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Endwon Bsl

@end_won_bsl

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Hey! #We are hosting MOVIE NIGHT #1 on the first Saturday of November (07.11)! 🎬✨

It’s all about connecting, sharing good vibes, and celebrating dance culture as a community – and of course, entry is completely free! 💜

The first screening is open for Kids and teens to enjoy together with “BEAT STREET”:

🚪 Doors: 18:30
🎬 Start: 19:30
🎟️ Entry: FREE / GRATIS

After that, we continue with “CHECK YOUR BODY AT THE DOOR”:

🚪 Doors: 20:00
🎬 Start: 21:00
🎟️ Entry: FREE / GRATIS

📅 Saturday, 07.11
📍 Purple Park / Purple Lab

See you there! 👇💜

#PurplePark #PurpleLab #movienight

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🗣️Five years ago I drew three large canvases in one hour, in front of an audience, in the new building of the Office for Environment and Energy (Amt für Umwelt und Energie) in Basel. After each drawing I pulled the canvas up the lift shaft, until the performance space had turned into an exhibition. The office bought the installation. It was my first big sale.
Now I went back for the first time. It’s still hanging. And apparently it’s controversial in the building. I take that as a compliment.

📐The tools I drew with were built on the Vitruvian principle, sized to the distances between the body’s axes of rotation. Low Eyes & Loopholes grew out of the same method: from the whole body to the hands.

👉In November I’m releasing 27 works from the series. On the waitlist you get two days of access before the sale opens to everyone, and pay 20% less instead of 10%. Sign up for the waitlist: link in bio.
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🗣️Vor fünf Jahren habe ich vor Publikum in einer Stunde drei grosse Leinwände bezeichnet, im Neubau des Amts für Umwelt und Energie in Basel. Nach jeder Zeichnung habe ich die Leinwand im Liftschacht hochgezogen, bis aus dem Ort der Performance eine Ausstellung geworden war. Das Amt hat die Installation gekauft. Es war mein erster grosser Verkauf.
Jetzt war ich zum ersten Mal wieder dort. Sie hängt noch. Und im Gebäude ist sie offenbar umstritten. Ich nehme das als Kompliment.

📐Die Werkzeuge, mit denen ich gezeichnet habe, sind nach dem vitruvianischen Prinzip gebaut, so gross wie die Abstände zwischen den Drehachsen des Körpers. Aus derselben Methode ist Low Eyes & Loopholes entstanden: vom ganzen Körper zu den Händen.

👉Im November biete ich 27 Werke aus der Serie an. Auf der Warteliste hast du zwei Tage lang Zugang, bevor der Verkauf für alle öffnet, und zahlst 20 % weniger statt 10 %. Trag dich in die Warteliste ein: Link in der Bio.

Photos 2021 / Fotos 2021: @cedric.christopher.merkli · Hanging / Hängung: @krieg_metallbau.ch · Canvases sewn by / Leinwände genäht von @giunanichele · Architecture / Architektur: @jessenvollenweider

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🗣️In November I’m releasing 27 works from Low Eyes & Loopholes online, a selection from the series of 94 drawings from 2023. Each comes with the video of its making. Each work exists only once.

On the waitlist you get two days of access before the sale opens to everyone, and pay 20% less instead of 10%.
👉Sign up for the waitlist: link in bio.

📐The series started on the floor and went onto paper and into my hands. Last week in Malaga it went back into dance: I turned the rules behind the drawings into Breaking exercises for my crew @dasflavour. Same rules, different bodies.
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🗣️Im November biete ich 27 Werke aus Low Eyes & Loopholes online an, eine Auswahl aus der Serie von 94 Zeichnungen aus dem Jahr 2023. Zu jeder gehört das Video ihrer Entstehung. Jedes Werk gibt es nur einmal.
Auf der Warteliste hast du zwei Tage lang Zugang, bevor der Verkauf für alle öffnet, und zahlst 20 % weniger statt 10 %.

👉Trag dich in die Warteliste ein: Link in der Bio.
📐Die Serie begann am Boden und wanderte aufs Papier und in meine Hände. Letzte Woche in Malaga ging sie zurück in den Tanz: Ich habe die Regeln hinter den Zeichnungen in Breaking-Übungen für meine Crew @dasflavour übersetzt. Gleiche Regeln, verschiedene Körper.

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Groundwork with B-Boy Fuego @felip3fuego at St. Johann Bahnhof, Basel.

