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exonemo

@exonemo

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exonemo
@yaexonemo @sembo.exonemo
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- 포럼, 「truly see you」 기계가 몸을 얻은 시대, 우리는 서로에게, 그리고 기계에게 무엇으로 응답하고 있을까요? 데이터로 분류되어 묶이는 '집계된 우리'와 서로의 말과 움직임에 응답하며 만들어지는 '마주보는 우리'. 포럼 「truly see you」는 이 두 '우리'가 어떻게 다른지 묻습니다. 여럿이 함께 지은 업이 공동의 세계를 이룬다는 불교의 공업(共業)은, 기계가 함께하는 지금, 우리가 맺는 관계를 다시 생각해 볼 하나의 단서가 됩니다. 로봇공학자, 예술가, 연구자 등 서로 다른 자리에서 관계를 다뤄 온 이들과 함께 이 질문을 나눠 보세요. - ✨ 포럼 | 𝘵𝘳𝘶𝘭𝘺 𝘴𝘦𝘦 𝘺𝘰𝘶 📅 2026. 11. 05. (목) 14:00 📍 정동1928 아트센터(서울시 중구 덕수궁길 130) • 참가비 무료 (선착순 200명) • 신청 링크: 프로필 링크 참조(구글 폼) #CollectiveKarmaWhoIsWe #trulyseeyou #TheDanceOfKarma #정동1928아트센터 #아트센터나비 Forum, 𝘵𝘳𝘶𝘭𝘺 𝘴𝘦𝘦 𝘺𝘰𝘶 In an era when machines have gained bodies, what do we respond with, to one another and to the machines before us? The “aggregated we,” sorted and bound together as data. The “we facing each other,” formed as we respond to each other’s words and movements. The forum 𝘵𝘳𝘶𝘭𝘺 𝘴𝘦𝘦 𝘺𝘰𝘶 asks how these two “we” differ. Collective Karma(共業, Gong-eop), is the Buddhist idea that karma created together by many shapes a shared world. Now that machines are among us, it offers one clue for rethinking the relationships we build. Join roboticists, artists, researchers, and others who have engaged with relationships from different positions, and explore this question together. ✨ Forum | 𝘵𝘳𝘶𝘭𝘺 𝘴𝘦𝘦 𝘺𝘰𝘶 📅 Nov 5 (THU), 2026 | 14:00 📍 Jeongdong1928 Art Center • Free Admission (Capacity: 200) • Registration: Link in bio (Google Form)
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2026 한중일 문화교류의 해 융합예술 교류사업 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 𝗞𝗮𝗿𝗺𝗮: 𝗪𝗵𝗼 𝗶𝘀 ‘𝗪𝗲’? 피지컬 AI 시대, ‘나’와 ‘너’가 만나 ‘우리’가 되는 관계의 조건은 어떻게 바뀌고 있을까요? 기계도 과연 인간과 함께 ‘우리’라 불릴 수 있을까요? 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 𝗞𝗮𝗿𝗺𝗮: 𝗪𝗵𝗼 𝗶𝘀 ‘𝗪𝗲’? 프로젝트는 이 질문의 실마리를 불교의 ‘업(Karma)’과 ‘공업(Collective Karma)’ 으로 풀어갑니다. 한중일을 비롯한 여러 국가의 전문가, 연구가, 관객 그리고 예술가들이 한자리에 모여 서로를 마주합니다. 기계와 인간이 함께 짓는 관계와 새로운 ‘우리’의 의미를 찾는 여정에 여러분을 초대합니다. ✨ 포럼 | ｢𝘁𝗿𝘂𝗹𝘆 𝘀𝗲𝗲 𝘆𝗼𝘂｣ 📅 2026. 11. 05.(목) 14:00 📍 정동 1928 아트센터 • 참가비 무료(200명) • 신청 링크: 프로필 링크 참조(구글 폼) • 선착순 100명에게는 소정의 선물을 드려요 ✨ 전시 | 《𝗧𝗵𝗲 𝗗𝗮𝗻𝗰𝗲 𝗼𝗳 𝗞𝗮𝗿𝗺𝗮: 𝗪𝗲𝗮𝘃𝗶𝗻𝗴 𝗮 𝗡𝗲𝘄 𝗪𝗲》 📅 2026. 11. 06.(금) – 12. 12.(토) 📍 아트센터 나비 • 10:00 – 18:00(월, 일요일 휴무) #CollectiveKarmaWhoIsWe #TrulySeeYou #TheDanceOfKarma #정동1928아트센터 #아트센터나비 Korea–China–Japan Year of Cultural Exchange 2026 | Art&Tech Project 🇰🇷🇨🇳🇯🇵 𝑪𝒐𝒍𝒍𝒆𝒄𝒕𝒊𝒗𝒆 𝑲𝒂𝒓𝒎𝒂: 𝑾𝒉𝒐 𝒊𝒔 ‘𝑾𝒆’? In the era of Physical AI, how do 'You’ and 'I' become 'We’? Can machines truly be included in our definition of ‘We’ with humans? 𝑪𝒐𝒍𝒍𝒆𝒄𝒕𝒊𝒗𝒆 𝑲𝒂𝒓𝒎𝒂: 𝑾𝒉𝒐 𝒊𝒔 ‘𝑾𝒆’? project examines these questions through the Buddhist concepts of ‘Karma’ and ‘Collective Karma’. Experts, audiences, and artists from Korea, China, Japan, and beyond will gather to form a new 'We'. Join us to experience how humans and intelligent machines build new relationships and redefine what it means to be 'We‘. ✨ Forum | 𝒕𝒓𝒖𝒍𝒚 𝒔𝒆𝒆 𝒚𝒐𝒖 📅 Nov 5 (Thu), 2026 | 14:00 📍 Jeongdong 1928 Art Center • Free Admission (Capacity: 200) • Registration: Link in bio (Google Form) • Special gifts for the first 100 attendees ✨ Exhibition | 𝑻𝒉𝒆 𝑫𝒂𝒏𝒄𝒆 𝒐𝒇 𝑲𝒂𝒓𝒎𝒂: 𝑾𝒆𝒂𝒗𝒊𝒏𝒈 𝒂 𝑵𝒆𝒘 𝑾𝒆 📅 Nov 6 (Fri) – Dec 12 (Sat), 2026 📍 Art Center Nabi • 10:00 – 18:00 (Closed Mon & Sun) -
