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Faber Lorne #artist #painting #sculpture

@faberlorne

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All rights reserved. All Artworks Copyright Faber Lorne © 2025
Founder of @edifice_brussels & @plastikbamp
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Early June, aka Welcome 45 1. Opening at Wiels @wiels_brussels 2. Ruina.ae @edifice_brussels @faberlorne 3. Léon Spilliaert @patrickderomgallery 4. Morning at @julianahotelbrussels 5. Self vitre & expo by @greatstair 6. Mimi et son coussin fav @delphine.denereaz 💝
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✨☀️🫰🏽
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Jules At @edifice_brussels @le_bamp - juin 2026.
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RUINA Æ continues until July 3, 2026. If you haven’t had the chance to visit the exhibition yet, there is still time to discover FABER’s universe at Galerie Édifice. The Fragment Store remains open, offering visitors the opportunity to acquire a piece of this artistic journey. Several works presented during the opening night are still available. We welcome you until July 3, 2026, to experience the exhibition and explore its unique atmosphere. Galerie Édifice
Exhibition on view until July 3, 2026 Opening hours: 
Wednesday to Saturday, from 12:00 PM to 8:00 PM
 Thursday by appointment We look forward to welcoming you and sharing the world of RUINA Æ with you. #RUINAAE #FABER #GalerieEdifice #ContemporaryArt #ArtExhibition ArtCollector GalleryLife BelgiumArt ContemporaryArtist ArtScene
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Galerie EDIFICE would like to sincerely thank everyone who joined us for the opening reception of « RUINA Æ » by Faber on June 5th, 2026. Your presence, support, and the many inspiring conversations throughout the evening helped make the event a great success. It was a pleasure to share this special moment with collectors, art enthusiasts, friends, and partners who continue to support contemporary art and the artists we represent. A special thank you to @rish.lab RISH for generously providing their exceptional kombuchas, @cafelapompe for keeping everyone refreshed with their fresh beers, and @le_bamp for fostering a creative environment and providing a platform where art, culture, and innovation can flourish. Their support was invaluable in making this evening such a memorable occasion. The exhibition remains open until July 3rd, 2026. Opening Hours * Wednesday to Saturday: 12:00 PM – 8:00 PM * Thursday: By appointment only We are also pleased to share that @faberlorne will be present at the gallery during opening hours, offering visitors a unique opportunity to meet the artist and discuss the works exhibited in RUINA Æ. We would be delighted to welcome you to discover the exhibition and spend time with the works on display. Thank you again for your continued support, and we look forward to seeing you at Galerie EDIFICE in the coming weeks. Galerie EDIFICE
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Dear all, We are pleased to invite you to discover the work of Faber Lorne at Edifice Brussels in Schaerbeek. Join us on Friday, June 5th from 6:00 PM for the exhibition opening. The evening will feature a performance by the artist at 7:30 PM, a special moment we highly encourage you not to miss. Throughout the evening, guests will be able to enjoy fresh beers kindly provided by Café La Pompe, as well as a selection of RISH kombuchas. We look forward to welcoming many of you to celebrate this occasion with the artist. Video by @bigtazr See you friday ! Faber Lorne Opens RUINA,Æ 
Your Civilisation’s Fragments Store

Opening Night: June 5th 2026 - 6pm
Performance - 7.30pm
Free Drinks By @rish.lab and @cafelapompe 

Closing Night: July 3th 2026 - 6pm - 10pm Exhibition Space: @edifice_brussels
Av, Sleeckx 37. 1030 Brussels 

Opening Hours: 
Wednesday to Saturday: 12am - 8pm
Tuesday: Open for appointments

Contact: +32 (0) 478 36 20 67 @edifice_brussels edifice.brussels@gmail.com 

#fragments #artist #boucherie #bruxelles
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Faber Lorne Opens RUINA,Æ Your Civilisation’s Fragments Store

Opening Night: 
5 June 2025 - 6pm
Performance - 7.30pm
Free Drinks by RISH and CAFE LA POMPE 

