bowie and composer Glenn Branca featuring Reg Bloor. Tony Oursler (b. 1957) is a pioneer who blazed a trail for video installations and projection of moving images. The New York Times (published April 27, 2001) once described him as "a sculptor of air with video." Oursler is widely recognized for his uncanny, immersive installations that blend video, sculpture, sound, music, light, and language. While he maintained close relationships with artists such as Mike Kelley, Jim Shaw, Constance DeJong, Tony Conrad and Kim Gordon has been highly acclaimed within the Japanese contemporary art scene, his work has never before been introduced on a comprehensive scale in Japan. This exhibition marks his first large-scale solo show in the country, allowing visitors to experience everything from his early signature pieces to his latest works created for this occasion all at once as well as Imponderable 5D feature film produced by LUMA 2016. In addition, the exhibition will specially showcase a selection from his collection of over 3,000 archival materials—covering science, magic, and unidentified phenomena—which serve as the very wellspring of Oursler's creativity. Exhibition catalog forthcoming.
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🇯🇵tech/gnosis ‼️tokyo node‼️walk-through part 1: specular 2021, star 2026, CAT 2026, private 1992. The First Large-Scale Solo Exhibition in Japan, co-curated Reiko Tsubaki and Alice Ko. Approximately half of the 49 exhibited works are premiering in Japan for the first time! Featuring a rich lineup of related events and a surprising collaboration cafe within Toranomon Hills. TOKYO NODE, operated by Mori Building Co., Ltd. (Minato-ku, Tokyo; Yasuhiro Kogo, President and CEO), is proud to host Tony Oursler: Tech/Gnosis-Magic, Media, Art from Friday, July 3, to Sunday, September 27, 2026 This exhibition features 23 works making their Japanese debut. This includes four world-premiere pieces, including: Chimera (2026), a large-scale new work that utilizes TOKYO NODE’s dome-shaped gallery space with a 15-meter-high ceiling, and Empty (2000), a collaborative project initiated in 1999 with David Bowie and composer Glenn Branca featuring Reg Bloor. Tony Oursler (b. 1957) is a pioneer who blazed a trail for video installations and projection of moving images. The New York Times (published April 27, 2001) once described him as "a sculptor of air with video." Oursler is widely recognized for his uncanny, immersive installations that blend video, sculpture, sound, music, light, and language. While he maintained close relationships with artists such as Mike Kelley, Jim Shaw, Constance DeJong, Tony Conrad and Kim Gordon has been highly acclaimed within the Japanese contemporary art scene, his work has never before been introduced on a comprehensive scale in Japan. This exhibition marks his first large-scale solo show in the country, allowing visitors to experience everything from his early signature pieces to his latest works created for this occasion all at once as well as Imponderable 5D feature film produced by LUMA 2016. In addition, the exhibition will specially showcase a selection from his collection of over 3,000 archival materials—covering science, magic, and unidentified phenomena—which serve as the very wellspring of Oursler's creativity. Exhibition catalog forthcoming.
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