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evoXS
Official Record Label to @mrbig_music 🎩 🎸
Get Out Of My Yard (20th Anniversary Edition) COMING SOON
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We are going to the @recordplanet Mega Record & CD Fair this November - the largest record fair of the world!! We are bringing out new and hard-to-find releases from Chesky Records, evosound, evoXS, and more. Including 180g One-step Pressing Vinyl LPs, 7’ Singles Box Set, SACDs, and our premium record sleeves. Get your tickets now at www.recordplanet.nl and come say hi to us at stall 762! #recordfair
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DEF LEPPARD – DIAMOND STAR HEROES: LIVE FROM SHEFFIELD SACD Edition Reviews 今回、このSACDについてレーベルから非常に興味深い説明を聞きました。 Front Row Center SACD Seriesでは追加のリマスタリングは行われておらず、オリジナルBlu-rayのマルチトラックを使用しているとのこと。 しかもマルチチャンネルは、後から作られた疑似サラウンドではなく、本物のディスクリート・マルチチャンネル・ミックス。 経験豊富なエンジニアによって制作されたオリジナルのマルチトラック・ミックスを、そのまま活かしているそうです。 だからこそ、今回の比較はさらに興味深いものになりました。 追加リマスターなし。 同じオリジナルBlu-rayマルチトラック由来。 それでも、なぜ私のシステムではSACDの方がこれほど違って聴こえたのか？ 🔊 CD / Blu-ray Audio 正直に言うと、既存のCDとBlu-ray Audioの音には以前から不満がありました。 私だけの印象ではなく、他のレビューでも音質に対する同様の指摘が見られます。 特にベースは輪郭が曖昧で、ぼやけた印象。その影響で低域全体が膨らみ、バンドサウンドが一つの塊のように聴こえる場面がありました。 2本のギターも十分に分離されず、どちらのギターなのか追いにくい部分がある。 Joe Elliottのボーカルも完全に埋もれているわけではありませんが、ぼやけた低域によって輪郭が覆われ、聴き取りにくく感じる瞬間がありました。 正直、時にはオフィシャル・リリースというより、ブートレグを聴いているような感覚になることさえありました。 ✨ SACD 今回のSACDでは、その違いが私には非常に明確でした。 低域はよりタイトで、ベースの輪郭も明瞭。CD／Blu-ray Audioで感じていたもっさり感が大幅に減り、バンド全体のサウンドがよりクリアになっています。 その結果、Joe Elliottのボーカルも全編を通して明瞭に浮かび上がり、2本のギターもそれぞれ独立した楽器として、はるかに追いやすくなりました。 🎯 MULTICHANNEL バンドがメインになる場面では、まるで会場の最前列ど真ん中にいるような感覚。 ボーカルはセンターに明確に定位し、左右のギターもリアルに分離されています。 ただ、観客の歓声や会場のアンビエンスが強調されると、まるで最前列から突然、会場のど真ん中へ移動したような感覚になることも。 会場のスケール感は増しますが、バンドの鮮明さに比べると、観客音や残響には少し柔らかさが残ります。 🎵 PURE AUDIO そして個人的に最も満足度が高かったのは、Pure Audio / Stereo。 サラウンドの空間演出を意識することなく、今回感じた改善点をそのまま楽しめます。 低域はタイト。 ボーカルは明瞭。 ギターは分離されている。 そして、音量を上げてもバランスが崩れない。 マルチチャンネルは、より「会場」を体験させてくれる。 Pure Audioは、より直接的に「バンド」を体験させてくれる。 私にとっては、後者の方がより自然でリアルに感じられました。 ❓ SO WHY DOES IT SOUND DIFFERENT? レーベル自身も、追加リマスターを行っていない以上、なぜBlu-ray版とここまで違って聴こえるのかは明確には分からないとのこと。 同じソースでも、SACDフォーマットがより多くのディテールや分離感を引き出しているのかもしれません。 もちろん、これは私自身の再生システムと試聴環境に基づく個人的な感想です。 しかし、追加リマスターなしという事実を知ったことで、この比較はむしろさらに興味深くなりました。 そして同時に、最初からライブを本物のディスクリート・マルチチャンネルとして記録してきたレコードレーベル、バンド、そしてエンジニアへの敬意も、より一層深まりました。 そして今では、Diamond Star Heroes: Live From Sheffieldを聴く上で、個人的に最も満足度の高いバージョンになっています。 @defleppard @evo88official @evoxsnet
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Mr. Big - Big, Bigger, Biggest! The Best Of Mr. Big (30th Anniversary Edition) Release Date: 6th November, 2026 Celebrating its 30th anniversary in 2026, Mr. Big’s million-selling compilation album, Big, Bigger, Biggest! The Best Of Mr. Big, finally makes its long-awaited debut on vinyl, SACD and MQA-CD+CD. Spanning the band’s most successful era, the collection includes global hits like "To Be With You," "Wild World," and "Just Take My Heart," alongside the high-energy tracks that cemented their reputation for world-class musicianship. Upon its original release, the compilation was a massive commercial success, moving over a million units and achieving Multi-Platinum and Gold sales status across multiple territories. This special edition features a silent Side D with an exclusive custom etching based on original sketch designs by Paul Gilbert himself—a feature exclusive to this vinyl reissue. @evoxsnet @evo88official @mrbig_music @billysheehanonbass @paulgilbert_official