Closing Night:
3 July 2025 - 6pm - 10pm 

Exhibition Space: 
@edifice_brussels
Av, Sleeckx 37. 1030 Brussels 

Opening Hours:
Wednesday to Saturday: 12am - 8pm
Tuesday: Open for appointments

Contact:
+32 (0) 478 36 20 67
@edifice_brussels 
edifice.brussels@gmail.com 

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 By inaugurating RUINA, Æ, a store of fragments of your civilization, Faber Lorne directly confronts the economic paradigm of “destruction-consumption” that dominates the global economy. By infiltrating, in the form of an artwork, a value chain largely monopolized by industries of destruction and material revalorization, RUINA, Æ subverts its codes and captures a symbolic share of this market. The artist does not reproduce this system: he reenacts it, displaces it, and renders it visible. Through its ironic and incongruous dispositif, RUINA, Æ humbly seeks to question our relationship to consumption. This space — somewhere between a materials depot, an art gallery, and a neighborhood butcher shop — where fragments are piled up without hierarchy on a polished metal counter, immerses us in the heart of this exhausted economy, where values collapse as products proliferate. Derisory price tags, packaging machines, and a scale punctuate the installation, in a gesture that borders on irony within the field of contemporary art. At RUINA, Æ, buying fragments of civilization amounts to reintroducing scarcity into a world where the abundance of ruins had dissolved it.
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Faber Lorne Opens RUINA,Æ Your Civilisation’s Fragments Store Opening Night: June 5th 2026 - 6pm Performance - 7.30pm Free Drinks Closing Night: July 3th 2026 - 6pm - 10pm Exhibition Space: @edifice_brussels Av, Sleeckx 37. 1030 Brussels Opening Hours: Wednesday to Saturday: 12am - 8pm Tuesday: Open for appointments Contact: +32 (0) 478 36 20 67 @edifice_brussels edifice.brussels@gmail.com By inaugurating RUINA, Æ, a store of fragments of your civilization, Faber Lorne directly confronts the economic paradigm of “destruction-consumption” that dominates the global economy. By infiltrating, in the form of an artwork, a value chain largely monopolized by industries of destruction and material revalorization, RUINA, Æ subverts its codes and captures a symbolic share of this market. The artist does not reproduce this system: he reenacts it, displaces it, and renders it visible. Through its ironic and incongruous dispositif, RUINA, Æ humbly seeks to question our relationship to consumption. This space — somewhere between a materials depot, an art gallery, and a neighborhood butcher shop — where fragments are piled up without hierarchy on a polished metal counter, immerses us in the heart of this exhausted economy, where values collapse as products proliferate. Derisory price tags, packaging machines, and a scale punctuate the installation, in a gesture that borders on irony within the field of contemporary art. At RUINA, Æ, buying fragments of civilization amounts to reintroducing scarcity into a world where the abundance of ruins had dissolved it. #fragments #artist #boucherie #bruxelles #art
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Tragoedia Acte I est une exposition évolutive les œuvres, générées tout au long du mois, seront dévoilées progressivement, à la manière d’une tragédie révélant ses événements page après page. Notez dès maintenant la date du finissage : vendredi 7 novembre 2025, pour vivre l’aboutissement de cette expérience artistique unique. ________ Avec TRAGOEDIA, @clement_losson développe une esthétique du désastre où la matière n’est plus un simple support, mais devient le sujet même de l’œuvre. Conçue comme une fiction tragique en trois actes, cette œuvre protéiforme déploie une dialectique du visible et de l’altération, où l’objet devient surface d’inscription des forces qui le traversent. Installations, sculptures, dessins, projections et artefacts numériques constituent les strates d’un récit non linéaire, dans lequel le matériau est soumis à des processus de transformation. Formé à la scénographie, à la performance et à l’architecture d’intérieur, Clément Losson adopte une approche transdisciplinaire où la spatialité n’est jamais neutre. Pour lui, le jeu d’échelle devient un outil critique. L’infiniment petit — détail, fragment, trace — est transmis par un cadre choisi. Ce déplacement d’échelle est un moteur fondamental de sa pensée plastique, qui propose une lecture métamorphique du monde. La résidence à ÉDIFICE marque un tournant dans sa recherche. L’artiste y met en place un véritable dispositif expérimental où le processus prime sur le produit fini. Ici, la décomposition des matériaux et les dynamiques entropiques deviennent des matrices formelles. L’œuvre mute, échappe au contrôle, et se révèle dans l’impermanence. TRAGOEDIA ne se contente pas de représenter la tragédie ; elle en fait le mode opératoire même de l’œuvre. Clément Losson inscrit la matière dans sa vulnérabilité autant que dans sa puissance d’affect. La tragédie n’est plus un récit : elle devient un processus, une mécanique de la métamorphose où destruction et création coexistent. @faberlorne @mardi.spart @le_bamp #edificebrussels #dealingwithcontemporary