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- 전시, 《The Dance of Karma: Weaving a New We》 우리는 지금, 어떤 ‘우리’를 짜 나가고 있을까요? 몸을 가진 기계가 우리 곁에 들어온 시대. 이제 기계와의 관계는 선택이 아니라 조건이 되었습니다. 전시 《The Dance of Karma: Weaving a New We》는 업(業)의 관점에서, 인간과 비인간이 서로에게 남긴 흔적이 쌓이고 겹쳐 공동의 세계를 이루는 과정을 들여다봅니다. 데니스 원서 홍, 엑소네모, 가오 펑, 신교명, 쉬 야민. 다섯 작가의 작업 사이에서 관람객 또한 감지되고 기록되며 이 관계의 일부가 됩니다. 춤처럼 서로의 움직임이 서로의 조건이 되는 곳, 지금도 짜이고 있는 새로운 ‘우리’를 만나보세요. 📅 2026. 11. 6.(금) – 12. 12.(토) 📍 아트센터 나비 (서울 종로구 율곡로1길 37) — Exhibition, 𝘛𝘩𝘦 𝘋𝘢𝘯𝘤𝘦 𝘰𝘧 𝘒𝘢𝘳𝘮𝘢: 𝘞𝘦𝘢𝘷𝘪𝘯𝘨 𝘢 𝘕𝘦𝘸 𝘞𝘦 What kind of “we” are we weaving now? As machines with bodies enter our lives, relationships are no longer a choice but a condition. Through the lens of karma (業), 𝘛𝘩𝘦 𝘋𝘢𝘯𝘤𝘦 𝘰𝘧 𝘒𝘢𝘳𝘮𝘢: 𝘞𝘦𝘢𝘷𝘪𝘯𝘨 𝘢 𝘕𝘦𝘸 𝘞𝘦 explores how the traces humans and nonhumans leave on one another accumulate into a shared world. With Dennis Wonsuh Hong, Feng Gao, exonemo, Gyomyung Shin, and Yamin Xu. Step in, be sensed, and become part of a new “we” still in the making. 📅 Nov 6 – Dec 12, 2026 📍 Art Center Nabi, Seoul #TheDanceOfKarmaWeavingANewWe #CollectiveKarma #아트센터나비 #ArtCenterNabi #exhibition -
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Sculpture Terminal 2026 exonemo @exonemo A rock hangs above a computer. Below it, the machine works tirelessly to crack its own code, testing number after number, trying to solve the very puzzle that keeps it alive. Get it wrong, and it lives to try again. Get it right, and the rock falls, crushing it instantly. In their new exhibition, Terminal, @exonemo gives us a machine we can’t help but care about, working alone in the dark, racing toward an answer that might destroy it. It’s a small, strange stand-in for how we live with our own devices now: trusting them, leaning on them, and quietly hoping they make it through. NowHere 40 Lispenard St, Tribeca Sept 10 - Nov 7 2026 Reposted via @nowhere_newyork 🙏 #contemporarysculpture #sculpturalassemblage #xs_as_form #mixedmedia #sculptureinstallation
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Look to the left of the computer. That thin wire runs down into the water. It reads the tiny electrical signals in the pool and feeds them into the machine’s code. Every footstep, every ripple, every shift in the air that moves across the water changes what the computer is working with. Just standing in the room makes you part of the work. The computer has one job: crack its code. If it does, a saw cuts the rope and the boulder drops. Terminal by @exonemo. 12 days left to see it Closing Saturday, November 7. 📍 NowHere, 40 Lispenard Street, Tribeca
Open Tuesday–Saturday
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巨大画面越しに誰かとキスをする体験、エキソニモ『Kiss, or Dual Monitors 2026』 @exonemo 。恵比寿ガーデンプレイスに聳え立つLEDウォールに、2人の顔が向かい合って表示される作品でした。撮影ブースも設けられ、来場者は自身の顔で参加することができました。情報時代のコミュニケーションをテーマにした、印象深い体験でした。 恵比寿ガーデンプレイスにて(2026年3月)。 #エキソニモ #KissorDualMonitors #恵比寿ガーデンプレイス #メディアアート #newmediaart The experience of kissing someone through a giant screen: exonemo's 'Kiss, or Dual Monitors 2026'. Two faces were displayed facing each other on an LED wall towering over Yebisu Garden Place. A photo booth was also set up, so visitors could take part with their own faces. It was a memorable experience themed around communication in the information age. At Yebisu Garden Place (March 2026).
