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Elise Peroi

@eliseperoi

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The Armory Show 09.24-09.27
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CHANNELLED brings together 17 international female artists from different generations, cultures and artistic traditions, creating a dialogue between the twentieth and twenty-first centuries at @xeniartspace in Limassol, Cyprus. The title refers to the idea of the artist as a channel — a conduit through which memory, personal experience, intuition, emotion and inner states are transformed into visual and material form. Rather than presenting a single definition of female experience, the exhibition brings together independent voices and distinct artistic languages, revealing the many ways in which lived experience can become an art practice. The exhibition is open now until 18 February 2027. Olga de Amaral @olgadeamaral Lynne Drexler Teresa Solar Abboud @tere_solar Leiko Ikemura @studioleikoikemura Sabine Moritz @sabine_moritz_r Hayv Kahraman @hayvkahraman Emily Kraus @emily_kraus_ Pia Krajewski @piakrajewski Maro Gorky @longandryle Tracey Emin @traceyeminstudio Lydia Masterkova Leonor Fini @_leonorfini_ Inka Essenhigh @inkaessenhigh Konstantina Krikzoni @konstantina_krikzoni_studio Élise Peroi @eliseperoi Georg Wilson @georg.kitty Jess Allen @jessallenartist Emily Kraus, Teresa Solar Abboud, Olga de Amaral, Pia Krajewski, Leiko Ikemura Pia Krajewski, Leiko Ikemura, Tracey Emin, Leonor Fini, Hayv Kahraman Lydia Masterkova, Tracey Emin, Leonor Fini, Hayv Kahraman Lynne Drexler, Sabine Moritz, Maro Gorky Elise Peroi, Teresa Solar Abboud, Emily Kraus
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The Armory Show | Elise Peroi @carvalhonewyork @thearmoryshow Johanna Bath @enari.gallery Salon hang @ninomiergallery Kathia St. Hilaire @perrotin Marco Bizzarri @meganmulrooneygallery Mmangaliso Nzuza @southernguildgallery Laura Rokas @rebeccacamachopresents Independent 20th Century | Yves Klein @levygorvydayan Ana Mercedes Hoyos @institutodevision General Idea @miandn Marie Wilson @gallerywendinorris Al Held @james_fuentes_llc Frank Diaz Escalet leather works @hollistaggart Joel Sternfeld @roddergallery Emma Kunz @hauserwirth Spring Break | J.C. Fontanive @springbreakartshow Teeny tiny @rose.nestler @springbreakartshow
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Escaping the rain and wind @thearmoryshow with my oldest. These were some of our faves
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A dreamy whirlwind of a week in NYC ✨ Spending time with friends, sharing new work at the Armory, and taking in so much wonderful art around the city. So grateful to the wonderful Maja, Tadz, McKensie, and the whole @lobster___club team for all of your support. Also my amazing husband, who does everything under the sun, and my forever friends who love me through it all. Feeling very lucky to have shared this week with so many good people and beautiful art. Didn’t take nearly enough photos, but the rest lives on in my mind’s eye. 🤍
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Wrapping an exquisite week at The Armory Show 🏹 CARVALHO’s presence was deemed Top Ten Booths by Artsy, highlighted in coverage of the fair by Observer, and gallery Founder, Jennifer Carvalho, was featured in FRIEZE’s publication, ‘The ARMORY Art Week’ in an interview with the fair’s Selection Committee.   “Brooklyn gallery CARVALHO’s booth offered a serene oasis amid the hubbub of the fair, with works by artists Élise Peroi, Rosalind Tallmadge, and Anoushka Mirchandani, offering a masterclass in material sensitivity. Newly represented artist Peroi, an alum of The Artsy Vanguard 2026, reconfigures gouache-on-silk landscapes by cutting them into ribbons and reweaving them on a tapestry loom. Her Reflet bleu (2026), a translucent panel of silk, gouache, linen, and maple, sold during the fair’s opening hours. Meanwhile, Tallmadge’s Palingenesis (2026) layers mirrored mica over hand-painted silk in a large-scale panel that functions as much as sculpture as painting. Making her debut with the gallery, Mirchandani contributed multivalent, ethereal oil, oil stick, and oil pastel figurative paintings.”  — Katie White, Artsy “CARVALHO, showing in the main section and also part of this year’s selection committee, has an elegant three-person show of delicate, materially driven works by French artist Élise Peroi, Rosalind Tallmadge and Anoushka Mirchandani… …‘Being newly on the Selection Committee for the Armory Show, I’m particularly invested in this edition of the fair. It is always important to me that female voices are given a prominent place, which you see in our booth with our all-female presentation, and across the fair in some of the most exciting and considered presentations I’ve seen in years,’ founder Jennifer Carvalho told Observer, pointing to a real sense of intention across the fair this year, with presentations that feel less concerned with commanding attention than with creating space for sustained encounters with artists’ practices.” — Elisa Carollo, Observer @artsy @observer @friezeofficial @eliseperoi @rosalindtallmadge @anoushka @thearmoryshow @jenniferecarvalho #carvalhonewyork #thearmoryshow #rosalindtallmadge #eliseperoi #anoushkamirchandani
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Élise Peroi’s work, Herbiers (2025), was originally created for her exhibition at the Museo Sant Orsola in Florence (2025 to 2026) 🌱   Museo Sant Orsola’s exhibition, The Rose that Grew from Concrete, explored fragile resilience and the quiet promise of rebirth within ruin, tracing a shared story where the past serves as the seed of all renewal.   Through intricately woven constructions, Peroi’s practice situates itself within the expanded field of contemporary textile art, combining painting, craft, and architectural traditions. Peroi’s commitment to handcraft is central to her prac-tice. She approaches weaving not simply as a technique but as a performative, durational act. After an almost surgical cutting of the painted fabrics into irregular ribbons, Peroi weaves and builds her textiles, sometimes hanging, sometimes tied into wooden armatures. These strands become gestures suspended in time, ech-oing the artist’s interest in fragility and impermanence.   Élise Peroi Herbiers, 2025 silk, gouache, linen, maple 67 x 55 x 6 in. (170 x 140 x 15 cm)   @eliseperoi @carvalhonewyork   📷 Peroi captured by Claudio Ripalti, courtesy of Museo Sant Orsola, Florence   #eliseperoi #textileart #fiberart #carvalhonewyork #contemporaryart
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The finished work only tells part of the story. At The Armory Show, we were drawn to practices where the making carries its own ideas, histories and intentions, from inherited techniques reimagined in new contexts to familiar materials dismantled, distorted and reconstructed. 💌 If you want to learn more on all 10 artists, head to the link in bio and subscribe to Culture Makes’ newsletter while you are there.
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Friends, I’m excited to share 𝔉𝔩𝔢𝔰𝔥 & 𝔖𝔱𝔬𝔫𝔢, the new exhibition I’ve curated at the home of my friend, the artist @brunhildebordeauxgroult Thirty-five works, encompassing painting, sculpture, photography, sound and light, by seventeen historical and contemporary artists. spanning almost two centuries, will live in her 1927 Art Deco residence for a month. 🍈🩶 20 October – 20 November 2026 Paris 16e By appointment only. Booking link in bio. See you in Paris 💋 Invitation designed by @itsart.studio
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XeniArtSpace is delighted to announce CHANNELLED, curated by Ksenia Kulbachevskaia and Maria Stocker. The exhibition brings together women artists across generations, cultures and artistic practices, exploring the idea of the artist as a channel — a conduit through which memory, personal experience, intuition, inner states and energy are transformed into visual and material form. Spanning painting, photography, textile, sculpture and installation, CHANNELLED creates a dialogue between art history and the present, revealing different ways in which lived experience can become art. CHANNELLED: Women in Art Across Centuries presents works by 17 artists: Olga de Amaral @olgadeamaral Lynne Drexler Teresa Solar Abboud @tere_solar Leiko Ikemura @studioleikoikemura Sabine Moritz @sabine_moritz_r Hayv Kahraman @hayvkahraman Emily Kraus @emily_kraus_ Pia Krajewski @piakrajewski Maro Gorky @longandryle Tracey Emin @traceyeminstudio Lydia Masterkova Leonor Fini @_leonorfini_ Inka Essenhigh @inkaessenhigh Konstantina Krikzoni @konstantina_krikzoni_studio Élise Peroi @eliseperoi Georg Wilson @georg.kitty Jess Allen @jessallenartist Opening on 18 September 2026 XeniArtSpace.com 28 October Ave 335 Limassol, Cyprus #CHANNELLED #XeniArtSpace
