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Thank you to everyone who joined me for the sunset viewing and pink champagne toast of “It Is What It Is,” my video installation at sea during Art Basel Miam Beach 2024. Your presence not only completed this work but also made this fleeting moment unforgettable, and it was the perfect way to celebrate the culmination of my Oolite Arts residency. I am deeply grateful for your support in bringing this dream project to life. Together, we created a beautiful memory that I will cherish forever. Cheers to shared experiences and new beginnings! 🥂✨ 🥂Special thanks to Cherese Crocket for believing in me & this work. #itiswhatitis #artbaselmiami2024 #sunsettoast @oolitearts @ballyhoomedia
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View from the projector Water and Power | Pat O’Neill | 1989 | 16mm | 54 minutes | COLOR | SOUND Great show, many thanks to all who attended, tag yourself, if you were there!
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Please join us for a much anticipated conversation ✨ ... ARTIST'S DISCUSSION - RESIDENTIAL PROPERTIES 2.0 - Tuesday, June 27th - 6 to 9 pm ... [2015] We’ve all seen this. A group of neighborhood kids are playing ball in the street. Suddenly, the ball is overthrown, miss-hit or purposefully expelled through a window. The glass violently shatters, and the group disbands in all directions, avoiding the wrath of the homeowner. Like the force of a wrecking ball, the breaking of a window wreaks both sensory and territorial havoc. . [2023] There is no longer a child’s baseball that strikes the window with blunt force. One can apply abstractions – as we should. Now there is the slow, atomized spreading of cracks; old buildings, or even new, that give way to water, salt, and wind. Local and global weather intertwine and mix with old foundations and new drywall. Mold, mildew, and humidity physically mark the presence of a creeping climate – a manifestation of the virtual networks of planetary overreach. . How may visual art address these abstractions within the concrete of a practice? Please join (6) participating Artists in the exhibition "Residential Properties 2.0" for a discussion of their work . Participants: AdrienneRose Gionta William Lane Roscoè B. Thické III Kayla Delacerda Johanne Rahaman Elite Kedan | A.S.T. moderated by Felice Grodin . Gallery Address: 326 NE 61 street, Miami, FL 33137
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i'm excited to share with you a group exhibition that i'm guest curating for Diana Lowenstein Gallery. it features some of my favorite artists that are exploring themes related to home, community, and city. this is a reboot of the first iteration that took place in 2015. Thus, please join us! ... OPENING RECEPTION - RESIDENTIAL PROPERTIES 2.0 - Friday, May 19th - 6 to 9 pm ... [2015] We’ve all seen this. A group of neighborhood kids are playing ball in the street. Suddenly, the ball is overthrown, miss-hit or purposefully expelled through a window. The glass violently shatters, and the group disbands in all directions, avoiding the wrath of the homeowner. Like the force of a wrecking ball, the breaking of a window wreaks both sensory and territorial havoc. . [2023] There is no longer a child’s baseball that strikes the window with blunt force. One can apply abstractions – as we should. Now there is the slow, atomized spreading of cracks; old buildings, or even new, that give way to water, salt, and wind. Local and global weather intertwine and mix with old foundations and new drywall. Mold, mildew, and humidity physically mark the presence of a creeping climate – a manifestation of the virtual networks of planetary overreach. . Participating Artists: A.S.T. Liene Bosquê Amanda Bradley Linda Chamorro Yanira Collado Kayla Delacerda AdrienneRose Gionta GeoVanna Gonzalez William Lane Johanne Rahaman Roscoè B. Thické III Odalis Valdivieso Felice Grodin (curator) . Images from "Listing (tilting or leaning to one side)", 2014-16. Courtesy of Carter Johnson . special thank you to @julianamm2360 🙏
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literal angels
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Spring 2022 DESIGN STUDIO 2 D2 works on two projects, culminating with a design for a Patio House. Students analyze poetic implications of movement, thresholds, spatial framing and extension, relationships of the interior to exterior as well as tectonic notions of connections, joints, and preliminary ideas of structures and materials. Design 2 Coordinator: Nik Nedev @fiu.nedev Faculty: Sophia Cabral @sophia_cabral Marcelo Ertorteguy @stereotank Verlan Eugene @lenn_e_ Felice Grodin @felicegrodin Elite Kedan @ekedan Nadine Saint-Louis @nsaintlo27 Holly Zickler @hollyzickler