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"Twilight"＠con_tokyo_ 👉"An Exhibition of Auto-Destructive Art"@neort_2 "30 FACES 2026"@reijinsha_g 👉"MAREBITO"@27_gallery_tokyo 👉"100hours Curry Mazesoba"@menya_hululu #tokyoart #ramennoodles
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Sculpture The Terminal 2026 Exonemo @exonemo Photos by Naho Kubota A cord runs into the pool of water at the base of the installation, reading its electrical signals. As you move through the space, your footsteps and the air around you send ripples across the surface, and those ripples shape what the work does next. Above it all, a saw blade sits beside the rope holding a suspended boulder, so the work carries the possibility of its own destruction. Simply by being there, you become part of it. Where it goes from there is left to chance. On view through November 7 at NowHere, 40 Lispenard Street, Tribeca Reposted via @nowhere_newyork 🙏 #contemporarysculpture #sculpturalassemblage #xs_as_form #mixedmedia #sculptureinstallation
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‘metaverse petshop’, by @exonemo, 2022
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#NEORT ++での「#自己破壊芸術展」トークイベントへ。 千房けん輔氏、荒川零一氏、Toshi氏の三者三様の自己破壊の見解から都市との関連性、また数多な視点からの来場者の質問に、アートと対話の密接さを感じた夜。 今秋の芸術の充実さを否めない。 https://two.neort.io/ja/exhibitions/auto_destructive_art
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Please join us for the opening reception of “World Builders,” an exhibition that asks what does smart technology overlook about the human experience? The reception will take place on October 24 at 5pm in ArtsWestchester’s gallery (31 Mamaroneck Ave, White Plains). “World Builders” brings together 15 artists who explore the expanding influence of artificial intelligence and emerging technologies on the body and human connection. Rather than treating technology as a distant force, they reveal it as something felt: a presence that touches, shapes and reimagines how we experience everyday life, both physically and emotionally. Also on view: “Josué Morales Urbina | Pericón: A Cure for All Ailments,” the latest Janet Langsam Vault Project installation. Exhibition dates: October 17- January 17 More info at the link in bio. #westchesterny #artswestchester #artinwestchester
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Seven artists reconsidering Auto-Destructive Art for soon's decentralized computing environments. exonemo (@exonemo) has been working online since 1996. Akihiro Kubota teaches in the Art & Media course at Tama Art University, and Zeroichi Arakawa (@zeroichiarakawa) is currently pursuing a PhD at IAMAS. Second show here for exonemo this year, after The Last Acres of the Internet. An Exhibition of Auto-Destructive Art Zeroichi Arakawa (@zeroichiarakawa) · exonemo (@exonemo) · Akihiro Kubota · 0xDEAFBEEF (@_deafbeef) · 0xfff · Toshi (@toshiaki.takase) · Jonah Brucker-Cohen (@jonahbruckercohen) 📍 NEORT++ (@neort_2) maruka 3F, 2-2-14 Nihonbashi-Bakurocho, Chuo-ku Oct 2 – Oct 18, 2026 ・・・ 自己破壊芸術を、soonの分散型コンピューティング環境のために再考する7人のアーティストによる展示です。 エキソニモ(@exonemo)は1996年からオンラインで活動しています。久保田 晃弘は多摩美術大学アート&メディア専攻で教えており、荒川零一(@zeroichiarakawa)は現在IAMASで博士課程に在籍しています。エクソネモにとっては、『The Last Acres of the Internet』に続く今年2回目の展示です。 自己破壊芸術展 荒川零一 · エキソニモ· 久保田 晃弘 · 0xDEAFBEEF · 0xfff · Toshi #tokyoart #tokyogallery #arttokyoweekend #japanart #tokyoartscene #contemporaryartjapan #neort #zeroichiarakawa
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