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Paul Gilbert / Get Out Of My Yard 20th Anniversary Edition Title: Get Out Of My Yard Artist: Paul Gilbert Genre: Rock Label: evoXS Release Date: 16th October, 2026 Configuration:180g One-step Pressing Yellow Vinyl LP UPC: 4895241457432 Selection Number: EVLP133Y Configuration: CD UPC: 4895241462238 Selection Number: EVSA4234 20th Anniversary Edition will be reissued on 180g One-Step Pressing Yellow Vinyl LP and CD, featuring previously unreleased live recordings. Both formats include new liner notes. LP SIDE ONE Get Out Of My Yard Hurry Up The Curse Of Castle Dragon Radiator Straight Through The Telephone Pole LP SIDE TWO Twelve Twelve Rusty Old Boat The Echo Song Haydn Symphony No.88 Finale CD Get Out Of My Yard Hurry Up The Curse Of Castle Dragon Radiator Straight Through The Telephone Pole Marine Layer Twelve Twelve Rusty Old Boat The Echo Song Full Tank My Teeth Are A Drumset Haydn Symphony No.88 Finale Three E's For Edward You Kids Bonus Tracks 15. Hurry Up - Studio Live Version 16. Get Out of My Yard - Live at G3 Tour 2007 17. Hurry Up - Live at G3 Tour 2007 18. The Curse of Castle Dragon - Live at G3 Tour 2007 @paulgilbert_official @evoxsnet @evo88official @mrbig_music
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Happy 2nd Anniversary to Mr. Big’s 10th album “TEN”! Released on July 12, 2024. 💿✨ This album was born during The BIG Finish tour when the members decided, “Let’s make one more record.” It is the only studio album without Pat, but thanks to Nick, they were able to complete it and gave us the Farewell tour. The artwork says it all: 10 fingers for the 10th album, the world map on the hands for the bond with fans around the globe, and the stormy sky for the strength born from overcoming deep loss. While the whole album has a gritty, bluesy roots feel, two tracks stand out with a different kind of magic for me. “As Good As It Gets” (written by Paul) is a refreshing pop-rock tune that feels like a cool summer breeze and sparkling water. It’s a bright, happy love song celebrating the feeling that “It’s as good as it gets!”, full of the pure joy of the band releasing new music. On the other hand, the album’s closing track “The Frame” (written by Eric)takes us into deep sorrow. Eric described it as the dark version of “To Be With You.” This acoustic ballad was born from the raw sorrow of his real life. It captures the painful loneliness of a man who no longer fits in the frame, yet the beautiful melody and lyrics resonate quietly and deeply. When it was released in July 2024, our Japanese tour had already ended in 2023, so I thought we would never hear these songs live. But a miracle happened. They returned to Japan in February 2025 for special extra shows, and I was blessed to hear “Good Luck Trying” and “Up On You” live. It was an unforgettable night 🇯🇵 🎸 And above all, getting to hear the beautiful, emotional “The Frame” live at Eric’s solo show was a moment I’ll never forget🎤 This album has a more natural, mature feel compared to their younger days. While many people love “Lean Into It” the most, I also really appreciate this different side that comes with time and experience. Two years later, this music and the bond with Mr. Big still shine vividly in my heart. Thank you for the music ❤️🙏 🎨 Designed this around the TEN cover. #MrBig #EricMartin #PaulGilbert #BillySheehan #NickDVirgilio