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Design Studio 2 Final Reviews Super Monday! A selected student from each of this Spring's 7 Studios, presented their final projects for a Super Monday Award. Cesar Deschamps @k4miiz from Holly Zickler's Studio, is this year's winner, congratulations! Jury: Biayna Bogosian @biaynabogosian Jason Chandler @chandler.architecture Elisa Silva @enlace_arq Faculty: Nik Nedev / Coordinator @fiu.nedev Sophia Cabral @sophia_cabral Marcelo Ertorteguy @stereotank Verlan Eugene @lenn_e_ Felice Grodin @felicegrodin Elite Kedan @ekedan Nadine Saint-Louis @nsaintlo27 Holly Zickler @hollyzickler
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We’re in the residence @airieverglades and we’re researching the tenuous relationships between landscape, urbanism, and the climate emergency that play out in the Everglades. We're exploring non-human and human infrastructures within the Everglades wetlands, guided by our theme Water as a Distributed System. Water has become a method for us to approach the complex and often violent histories of the wetlands from various scales from micro to macro. Stay tuned for more updates throughout the month🌊💨💦
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This past year, A.S.T. @alliancesoutherntriangle and I have been research fellows @airieverglades. This month we’re in residence researching the tenuous relationships between landscape, urbanism, and the climate emergency that play out in the Everglades. We're exploring non-human and human infrastructures within the Everglades wetlands, guided by our theme Water as a Distributed System. Water has become a method for us to approach the complex and often violent histories of the wetlands from various scales from micro to macro. 🕸🪰🐛🐍🦖🐊💨🌊 #everglades #evergladednationalpark
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A.S.T. @alliancesoutherntriangle is here in residence for the month of October. While in the Everglades we'll research the tenuous relationships between landscape, urbanism, and the climate emergency that play out in the Everglades. We're exploring non-human and human infrastructures within the Everglades wetlands, guided by our theme Water as a Distributed System. Water has become a method for us to approach the complex and often violent histories of the wetlands from various scales from micro to macro. Stay tuned for more updates throughout the month🌊🐍🕸🐊🐛
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This week check out "scenarios in a gap (the control, the intention, the body, the not_forgetting)," a selection of recent videos by artist Elite Kedan (@elite_kedan ), screening on the Artis website now through September 30, 2021. link in bio. "Scenarios in a gap" is a meditation on how to approach uncertainty and change, created by artist Elite Kedan during the COVID-19 pandemic. Initially intended to be experienced on a smartphone, the videos are a scroll of images that aim to stretch or contain time in generative ways. Digitally rendered molds of natural formations, such as mountains, rivers, and lakes, are presented in relation to familiar forms in the natural world. Text and excerpts of found audio are interspersed throughout the videos, creating an assembly of material explorations and ruminations. This work continues “Interregnum: between emergence and contamination,” an exhibition in the form of an online publication and film series. Video: Elite Kedan, scenario 001, 2021. Ice, casts, digital molds, and text.
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"Interregnum: between emergence and contamination" is an exhibition in the form of an online publication and film screening program supported by @Artis, and inspired by artists Keren Benbenisty, Domingo Castillo, Ofri Cnaani, Deville Cohen, Sofía Córdova, Nir Evron, Dor Guez, Elite Kedan, and Nestor Siré. I'm so thrilled this is live. You can download the publication and view the videos on the Artis website through September 31, 2021. This week we launched with an excerpt from Ofri Cnaani's "Leaking Lands," and every two weeks we'll add another video. Building on Antonio Gramsci’s definition of the interregnum as a period of crisis or an in-between time, the liminal spaces described in the curatorial text and works in the publication are caught between what has yet to collapse and that which cannot yet manifest. The project presents fragments from films, conversations, sound, and text reflecting on terms such as contamination, delinking, entanglement, alliances, and interregnum. Images are taken from the publication: [1] Cover of publication [2] Sofía Córdova [3] Ofri Cnaani [4] Keren Benbenisty [5] Elite Kedan For full details of artwork check out link in bio.
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