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Since the end of January, @gerardmeurant's residency has taken shape through a long process of research, creation, and experimentation. This residency, designed as a space-time conducive to reflection, preparation, and exchange, allowed the artist to develop an exhibition deeply aligned with the @edifice_brussels line. As a result of this immersion, the inaugural exhibition entitled "Perfect Burn Out" marks a culmination, while opening up new perspectives. This residency would not have been the same without the generosity of the artist, who shared his processes, questions, and impulses with rare sincerity. "Perfect Burn Out" is thus the reflection of an inner journey undertaken with rigor and commitment. Thank you, Gérard! #edificebrussels #art #artist #exhibition #artistrunspace #contemporaryart #contemporarypainting #gallery #brussels #artresidency #faberlorne #tomlenie #clementlosson #mariusspitsaert #dealingwithcontemporary #DWC
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The entire Edifice team would like to warmly thank everyone who attended our opening night, which also marked the official launch of our gallery. It was a truly special evening full of meaningful encounters, conversations, and emotions and it’s thanks to all of you artists, friends, partners, collectors, the curious and the passionate, that it came to life in such a vibrant and authentic way. We would like to extend our heartfelt thanks to the exhibiting artist @gerardmeurant for his trust and the outstanding quality of his work, which perfectly embodies the spirit and ambition of our contemporary program. Thank you as well to everyone who, near or far, helped make this project a reality. Your gestures, ideas, and support touched us deeply. This is just the beginning of a beautiful journey, and we look forward to seeing you again very soon for upcoming exhibitions and to continue bringing this space dedicated to contemporary creation to life together. With all our gratitude, The Edifice Team @gerardmeurant @faberlorne @clement_losson @mardi.spart @theo_parnet @le_bamp @cristel_vanderstappen @regi_spitsaert @brasseriedelasenne #dealingwithcontemporary #edificebrussels #art #artist #exhibition #artistrunspace #contemporaryart #contemporarypainting #gallery #brussels #artresidency #faberlorne #tomlenie #clementlosson #mariusspitsaert #DWC
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PERFECT BURNOUT by Gérard Meurant Opening Night: 19 avril 2025 - 6pm Performance - 7.30pm Closing Night: 11 mai 2025 - 6pm Exhibition Space: @edifice_brussels Av, Sleeckx 37. 1030 Brussels Opening Hours: Monday - Wednesday - Friday: 11am - 6pm Thursday: Open for appointement Saturday: 1pm - 6pm Contact: +32 (0) 478 36 20 67 @edifice_brussels edifice.brussels@gmail.com PERFECT BURNOUT de Gérard Meurant inaugure ÉDIFICE, nouvel espace dédié à la création contemporaine. L’exposition se présente comme une incantation contre l’épuisement systémique. Une roue tourne à plein régime lentement, pendant que des bannières aux images glitchées imposent une accélération visuelle comme horizon. Le temps vacille. Ici, même les entités non-humaines semblent affectées. L’atmosphère oscille entre galerie, garage et sanctuaire, saturée de tension et de fumée. Un motard trace un cercle au sol, geste précis de 20 secondes et hypnotique, figure d’un monde qui tourne à vide. Le burnout est une boucle anxieuse parfaitement huilée.  Un soleil argenté et un LED holographique, veille sur l'exposition une fois la « performance » terminée. PERFECT BURNOUT agit sans expliquer. C’est une perturbation lente dans un système en surchauffe. Un jour trop rempli, où rien ne semble accompli.  Une dérive soigneusement chorégraphiée. #edificebrussels #dealingwithcontemporary #art #artist #exhibition #artistrunspace #contemporaryart #contemporarypainting #gallery #brussels #artresidency #faberlorne #tomlenie #clementlosson #mariusspitsaert #DWC
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