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🎸 Mr. Big – Hey Man (1996 / First Time on Vinyl – 2026) Uno dei dischi più sottovalutati della carriera dei Mr. Big. Pubblicato nel 1996, Hey Man arrivò in un periodo difficile per l’hard rock melodico, ma la band rispose con un album maturo, tecnico e ricco di grandi canzoni. Brani come Take Cover, Goin’ Where The Wind Blows e Where Do I Fit In? mostrano un gruppo all’apice delle proprie capacità compositive, con l’inconfondibile voce di Eric Martin, il basso funambolico di Billy Sheehan e la chitarra straordinaria di Paul Gilbert. 💿 Questa edizione del 2026 è particolarmente speciale: rappresenta la prima pubblicazione ufficiale dell’album in vinile, realizzata per il 30° anniversario. Stampata su splendido vinile Deep Cyan/Turchese da 180 grammi, con processo One-Step Pressing, è limitata a 3.000 copie numerate in tutto il mondo, diventando immediatamente un pezzo molto ambito dai collezionisti. 🔥 Curiosità: Hey Man fu un autentico fenomeno in Giappone, rimanendo per ben 16 settimane nelle classifiche Oricon, e rappresentò anche l’ultimo album in studio dei Mr. Big con Paul Gilbert prima della reunion avvenuta anni dopo. Personalmente sono felicissimo di aver aggiunto questa edizione alla collezione: per trent’anni Hey Man è rimasto uno dei grandi assenti sugli scaffali dei collezionisti di hard rock, e finalmente può girare sul piatto nel formato che meritava fin dall’inizio. 🤘💙 #MrBig #HeyMan #PaulGilbert #BillySheehan #EricMartin
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Celebrating the anniversary of Mr. Big's 9th studio album, “Defying Gravity,” released in Japan on June 21, 2017! 🐘 💿 🔥 This album holds a very special place in my heart as it was the final studio album with our beloved original drummer, Pat Torpey. Even though he wasn't able to play on every track, his spirit and presence can be felt beautifully throughout the entire record ❤️ Last year around this time, I was listening to “1992” and feeling so emotional thinking about the final tour. But right now, I'm completely in the mood for “Everybody Needs A Little Trouble”! The gritty blues-rock riffs and Eric's edgy, raw vocals are pure rock n' roll perfection. The lyrics are also incredible, capturing that wild spirit that makes you feel truly alive. What I find really fascinating about this album is the transition from “Damn I'm In Love Again” to “Mean To Me.” Both are songs about falling in love, but the contrast is amazing! 👏 “Damn I'm In Love Again” is so bright and sweet, while “Mean To Me” hits you with an infectious, gritty groove and that awesome middle jam section. Eric's vocal performance completely changes between the two. He goes from a youthful, happy tone to a helpless, soulful vibe. Comparing his singing styles on these back-to-back tracks is so much fun! The band's performance on “Mean To Me” is also spectacular. Paul's guitar work is incredibly tight and bluesy, and Billy's bass lines just dance and sing throughout the song. You can really feel the raw energy and pure joy of the members jamming together in the studio. And of course, Billy's “Forever And Back” is another masterpiece. The moment Eric's emotional voice kicks in, it becomes pure Mr. Big with that signature beautiful chorus. It is truly amazing how they captured this organic energy in just 6 intense days in the studio. The band's chemistry shines through every single track. This album still rocks so hard! ⚡ #MrBig #EricMartin #PaulGilbert #BillySheehan #PatTorpey MattStarr Photo shared by epice on June 21, 2026 tagging @billysheehanonbass, @paulgilbert_official, @evoxsnet, @iamericmartin, and @mrbig_music. ポスター、雑誌、、「MR.IL MR BIG យ era O ١ Deijing DefyingGrauity Grauity 9TH ALBUM Defying Granty 06-21-2017 2017 DEFYINGTHELIMITS, THE DEFYING LIMITS, KEEPING THE GROOVE ALIVE」というテキストの画像のようです.
