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Ever since 1880 our family has been all about paint & interior design. Or better yet: of color, matière, pigments, texture and smell.
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The challenge of this project was simple to describe and hard to do: so many colors, so many strong choices, and somehow it all had to feel calm. Soft blue blinds, deep green velvet curtains opening to the garden, burnt-orange kitchen wood, a Palladiana floor in fragments of marble. The worktop is a linear onyx, a deliberate contrast to the floor, because pairing marble with marble is one of those things that can so easily clash, and the linear pattern gives the eye somewhere quieter to land. Verner Panton shell pendants stretch into the high ceilings, with his wall lamps glowing beside them. I have a big love for wall lamps, they always find their way into my projects. Brushstroke walls layer the whole room in quiet depth, a detail I always love to add in the homes I design.
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