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It was a true pleasure to open “Tisser les imaginaires” yesterday at @fondation_thalie_ with the result of my recent residency in Arles. It was also an honor to be exhibiting with artist I admire and of who I was happy to discover their practice and engagement around the fiber and natural fibers. Caroline Achaintre, Amina Agueznay, Cathryn Boch, Ange Dakouo, Edith Dekyndt, Rosana Escobar, Sidival Fila, Max Funkat, Pauline Guerrier, Majd Abdel Hamid, Sheila Hicks, Ilanit Illouz, Eva Jospin, Asemahle Ntlonti, Junko Oki, Lucy Orta + Jorge Orta, Elise Peroi, Simone Pheulpin, Kustaa Saksi, Diana Scherer, Kiki Smith, Françoise Vanneraud, Georges Tony Stoll, Leo Orta. The project took place in the last 3 months with the idea to create object with materials from the region and inspired from traditional objets found in the regions museums. @aleor_design decided to help create an edition of lamps and chairs around techniques of willow and rattan wicker in which we also collected Provence’s invasive canne through Camargue. We worked in our studio in Seine-et-Marne together with my team composed this year of @migueldesousacardinho @penelopehugon @alixiabachy to which joined @paulinolz Eleni Matthews and @capucine.gromy for finals touches. I want to thanks @nathalie.guiot which carried the project and the gallery team @alexia_venot and @sienvandeneynde for the support along the project. Curators: Nathalie GUIOT et Alexia VENOT Production: Giulia Blasig et Sien Van den Eynde Art Handling: Rémi Bragard Production: Amandine Pravet Médiation: Maia Le Borgne de la Tour, Alexia Venot et Sien Van den Eynde Photos ©️ Say Who - Michaël Huard
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Venez découvrir les œuvres textiles de la Collection Thalie, réunies dans une nouvelle exposition à la Fondation Thalie à Arles. Présentées en dialogue avec les objets édités par @aleor_design , elles tissent une conversation sensible entre art contemporain, design et savoir-faire. À découvrir jusqu’au 31 juillet. 34 rue de l’Amphithéâtre, 13200 Arles Ouvert de 11h à 18h.
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For Élise Peroi, nature acts not as a subject, but as living material. 🌫️ Attrape-brouillard (p1-2) Inspired by Moroccan fog-collecting nets that alleviate water scarcity, the work captures and transforms fog through mesh weaving. Peroi creates sculptural devices that manipulate volume and light. Enhanced by silver leaf, the pieces evoke shimmering, moving water. Voids and transparency reveal “Sophora denudata”— a fog-absorbing yellow shrub central to her visual vocabulary. 📖 S’attarder en surface (p3-6) Borrowing from Calvino’s “Invisible Cities”, the series forms a personal textile cartography of seven fragmented works. Exploring presence through absence, Peroi uses void as both form and substance. Oxidizing silver leaf merges with Persian miniature-style florals, embodying the passage of time. Cut from a single hand-painted silk canvas and rewoven with linen threads, each piece layers like an archipelago to build a renewed visual landscape. - Pour Élise Peroi, la nature n’est pas un sujet, mais une matière vivante. 🌫️ Attrape-brouillard (p1-2) Inspiré des filets anti-sécheresse marocains, ce travail capte et transforme la brume par la technique de maillage. L’artiste conçoit des dispositifs jouant sur le volume et la lumière. La feuille d’argent renforce le mouvement d’une eau scintillante. Les vides et transparences révèlent le « Sophora denudata », arbuste jaune naturellement collecteur de brume. 📖 S’attarder en surface (p3-6) Inspiré des « Villes invisibles »de Calvino, l’ensemble forme une cartographie textile fragmentée en sept œuvres. La création explore la présence par l’absence, faisant du vide une forme à part entière. La feuille d’argent oxydée, aux teintes rougissantes, se mêle à des motifs floraux inspirés des miniatures persanes pour évoquer le temps. Issues d’une même toile de soie peinte, coupée et retissée au lin, les pièces se superposent en archipelagos, formant un paysage nouveau. @eliseperoi #ElisePeroi #LineeArt #ArtContemporain #ArtTextile #Installation
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