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MR.BIG / Hey Man 30th Anniversary Edition 2026 Remaster Review This remaster preserves the dark and melodic atmosphere of the original album while improving the overall clarity and instrument separation. On tracks like “Take Cover,” the rhythm section sounds more defined, allowing Pat Torpey’s drumming and Billy Sheehan’s bass lines to stand out with greater depth. “Goin’ Where The Wind Blows” also benefits from clearer vocal definition, bringing out the song’s emotional and cinematic feel even more effectively. At the same time, some longtime fans who prefer the softer and more natural sound of the original CD may find this version slightly more modern in terms of loudness and polish. The bonus material has received especially strong praise. “Friend Of The Working Girl,” long considered a hidden gem among fans, is finally given an official release and feels worthy of being part of the original album itself. “Livin’ Like A Dog” delivers a rawer hard rock energy, highlighted by Paul Gilbert’s impressive guitar work. Rare tracks such as “Tears” and “Little Mistake” also help complete the picture of MR.BIG’s later-era sound and songwriting. “I Love You Japan (demo version)” offers a more intimate and unpolished performance, while the three live tracks capture the band’s energy during this era extremely well. In addition, the inclusion of the “Take Cover” drum-only and minus-drum versions has been highly appreciated by dedicated fans, giving listeners a closer look at Pat Torpey’s detailed playing style. More than just a typical anniversary reissue, this release successfully reintroduces the strengths of Hey Man. The bonus disc in particular makes this edition especially rewarding for longtime fans. ⁡ iamericmartin @billysheehanonbass @paulgilbert_official @mrbig_music @evoxsnet
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MR.BIG / Hey Man 30th Anniversary Edition 2026 Remaster Review オリジナル盤の持つダークでメロウな空気感を残しつつ、全体の分離感と解像度を向上させたリマスター。特に「Take Cover」ではリズム隊の抜けが良くなり、Pat TorpeyのドラムとBilly Sheehanのベースラインがより立体的に聴こえる。「Goin’ Where The Wind Blows」もボーカルの輪郭がクリアになり、楽曲本来の哀愁やスケール感が際立つ仕上がり。一方で、オリジナルCD特有の柔らかく自然な質感を好むファンからは、やや現代的な音圧感を感じるという声もあるかも。 今回特に嬉しいのは追加収録音源。 「Friend Of The Working Girl」は“隠れた名曲”として以前から人気が高かった楽曲で、正式収録を歓迎する声が多いことでしょう。「Livin’ Like A Dog」は荒々しいロック感が強く、Paul Gilbertのギターも非常に印象的。「Tears」や「Little Mistake」といったレア曲も、当時のMR.BIG後期の空気感を補完する貴重な内容となっていますね。 さらに、「I Love You Japan (demo version)」ではデモならではの生々しさを楽しめるほか、ライブ音源3曲はこの時期のバンドの熱量を感じられる内容。加えて「Take Cover」のドラムトラック単体／マイナスドラム版まで収録されており、Pat Torpeyのプレイを細かく聴き込める点もコアファンから高く評価されることでしょう！ 単なる周年再発ではなく、『Hey Man』というアルバムの魅力を改めて掘り下げた充実作。特にボーナスディスクは、長年のファンほど価値を感じられる内容になっています。 ⁡ iamericmartin @billysheehanonbass @paulgilbert_official @mrbig_music @evoxsnet
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In Japan, June 9th (6/9) is celebrated as “Rock'n'Roll Day” because the numbers 6 (Ro) and 9 (Ku) sound like “Rock”! 🇯🇵🤘 I’m so happy I was able to get this special “Hey Man 30th Edition” on that exact day! 💿✨ June in Japan is the rainy season (Tsuyu), and this heavy, misty weather actually feels like the perfect backdrop for the album. The tracks are filled with heavy themes woven into such mellow melodies, and they somehow sound even more beautiful and deeply emotional in the rain 🌧️💜 This ultimate MQA-CD 2-disc edition features all the original 1996 bonus tracks with the latest mastering, plus precious rare tracks like the "I Love You Japan" demo. I'm especially happy that it also includes the live version from the Budokan show. It feels like the atmosphere from that legendary night is packed right into the CD. Listening to it now brings back so many incredible memories from Eric’s live show at Chicken George on May 14th. I was pleasantly surprised by how much I loved “Where Do I Fit In?” this time. To be honest, it hadn't really clicked with me before, even when it was played at The BIG Finish Live. But hearing it in that small venue was completely different. Eric's energy and groove came through so directly! Also, “Shoot The Moon” (originally the Japan-exclusive coupling track for Take Cover) has become my absolute favorite after hearing it live! The lyrics and melody, combined with his voice, really make me feel like “Live life to the fullest right now!” It pushes me forward every time. I truly feel this album lets us enjoy so many different shades and dimensions of Eric’s incredible voice. And the powerful playing still sounds as fresh as ever, even after 30 years 🎤🎸✨️ #HeyMan30th #EricMartin #MrBig #RocknRollDay #HeyMan
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This looks like a scene from 1996, but it's actually Japan in 2026! 🇯🇵 ✨️ The “Hey Man 30th Anniversary Edition” is finally lining the shelves in stores! After all the delays, seeing it in real life made me so happy. The big blue promotional sign really caught my eye. It proudly declares: “A masterpiece that continues to be highly supported as a rock album of outstanding quality even today!” And right below it: “The 30th anniversary edition of the 4th studio album by Mr. Big, the rock band that continues to be loved in Japan, has arrived!” Still can't believe we're celebrating this timeless masterpiece 30 years later. The powerful playing and Eric's beautiful voice still sound as fresh as ever. It really stands the test of time 🎤🎸 ❤ #HeyMan30th #EricMartin #MrBig #RocknRollDay #HeyMan
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Yeah I got the Billy shirt too! #vinyl
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