🏗️ At St. Johann Bahnhof, these concrete elements seem scaled to the body.Their distances, angles and levels relate surprisingly well to the proportions between joints and rotational points that play such an important role in Breaking.

⚖️ What became interesting was sharing weight with the architecture — using the sloped surfaces for support, redirecting momentum and moving between levels without treating the object simply as an obstacle.

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📦 Finally got one of these in my own hands.

A little over a year ago, I had the pleasure of creating the artwork for an EP by Basel death metal band LYSSA. Seeing parts of that drawing now translated into a really well-made screen print feels quite different from only seeing the files on a screen.

✍️ The cover was built around the main theme of the EP: intoxication, corruption and the different forces that can affect body, mind and soul.

⭕ The circular structure around the image became a kind of frame and crosshair, filled with fragments referring to those themes — violence, intoxication, despair, the snake, reaching hands — while each
section inside the circle illustrates one of the songs.

⚠️ For the T-shirt, LYSSA picked one specific part of that world: HANG, a track confronting racism through an intentionally brutal revenge narrative.

🖤 It’s also great to see how an image changes when it moves from an album cover onto clothing and becomes something that is actually worn.

📩 I’m open for commissioned album artwork and T-shirt designs. If you’re working on a record, band project or garment and think my visual language could fit it, feel free to get in touch.

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🍯Das Flavour @dasflavour and some @ab_crew ab_crew dancers pulled up at the 40 years youth center Alresheim Anniversary two weeks ago.

The three front rows where packed with kids, who screamed their little lungs out and where dancing until dawn after our show 😋

Lately we have lots of shows, stay tuned for more.

📥Send us a DM if interested.

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Meine Tanz Videos von fast einem Jahr so Crazy wie ich mich verbessert habe und viel bessere Kontrolle habe beim Tanzen
Danke an alle meine Friends für eure Unterstützung und Support

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🥊 One of my rounds in the top 8 in Sarajevo in July.

🧩Over the last few months I’ve been developing a lot of new moves — and lately battles have become one of the places where I test them. This round was the first time I brought this one (over the elbows) out.
There’s something very different about developing a move in practice and then putting it into a battle, where timing, pressure, music and the opponent immediately change how it works.

🔥 I’m enjoying that process a lot right now: create, test, adjust, and bring it back again.

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Groundwork with B-Boy Fuego @felip3fuego at St. Johann Bahnhof, Basel.

🏗️ At St. Johann Bahnhof, these concrete elements seem scaled to the body.Their distances, angles and levels relate surprisingly well to the proportions between joints and rotational points that play such an important role in Breaking.

⚖️ What became interesting was sharing weight with the architecture — using the sloped surfaces for support, redirecting momentum and moving between levels without treating the object simply as an obstacle.

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🖼️ For the past four months, THE LIVING LINE was on view at FOR ART @littmann_kulturprojekte

Two weeks agl, the exhibition came to an end, and I’m looking back with a lot of gratitude.

🙏 And thank you Klaus and Laila @littmann_kulturprojekte for the opportunity, the trust and the kindness throughout our collaboration.

🫂 Thank you @end_won_bsl for your blind trust, full support, deeply fresh dancing and all the inspiration that comes with it.

🤍 Thank you @baby_please_i_wonder for the wonderful texts and your ongoing support in preparing, spreading and evolving the performance.

📷 Thank you brudi @chez___paris for the photographs and your ongoing, unconditional love and support.

👀 THE LIVING LINE continues. Follow along here, or subscribe to my Studio Updates via the link in bio for future exhibitions, performances and CITY DROPS.

🙏 @dastanzfestbasel for making the introduction, funding and communicating our two performances.

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AREAL FESTIVAL 💥🌈🙌
Diesen Freitag & Samstag - komm vorbei!

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Throwback to @cypherforgaza in April with @dasflavour .

🎴 For most of my dancing-life I felt like something is holding me back in battles.
But recently I am able to immerse myself In the moment, be grounded and enjoy every ounce of it.

🌱 A major reason for this shift is DAS FLAVOUR! In the last years we’ve grown so much together.

🚀 I see this battle as a milestone when it comes to transmitting that connection, hunger, fun and shared vision onto the dancefloor in a competitively setting.

👀 Except for one round I felt amazing when I danced – which is a pretty new experience for me during battles.

#battledance#studiotimoparis#danceandart#freestyledance

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